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This publication includes piano works by Johannes Brahms from Opus 76. Titles: * No. 1, Capriccio * No. 2, Capriccio * No. 3, Intermezzo * No. 4, Intermezzo * No. 5, Capriccio * No. 6, Intermezzo * No. 7, Intermezzo * No. 8, Capriccio Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
Op. 73 by David Popper has long been a staple for cellists to master technique and be able to play with fluidity on the instrument. This new edition is made with the Friedrich Hofmeister plates from 1901-1905. This is the original printing as Popper himself would have viewed it.
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
Brahms composed these melodic finger exercises for use in preparation for performing his more challenging piano works. They encompass a great many technical problems found in piano music composed up to and including the Romantic period. Great emphasis is placed on finger independence as well as on the total independence of hands.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
This collection of specially commissioned essays offers an accessible introduction to the history of the piano, performance styles, and its vast repertoire. Part 1 reviews the evolution of the piano, from its earliest forms up to the most recent developments, including the acoustics of the instrument. Part 2 explores the varied repertory in its social and stylistic contexts, including contemporary music, with a final chapter on jazz, blues and ragtime. The Companion also contains a glossary of important terms and will be a valuable source for the piano performer, student and enthusiast.
Charles-Valentin Alkan's 49 "Esquisses", true to the original work.
For two decades, beginning in the early 1870s, Robert Keller, music editor for N. Simrock Verlag in Berlin, worked with diligence and devotion to usher into print most of Johannes Brahms's major compositions, including all four of his symphonies, the Violin Concerto, the Double Concerto, the Second Piano Concerto, and numerous chamber, choral, and vocal works. This volume collects for the first time the complete extant correspondence between Brahms and Keller, as preserved in the collections of the Library of Congress and the Gesellschaft der Musikfreunde in Vienna. To read their correspondence is to witness a relationship of mutual respect and increasing friendship and to gain an appreciation for the meticulous labor that went into the publication of Brahms's masterpieces. Keller’s admiration for the composer's genius was answered by Brahms's affection for Keller’s diligence and musical expertise. The vicissitudes of the publication process from composer’s manuscript to printed score are documented in fascinating detail. This edition includes a transcription of the letters in the original German.
During the latter part of his life, Brahms wrote only sets of relatively short pieces. With their formal and stylistic perfection, they are among the most valuable of the late-Romantic additions to piano repertoire. Included in this edition are 30 pieces by Brahms, preceded by a helpful introduction which contains definitions of the ballade, rhapsody, capriccio and intermezzo.