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(Applause Books). Miguel de Cervantes (1547-1616) is Spain's most famous author, primarily because of his celebrated novel Don Quixote . His first love, however, was the theater, for which he wrote extensively. His Interludes , published 400 years ago in 1615, are short, comic plays that explore the underbelly of Renaissance Spanish society. Their characters include hillbillies and con artists, pimps and prostitutes, adulterous wives and jealous husbands, and an array of other comical figures. Cervantes's treatment of them is simultaneously critical and sympathetic. Although interludes tend to be works of light comedy, Cervantes often imbues his with deeper themes. Charles Patterson, a scholar of Hispanic theater, has created translations of the Interludes that are true to the earthiness of the originals but designed to be readily playable for today's actors and accessible to modern audiences. This book includes an introduction that places the plays in context, briefly describing the life of Cervantes, theater in early modern Spain, Cervantes's interludes, and Patterson's approach to translating them. Casual readers, theater and literature students, and professional actors alike will delight in these comedic gems that reveal a less familiar side of one of history's greatest writers.
EIGHT INTERLUDES FOR ORGAN
Best known and loved for DON QUIXOTE,the ground-breaking comic precursor of the modern novel,Cervantes led an extraordinary life every bit as colourful as his works.Born the son of a poor medical practioner,maimed by gunshot as a soldier, held to ransom by Algerian corsairs,and eventually drifting into a literary career,Cervantes could draw upon a range of experience with which to spice up his writings.Written as diversionary pieces to be performed between the main acts of a play,Cervantes's eight interludes included in this anthology are comic gems in their own right.As a genre,'interludes'were generally disliked by the authorities because of their subversive potential,and those by Cervantes are no exception.Crude,rude robust and anarchically refreshing,EIGHT INTERLUDES reveals that even as a playwright Cervantes was ahead of his times.
Miguel de Cervantes (1547-1616) is Spain's most famous author, primarily because of his celebrated novel Don Quixote. His first love, however, was the theater, for which he wrote extensively. His Interludes, published 400 years ago in 1615, are short, comic plays that explore the underbelly of Renaissance Spanish society. Their characters include hillbillies and con artists, pimps and prostitutes, adulterous wives and jealous husbands, and an array of other comical figures. Cervantes's treatment of them is simultaneously critical and sympathetic. Although interludes tend to be works of light comedy, Cervantes often imbues his with deeper themes. Charles Patterson, a scholar of Hispanic theater, has created translations of the Interludes that are true to the earthiness of the originals but designed to be readily playable for today's actors and accessible to modern audiences. This book includes an introduction that places the plays in context, briefly describing the life of Cervantes, theater in early modern Spain, Cervantes's interludes, and Patterson's approach to translating them. Casual readers, theater and literature students, and professional actors alike will delight in these comedic gems that reveal a less familiar side of one of history's greatest writers.
"The bringing of Spanish seventeenth-century verse plays to the contemporary English-speaking stage involves a number of fundamental questions. Are verse translations preferable to prose, and if so, what kind of verse? To what degree should translations aim to be 'faithful'? Which kinds of plays 'work', and which do not? Which values and customs of the past present no difficulties for contemporary audiences, and which need to be decoded in performance?Which kinds of staging are suitable, and which are not? To what degree, if any, should one aim for 'authenticity' in staging? In this volume, a group of translators, directors, and scholars explores these and related questions."--Jacket
The attack on the US Capitol on 6 January 2021 was a tragic illustration of the existential threat that the viral spread of disinformation poses in the age of social media and twenty-four-hour news. From climate change denialism to the frenzied conspiracy theories and racist mythologies that fuel antidemocratic white nationalist movements in the United States and abroad, What Would Cervantes Do? is a lucid meditation on the key role the humanities must play in dissecting and combatting all forms of disinformation. David Castillo and William Egginton travel back to the early modern period, the first age of inflationary media, in search of historically tested strategies to overcome disinformation and shed light on our post-truth market. Through a series of critical conversations between cultural icons of the twenty-first century and those of the Spanish Golden Age, What Would Cervantes Do? provides a tour-de-force commentary on current politics and popular culture. Offering a diverse range of Cervantist comparative readings of contemporary cultural texts – movies, television shows, and infotainment – alongside ideas and issues from literary and cultural texts of early modern Spain, Castillo and Egginton present a new way of unpacking the logic of contemporary media. What Would Cervantes Do? is an urgent and timely self-help manual for literary scholars and humanists of all stripes, and a powerful toolkit for reality literacy.