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From the author of the timeless classic Out of Africa: five hauntingly evoked, sensuously realized stories and a novella “that belong in that special realm in which artistry is more real than reality” (TIME). • Ehrengard is soon to be a Netflix Film. “Dinesen’s stories are the work of a writer with a powerful imagination and a shrewd intelligence.” —The New York Times Book Review In the classic “Babette’s Feast,” a mysterious Frenchwoman prepares sumptuous feast for a gathering of religious ascetics and, in doing so, introduces them to the true essence of grace. In “The Immortal Story,” a miserly old tea-trader living in Canton wishes for power and finds redemption as he turns an oft-told sailors’ tale into reality for a young man and woman. And in the magnificent novella Ehrengard, Dinesen tells of the powerful yet restrained rapport between a noble Wagnerian beauty and rakish artist.
Shadows on the Grass, Winter's Tales, Last Tales, Anecdotes of Destiny, and Ehrengard, Brantly explores the clues, details, and subplots in texts that critics often describe as puzzles and labyrinths. Brantly reveals the thought and care that Dinesen devoted to the construction of her stories, her expansive knowledge of world literature, and the great pleasure awaiting readers as they unravel the mysteries embedded in her texts."--BOOK JACKET.
Placing Kierkegaard squarely within the current of contemporary continental philosophy, The New Kierkegaard reveals intriguing insights into the philosopher's work and thinking. By reading Kierkegaard deconstructively, the 13 lively essays in this volume seek a deeper understanding of his work in philosophy, religion, and aesthetics. These readings explore the breadth of Kierkegaard's thought and unfold the richness of his views on the human condition. Consideration of a broad range of themes—from irony and madness to love and experience—and texts—Either/Or, Philosophical Fragments, Works of Love, and Fear and Trembling—emphasizes the ambiguities, dialectical tensions, and open-endedness of Kierkegaard's philosophical writings. These innovative and original commentaries give Kierkegaard a fresh look and bring him into present-day discussions and debates in continental philosophy. Contributors are Jacob Bøggild, John D. Caputo, Mark Dooley, Joakim Garff, Robert Gibbs, Elsebet Jegstrup, Richard Kearney, John Llewelyn, Roger Poole, Vanessa Rumble, John Vignaux Smyth, Jason Wirth, and David Wood.
In the classic “Babette’s Feast,” a mysterious Frenchwoman prepares sumptuous feast for a gathering of religious ascetics and, in doing so, introduces them to the true essence of grace. In “The Immortal Story,” a miserly old tea-trader living in Canton wishes for power and finds redemption as he turns an oft-told sailors’ tale into reality for a young man and woman. And in the magnificent novella Ehrengard, Dinesen tells of the powerful yet restrained rapport between a noble Wagnerian beauty and rakish artist. Hauntingly evoked and sensuously realized, the five stories read and novella collected here and have the hold of “fairy stories read in childhood . . . of dreams . . . and of our life as dreams.” (The New York Times)
This book investigates the writings of Karen Blixen (Isak Dinesen) from an existentialist angle. Although it has not been subject to much study, Blixen’s writing elegantly and subtly integrates the ideas of Kierkegaard, Nietzsche and Sartre in a way that makes the philosophers more accessible to a wider audience. However, Blixen also offers her own ideas of the fundamental problem in existentialism: how to arrive at an authentic identity through free, individual choices – or, as Nietzsche put it: how to become who you are. On the whole, Blixen’s authorship can be seen as an existential study of the 20th century and the ways by which Western culture came to be what it is now. In agreement with Nietzsche’s statement that all philosophy is an involuntary autobiography, this book also contains accounts of the lives of the three philosophers chiefly involved in this study.
Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.
In 1714 George Ludwig, the fifty-eight-year-old elector of Brunswick-Luneburg, became, as George I, the first of the Hanoverian dynasty to rule Britain. Until his death in 1727 George served as both elector of Hanover and British monarch. An enigmatic figure whose real character has long been concealed by anti-Hanoverian propaganda, George emerges in this groundbreaking biography as an impressive ruler who welcomed the responsibilities the accession brought him and set out to bring culture to what he considered the unsophisticated English nation. Ragnhild Hatton’s biography is the only comprehensive account of George’s life and reign. It draws on a wide range of archival sources in several languages to illuminate the fascinating details of George’s early life and dynastic crises, his plans and ambitions for the British nation, the impact of his rationalist ideas, and his accomplishments as king. The book also examines the king’s private life, his family relationships in both Prussia and England, his private interest in music and the arts, and the improvement of his British and Hanoverian properties.