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Both a symbol of the Mubarak government’s power and a component in its construction of national identity, football served as fertile ground for Egyptians to confront the regime’s overthrow during the 2011 revolution. With the help of the state, appreciation for football in Egypt peaked in the late 2000s. Yet after Mubarak fell, fans questioned their previous support, calling for a reformed football for a new, postrevolutionary nation. In Egypt’s Football Revolution, Carl Rommel examines the politics of football as a space for ordinary Egyptians and state forces to negotiate a masculine Egyptian chauvinism. Based on several years of fieldwork with fans, players, journalists, and coaches, he investigates the increasing attention paid to football during the Mubarak era; its demise with the 2011 uprisings and 2012 Port Said Massacre, which left seventy-two dead; and its recent rehabilitation. Cairo’s highly organized and dedicated Ultras fans became a key revolutionary force through their antiregime activism, challenging earlier styles of fandom and making visible entrenched ties between sport and politics. As the appeal for football burst, alternative conceptions of masculinity, emotion, and power came to the fore to demand or prevent revolution and reform.
A fascinating account of football culture in Egypt through its ultras groups The history of Cairo’s football fans is one of the most poignant narratives of the 25 January 2011 Egyptian uprising. The Ultras Al-Ahly and the Ultras White Knights fans, belonging to the two main teams, Al-Ahly F.C. and Zamalek F.C respectively, became embroiled in the street protests that brought down the Mubarak regime. In the violent turmoil since, the Ultras have been locked in a bitter conflict with the Egyptian security state. Tracing these social movements to explore their role in the uprising and the political dimension of soccer in Egypt, Ronnie Close provides a vivid, intimate sense of the Ultras’ unique subculture. Cairo’s Ultras: Resistance and Revolution in Egypt’s Football Culture explores how football communities offer ways of belonging and instill meaning in everyday life. Close asks us to rethink the labels ‘fans’ or ‘hooligans’ and what such terms might really mean. He argues that the role of the body is essential to understanding the cultural practices of the Cairo Ultras, and that the physicality of the stadium rituals and acerbic chants were key expressions that resonated with many Egyptians. Along the way, the book skewers media clichés and retraces revolutionary politics and social networks to consider the capacity of sport to emancipate through performances on the football terraces.
Both a symbol of the Mubarak government's power and a component in its construction of national identity, football served as fertile ground for Egyptians to confront the regime's overthrow during the 2011 revolution. With the help of the state, appreciation for football in Egypt peaked in the late 2000s. Yet after Mubarak fell, fans questioned their previous support, calling for a reformed football for a new, postrevolutionary nation. In Egypt's Football Revolution, Carl Rommel examines the politics of football as a space for ordinary Egyptians and state forces to negotiate a masculine Egyptian chauvinism. Basing his discussion on several years of fieldwork with fans, players, journalists, and coaches, he investigates the increasing attention paid to football during the Mubarak era; its demise with the 2011 uprisings and 2012 Port Said massacre, which left seventy-two fans dead; and its recent rehabilitation. Cairo's highly organized and dedicated Ultras fans became a key revolutionary force through their antiregime activism, challenging earlier styles of fandom and making visible entrenched ties between sport and politics. As the appeal of football burst, alternative conceptions of masculinity, emotion, and politics came to the fore to demand or prevent revolution and reform.
A poignant, deeply human portrait of Egypt during the Arab Spring, told through the lives of individuals A FINANCIAL TIMES AND AN ECONOMIST BOOK OF THE YEAR 'This will be the must read on the destruction of Egypt's revolution and democratic moment' Sarah Leah Whitson, Middle East director of Human Rights Watch 'Sweeping, passionate ... An essential work of reportage for our time' Philip Gourevitch, author of We Wish to Inform You That Tomorrow We Will Be Killed with Our Families In 2011, Egyptians of all sects, ages and social classes shook off millennia of autocracy, then elected a Muslim Brother as president. New York Times correspondent David D. Kirkpatrick arrived in Egypt with his family less than six months before the uprising first broke out in 2011. As revolution and violence engulfed the country, he lived through Cairo's hopes and disappointments alongside the diverse population of his new city. Into the Hands of the Soldiers is a heartbreaking story with a simple message: the failings of decades of autocratic rule are the reason for the chaos we see across the Arab world. Understanding the story of what happened in those years can help readers make sense of everything taking place across the region today – from the terrorist attacks in North Sinai to the bedlam in Syria and Libya.
Both a symbol of the Mubarak government’s power and a component in its construction of national identity, football served as fertile ground for Egyptians to confront the regime’s overthrow during the 2011 revolution. With the help of the state, appreciation for football in Egypt peaked in the late 2000s. Yet after Mubarak fell, fans questioned their previous support, calling for a reformed football for a new, postrevolutionary nation. In Egypt’s Football Revolution, Carl Rommel examines the politics of football as a space for ordinary Egyptians and state forces to negotiate a masculine Egyptian chauvinism. Based on several years of fieldwork with fans, players, journalists, and coaches, he investigates the increasing attention paid to football during the Mubarak era; its demise with the 2011 uprisings and 2012 Port Said Massacre, which left seventy-two dead; and its recent rehabilitation. Cairo’s highly organized and dedicated Ultras fans became a key revolutionary force through their antiregime activism, challenging earlier styles of fandom and making visible entrenched ties between sport and politics. As the appeal for football burst, alternative conceptions of masculinity, emotion, and power came to the fore to demand or prevent revolution and reform.
This unique interdisciplinary collective project is the culmination of research and translation work conducted by American University in Cairo students of different cultural and linguistic backgrounds who continue to witness Egypt's ongoing revolution. This historic event has produced an unprecedented proliferation of political and cultural documents and materials, whether written, oral, or visual. Given their range, different linguistic registers, and referential worlds, these documents present a great challenge to any translator. The contributors to this volume have selectively translated chants, banners, jokes, poems, and interviews, as well as presidential speeches and military communiqués. Their practical translation work is informed by the cultural turn in translation studies and the nuanced role of the translator as negotiator between texts and cultures. The chapters focus on the relationship between translation and semiotics, issues of fidelity and equivalence, creative transformation and rewriting, and the issue of target readership. This mature collective project is in many ways a reenactment of the new infectious revolutionary spirit in Egypt today.
Award-winning journalist Thanassis Cambanis tells the “wonderfully readable and insightful” (Booklist, starred review) inside story of the 2011 Egyptian revolution. Cambanis brings to life the noble dreamers who brought Egypt to the brink of freedom, and the dark powerful forces that—for the time being—stopped them short. But he also tells a universal story of inspirational people willing to transform themselves in order to transform their society. He focuses on two pivotal leaders: One is Basem, an apolitical middle-class architect who puts his entire family in danger when he seizes the chance to improve his country. The other is Moaz, a contrarian Muslim Brother who defies his own organization to join the opposition. These revolutionaries had little more than their idealism with which to battle the secret police, the old oligarchs, and a power-hungry military determined to keep control. Basem wanted to change the system from within and became one of the only revolutionaries to win a seat in parliament. Moaz took a different course, convinced that only street pressure from youth movements could dismantle the old order. Their courageous and imperfect decisions produced an uprising with one enduring outcome: No Arab leader ever again can take the population’s consent for granted. Once Upon a Revolution is “a welcome addition to the literature on Egypt’s uprising” (Library Journal). Featuring exclusive and distinctive reporting, Thanassis Cambanis’s “fluent, intelligent, and highly informed book…convincingly explains what happened in Egypt over the last four years” (The New York Times Book Review).
Coming in the wake of intense political and academic debate on the nature and development of the Arab Uprisings, Gramsci on Tahrir zeroes in on the complex dynamic of Egypt's revolution and counter-revolution. It shows how a Gramscian understanding of the revolutionary process provides a powerful instrument for charting the possibilities for an emancipatory project by the Egyptian subaltern classes.Central to De Smet's argument is Gramsci's interpretation of 'Caesarism', an occasion in which two evenly matched political opponents reach a potentially catastrophic stalemate; such an interplay between these forces can only end in mutual destruction. In applying this to the Egyptian revolution, we see how the Egyptian state was bereft of strong hegemonies and the people were replete with capable counter-hegemonies. The current situation in Egypt demonstrates how both national histories and global power relations enable, define and displace popular resistance and social transformation.
An intimate account of the Arab Spring, and Egypt’s past and present, seen through the eyes of a wide range of Egyptians: political operators, archaeologists and garbage collectors; women, the queer community and migrants.
This book examines the role of artists in Egypt during the 2011 revolution, when street art from graffiti to political murals became ubiquitous facets of revolutionary spaces. Through interviews, personal testimonies, and accounts of the lived experience of 25 street artists, the book explores the meaning of art in revolutionary political contexts, specifically by focusing on artistic production during 'liminal' moments as the events of the Egyptian revolution unfolded. The author privileges the perspective of the actors themselves to examine the ways that artists reacted to events and conceived of their art as means to further the goals of the revolution. Based on fieldwork conducted in the years since 2011, the book provides a narrative of Egyptian artists' participation in and representations of the revolution, from hopeful beginnings to the subsequent crackdown and election of al-Sisi.