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For over three thousand years, ancient Egyptian sculptors created statues of deities, kings and elite officials and their families. These were set up mainly in temples or tombs and played a vital role in temple and funerary ritual, being places where non-physical entities - deities, the royal ka-spirit and the ka-spirits of the dead - could manifest themselves in this world. The book begins by examining the materials and techniques employed by sculptors and the various statue types and poses that occur. Next it explores the function of statues and the different contexts for which they were made. This is followed by a chapter explaining the notion of the ideal image: statues were not intended to be exact likenesses but rather ideal images reflecting the identity, role and status of the subject. The individual identity of a statue was usually provided by inscriptions, and the various texts found on statues are discussed together with the different types of relief decoration that occur on statue surfaces. A final chapter considers what was constant and what changed over time and looks at the influence that Egyptian statues had on the origins of monumental Greek sculpture.
A fascinating, richly illustrated study of the role and significance of ancient statues in Egyptian history and belief Why do ancient Egyptian statues so often have their noses, hands, or genitals broken? Although the Late Antiquity period appears to have been one of the major moments of large-scale vandalism against pagan monuments, various contexts bear witness to several phases of reuse, modification, or mutilation of statues throughout and after the pharaonic period. Reasons for this range from a desire to erase the memory of specific rulers or individuals for ideological reasons to personal vengeance, war, tomb plundering, and the avoidance of a curse; or simply the reuse of material for construction or the need to ritually “deactivate” and bury old statues, without the added motive of explicit hostility toward the subject in question. Drawing on the latest scholarship and over 100 carefully selected illustrations, Ancient Egyptian Statues proceeds from a general discussion of the production and meaning of sculptures, and the mechanisms of their destruction, to review the role of ancient statuary in Egyptian history and belief. It then moves on to explore the various means of damage and their significance, and the role of restoration and reuse. Art historian Simon Connor offers an innovative and lucidly written reflection on beliefs and practices relating to statuary, and images more broadly, in ancient Egypt, showing how statues were regarded as the active manifestations of the entities they represented, and the ways in which they could endure many lives before being finally buried or forgotten.
This book explores the ways in which statues have been experienced in public in different cultures and the role that has been played by statues in defining publicness itself. The meaning of public statues is examined through discussion of their appearance and their spatial context and of written discourses having to do with how they were experienced. Bringing together experts working on statues in different cultures, the book sheds light on similarities and differences in the role that public statues had in different times and places throughout history. The book will also provide insight into the diverse methods and approaches that scholars working on these different periods use to investigate statues. The book will appeal to historians, art historians and archaeologists of all periods who have an interest in the display of sculpture, the reception of public art or the significance of public monuments.
The aim of this book is to approach Ptolemaic and Imperial royal sculpture in Egypt dating between 300 BC and AD 220 from a contextual point of view. To collect together the statuary items that are identifiably royal and have a secure archaeological context, within Egypt.
Throughout their long history, the ancient Egyptians crafted exquisite statues of bronze, copper, silver and gold as offerings to their gods and for use in temples and shrines. This title focuses on the art and significance of Egyptian metal statuary, presenting insights and up-to-date information on this precious work.
This handsomely illustrated book offers a broad synthesis of Archaic Greek culture. Unlike other books dealing with the art and architecture of the Archaic period, it places these subjects in their historical, social, literary, and intellectual contexts. Origins and originality constitute a central theme, for during this period representational and narrative art, monumental sculpture and architecture, epic, lyric, and dramatic poetry, the city-state (polis), tyranny and early democracy, and natural philosophy were all born.
This catalogue for an exhibit at Chicago's Oriental Institute Museum presents the newest research on the Predynastic and Early Dynastic Periods in a lavishly illustrated format. Essays on the rise of the state, contact with the Levant and Nubia, crafts, writing, iconography and evidence from Abydos, Tell el-Farkha, Hierakonpolis and the Delta were contributed by leading scholars in the field. The catalogue features 129 Predynastic and Early Dynastic objects, most from the Oriental Institute's collection, that illustrate the environmental setting, Predynastic and Early Dynastic culture, religion and the royal burials at Abydos. This volume will be a standard reference and a staple for classroom use.