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Proceedings of the 1990 Pottery Symposium at the University of California Berkeley. .
Despite many years work on the technology of pottery production it is perhaps surprising that the origins of the potter's wheel in Egypt have yet to be determined. This volume seeks to rectify this situation by determining when the potter's wheel was introduced into Egypt.
Proceedings of the 1990 Pottery Symposium at the University of California Berkeley. .
The Oxford Handbook of Egyptology offers a comprehensive survey of the entire study of ancient Egypt, from prehistory through to the end of the Roman period. Authoritative yet accessible, and covering a wide range of topics, it is an invaluable resource for scholars, students, and general readers alike.
Numerous research projects have studied the Nubian cultures of Sudan and Egypt over the last thirty years, leading to significant new insights. The contributions to this handbook illuminate our current understanding of the cultural history of this fascinating region, including its interconnections to the natural world.
Primary source documents and detailed entries reveal what ancient Egypt was like, using the objects and artifacts of daily life from the period covering the Predynastic era through the Græco-Roman period (5000 BCE to 300 CE). Historians have found that valuable knowledge about long-ago civilizations can be derived from examining the simple routines of daily life. This fascinating study presents a collection of everyday objects and artifacts from ancient Egypt, shedding light on the social life and culture of ancient Egyptians. The work starts with a popular notion of ancient Egyptian beauty and gradually moves on to address various aspects of life, including home, work, communication, and transition and afterlife. Organized by topics, the work contains the following sections: beauty, adornment, and clothing; household items, furniture, and games; food and drink; tools and weapons; literacy and writing; death and funerary equipment; and religion, ritual, and magic. Each object holds equal importance and dates from the Predynastic era to the Græco-Roman period of ancient Egypt (5000 BCE to 300 CE). A special section provides guidance on evaluating objects and artifacts by asking questions—Who created it? Who used it? What did it do/what was its purpose? When and where was it made? Why was it made?—to help assess the historical context of the object.
Walls of the Prince offers a series of articles that explore Egyptian interactions with Southwest Asia during the second and first millennium BCE, including long-distance trade in the Middle Kingdom, the itinerary of Thutmose III’s great Syrian campaign, the Amman Airport structure, anthropoid coffins at Tell el-Yahudiya, Egypt’s relations with Israel in the age of Solomon, Nile perch and other trade with the southern Levant and Transjordan in the Iron Age, Saite strategy at Mezad Hashavyahu, and the concept of resident alien in Late Period Egypt. These are complemented by methodological and typological studies of data from the archaeological investigations at Tell al-Maskhuta, the Wadi Tumilat, and Mendes in the eastern Nile delta. Together, they reflect the diverse range of Professor Holladay’s long and distinguished scholarly career.
The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues. The diachronic perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.