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Writing as Material Practice grapples with the issue of writing as a form of material culture in its ancient and more recent manifestations, and in the contexts of production and consumption. Fifteen case studies explore the artefactual nature of writing — the ways in which materials, techniques, colour, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making. Covering a temporal span of some 5000 years, from c.3200 BCE to the present day, and ranging in spatial context from the Americas to the Near East, the chapters in this volume bring a variety of perspectives which contribute to both specific and broader questions of writing materialities. The authors also aim to place past graphical systems in their social contexts so they can be understood in relation to the people who created and attributed meaning to writing and associated symbolic modes through a diverse array of individual and wider social practices.
Drawing on the extensive archeological record, Golden looks at daily life in antiquity, providing rich portraits of the role of women, craft production, metallurgy, technology, political and social organization, trade, and religious practices. He traces the great religious traditions that emerged in this region back to their most ancient roots and he also considers the Canaanites and Philistines, examining the differences between highland and coastal cultures and the cross-fertilization between societies.
This important volume describes the art created in the second millennium B.C. for royal palaces, temples, and tombs from Mesopotamia, Syria, and Anatolia to Cyprus, Egypt, and the Aegean.
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.
Since the earliest era of archaeological discovery on Crete, vivid renderings of animals have been celebrated as defining elements of Minoan culture. Animals were crafted in a rich range of substances and media in the broad Minoan world, from tiny seal-stones to life-size frescoes. In this study, Emily Anderson fundamentally rethinks the status of these zoomorphic objects. Setting aside their traditional classification as 'representations' or signs, she recognizes them as distinctively real embodiments of animals in the world. These fabricated animals-engaged with in quiet tombs, bustling harbors, and monumental palatial halls-contributed in unique ways to Bronze Age Aegean sociocultural life and affected the status of animals within people's lived experience. Some gave new substance and contour to familiar biological species, while many exotic and fantastical beasts gained physical reality only in these fabricated embodiments. As real presences, the creatures that the Minoans crafted artfully toyed with expectation and realized new dimensions within and between animalian identities.
Ikonographie lässt viele Rückschlüsse auf eine Gesellschaft zu. Die Ikonographie der Philister hilft, die sozialen, ethnischen, religiösen und ideologischen Aspekte dieser Kultur besser zu verstehen. Die Philister entwickelten während der Eisenzeit (ca. 1200-600 v.Chr.) eine distinguierte Kultur. David Ben-Shlomo präsentiert und diskutiert den Bestand der ikonographischen Darstellungen der Philisterkultur (Tonmalereien, Statuen, Eisenschnitzereien, Glyptik u.a.). Der figürliche Stil und der Symbolismus spiegelt sowohl die Rückbindung der Philisterkultur an die ägäische Heimat als auch den laufenden Prozess der Interaktion mit den lokalen Gastkulturen in der südlichen Levante eindrücklich wider. Die Ikonographie liefert so ein bedeutendes Zeugnis, das die sozialen, ethnischen, religiösen und ideologischen Aspekte der Philister und ihrer Nachbarn im östlichen Mittelmeerraum besser zu verstehen hilft.
Ancient Egypt was a rich tapestry of social, religious, technological, and economic interconnections among numerous civilizations from disparate lands. Ancient Egypt as perceived today was constantly changing-and changing the cultures around it. This work explores the diverse methods of interaction between Egypt and its neighbors during the pharaonic period.
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Pharaohs of the Bible (Mizraim to Shishak) proves the Biblical history is accurate. It explains how over 200 pharaohs of the 1st - 17th dynasties reigned during only 600 years between Noah's flood and Joseph's famine. This breakthrough book intertwines the history of the Old Testament with the archaeological facts and events of Egypt, the Levant, and the cultures around the Mediterranean Sea. By correlating facts of famines in Egypt with the Bible, several major connections were made. For example, thirty huge temporary silos were constructed at Tell el-Daba (Avaris) soon after Ahmose I conquered it, connecting Ahmose I with Joseph's 7-year famine and the huge grain silos in Boeotia, Greece. Hundreds of black and white maps, charts, and pictures simplify the complexity and immensity of the data to enable readers to follow God's remarkable revelation of history.