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Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity. By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority. Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends.
An investigation into dream reports in the history and literature of early Roman culture.
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Ancient Egypt has always been a source of fascination to writers, artists and architects in the West. This book is the first study to address representations of Ancient Egypt in the modern imagination, breaking down conventional disciplinary boundaries between fields such as History, Classics, Art History, Fashion, Film, Archaeology, Egyptology, and Literature to further a nuanced understanding of ancient Egypt in cultures stretching from the eighteenth century to the present day, emphasising how some of the various meanings of ancient Egypt to modern people have traversed time and media. Divided into three themes, the chapters scrutinise different aspects of the use of ancient Egypt in a variety of media, looking in particular at the ways in which Egyptology as a discipline has influenced representations of Egypt, ancient Egypt's associations with death and mysticism, as well as connections between ancient Egypt and gendered power. The diversity of this study aims to emphasise both the multiplicity and the patterning of popular responses to ancient Egypt, as well as the longevity of this phenomenon and its relevance today.
Egyptomania takes us on a historical journey to unearth the Egypt of the imagination, a land of strange gods, mysterious magic, secret knowledge, monumental pyramids, enigmatic sphinxes, and immense wealth. Egypt has always exerted a powerful attraction on the Western mind, and an array of figures have been drawn to the idea of Egypt. Even the practical-minded Napoleon dreamed of Egyptian glory and helped open the antique land to explorers. Ronald H. Fritze goes beyond art and architecture to reveal Egyptomania’s impact on religion, philosophy, historical study, literature, travel, science, and popular culture. All those who remain captivated by the ongoing phenomenon of Egyptomania will revel in the mysteries uncovered in this book.
Interest in all kinds of interactions between Egypt and Rome has grown considerably over the last decade. This debate has not only altered our views on the impact of Rome on Alexandria and Egypt but also strongly put to the fore the reverse direction of this cultural interaction: Egyptian influences on the Roman world. It is this topic, Egypt in the Roman World, that was central to the IIIrd International Conference of Isis Studies, held in Leiden in May 2005. This book, a selection of the papers delivered at the conference, gives a clear overview of the debate as it has developed in recent years. In two parts (I. Interpretations of the meaning of Aegyptiaca Romana and II. Understanding the cults of Isis in their local context)preceded by a general introduction it offers a broad perspective on the various aspects of cultural interaction between Egypt and Rome, also by bringing together different research traditions in this field.
Few other civilizations rival Ancient Egypt in its power to capture the modern imagination, and Cleopatra VII, monarch at the end of the Ptolemaic period, has always been preeminent among its cast of characters. Coming to power just before the unstable state was about to be absorbed into an autocratic empire, Cleopatra oversaw not only Egypt's progress as an influential regional power but also the fragile peace of its ethnically mixed population.Michel Chauveau looks at many facets of life under this queen and her dynasty, drawing on such sources as firsthand accounts, numismatics, and Greek, Demotic, and hieroglyphic inscriptions. His use of such sources helps to free the narrative of dependence on later (and usually hostile) Greek and Roman historians. By taking up such subjects as funeral customs, language and writing, social class structure, religion, and administration, he affords the reader an unprecedented and comprehensive picture of Greek and Egyptian life in both the cities and the countryside.Originally published in French in 1997, Egypt in the Age of Cleopatra fulfills a long-standing need for an accessible introduction to the social, economic, religious, military, and cultural history of Ptolemaic Egypt.
Protected on two sides by wide deserts and on another by the sea, the narrow strip of land watered and fertilized by the Nile was an ideal location for the development of the great civilization of Egypt. From its beginnings below the first cataract of the Nile to its long and legendary magnificence at the Nile Delta, ancient Egypt grew ever more prosperous and powerful, first as two kingdoms, then as one. A Short History of Ancient Egypt provides a concise, authoritative, and richly illustrated overview of ancient Egypt from its rise from the marshes to its submission to Rome. T. G. H. James describes how, in about 3100 B.C., the Egyptians first forged a unified administration and established a dynasty of kings. He follows the development of Egypt's greatest achievements: the organization of a national irrigation system, learning to write, and the construction of cities and tombs out of mud brick. As their art became more distinctive and expressive and their beliefs were shaped into religion, Greek philosophers came to Egypt to study. Tourists came to gape. At first, James explains, the chief adversaries of Egyptians were themselves. Civil strife could arise from floods or famines, or from ambitious factions of the royal family. But in time, the bounty of Egyptian agriculture, the grandeur of Egyptian art and buildings, and the ostentation of Egyptian wealth excited the envy and aggression of other nations. Although Egypt fought to retain its independence, it succumbed at last under the conquests of Persia, Greece, and Rome.
God, Space, and City in the Roman Imagination is a unique exploration of the relationship between the ancient Romans' visual and literary cultures and their imagination. Drawing on a vast range of ancient sources, poetry and prose, texts, and material culture from all levels of Roman society, it analyses how the Romans used, conceptualized, viewed, and moved around their city. Jenkyns pays particular attention to the other inhabitants of Rome, the gods, and investigates how the Romans experienced and encountered them, with a particular emphasis on the personal and subjective aspects of religious life. Through studying interior spaces, both secular (basilicas, colonnades, and forums) and sacred spaces (the temples where the Romans looked upon their gods) and their representation in poetry, the volume also follows the development of an architecture of the interior in the great Roman public works of the first and second centuries AD. While providing new insights into the working of the Romans' imagination, it also offers powerful challenges to some long established orthodoxies about Roman religion and cultural behaviour.