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DIVExplores the relation between nineteenth-century American interest in ancient Egypt in architecture, literature, and science, and the ways Egypt was deployed by advocates for slavery and by African American writers./div
The book provides a unique account of the very active economic, social and political roles of nineteenth-century women.
Reading the Sphinx unearths buried conflicts in religion, myth, and the memory of Egypt in the West, illuminating issues of identity, inheritance, gender, and sexuality through cultural productions ranging from Herodotus to Freud.
Although nineteenth-century Egyptian Jewry was an active and creative part of society, this work from 1969 is the main comprehensive work devoted to an analysis and appraisal of its activities. The period under review commences with the fall of the Mamluk regime in Egypt, and the incipient modernization of the state, with the resulting increase in Jewish activity. It terminates with the end of World War I and the new era in the history of modern Egypt, an era of extreme nationalism that led to the undermining of the Jewish community.
For 130 years, tensions have raged over the place of Islamic ideas and practices within modern Egypt. This history focuses on a pivotal yet understudied school, Dar al-Ulum, whose alumni became authoritative arbiters of how to be modern and authentic within a Muslim-majority community, including by founding the Muslim Brotherhood.
This work examines Egyptian mummies as artifacts in pre-1900 America: how they got here, what happened to them, and how they were perceived by the public and by archaeologists. Collected newspaper accounts and other documents reveal the progression of American interest in mummies as curiosities, commodities, and cultural lessons. Numerous mummies which no longer exist are identified, and commentary on mummy coffins and a discussion of methods of public exhibition are included.
This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo's architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comité) within the history of religious life in nineteenth-century Cairo. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo.
Focusing on the monuments on either side of the Nile, the author describes Egyptians, their writing, religion and gods, plus historic locales and objects: Alexandria, Cairo, the Rosetta Stone, the pyramids, the Sphinx; the statue of Rameses II, the temples at Luxor and Karnak, major sites where royal mummies were discovered, and more.
This edited collection considers representations of ancient Egypt in the literature of the nineteenth-century. It addresses themes such as reanimated mummies, ancient Egyptian mythology and contemporary consumer culture across literary modes ranging from burlesque satire to historical novels, stage performances to Gothic fiction and popular culture to the highbrow. The book illuminates unknown sources of historical significance - including the first illustration of an ambulatory mummy - revising current understandings of the works of canonical writers and grounding its analysis firmly in a contemporary context. The contributors demonstrate the extensive range of cultural interest in ancient Egypt that flourished during Victoria's reign. At the same time, they use ancient Egypt to interrogate 'selfhood' and 'otherness', notions of race, imperialism, religion, gender and sexuality.
Extending deconstructive theory to historical and political analysis, Timothy Mitchell examines the peculiarity of Western conceptions of order and truth through a re-reading of Europe's colonial encounter with nineteenth-century Egypt.