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Egon Erwin Kisch (1885-1948) is widely regarded as one of the most outstanding journalists of the twentieth century. He is also credited with virtually defining reportage as a form of literary art in which accuracy of observation and fidelity to facts combine with creative narrative. Born in Prague under the Austro-Hungarian Empire, Kisch began his career as a crime reporter for local newspapers. He saw combat in Serbia as a soldier in the Austro-Hungarian Army in World War I, led an abortive left-wing coup d'etat in Vienna in 1918, and became famous in the German-speaking world as der rasende Reporter (the raging reporter) when he exposed the attempted cover-up of a case of treason in high places that rocked the Habsburg Empire on the eve of World War I. He visited North Africa, the Soviet Union, Central Asia, Australia, China, and the United States, where he traveled from one coast to the other as an ordinary seaman, made friends with Charlie Chaplin and Upton Sinclair, and commented with wit and irony on American life.
Sensation Fair: Tales of Prague (Marktplatz der Sensationen) is the memoir of the writer who elevated journalism to the status of literature in 20th century Europe. Taking his cue from the blind Czech balladeer who sang in the courtyard of his family’s Prague apartment in the 1890s, Egon Erwin Kisch created a body of work based in fact. Kisch wrote Sensation Fair in Mexico during his exile from Nazi-occupied Europe as Stefan Zweig was writing The World of Yesterday in Brazil. Although the writers were Central European Jewish contemporaries, they could not have been more different. Sensation Fair is the memoir of a former police reporter and dedicated Communist. His rollicking, ironic, muckraking portrait of turn-of-the century Prague is a passionate argument for the value of non-fiction narrative. “delightfully and cleverly done, with dozens of good yarns and stories in it ... He writes with a touch and a wit of his own.” — The New York Times “Sensation Fair is brisk story and haunting picture of a youth in old Prague, journalism in the Austro-Hungarian Empire ... conspicuously varied both in substance and mood. Egon Erwin Kisch can see life and write of it with incisive concentration and romantic allusiveness, tenderness and ribaldry, humor and candor and scorn ... a lively and mellow picture, personal and not too nostalgic, of a bygone world.” — The New York Times “One feels in the presence of this book, as in the presence of the author himself, a richness and zest that cannot be defeated in the most difficult conditions of exile ... at once considered and colloquial ... one sees reflected the buoyancy and seriousness which are equally basic to [Kisch’s] character.” — The New Masses
Prague is at the core of everything both wonderful and terrible in Western history, but few people truly understand this city's unique culture. In Prague in Black and Gold, Peter Demetz strips away sentimentalities and distortions and shows how Czechs, Germans, Italians, and Jews have lived and worked together for over a thousand years.
A poignant reflection on alienation and belonging, told through the lives of five remarkable people who struggled against nationalism and intolerance in one of EuropeÕs most stunning cities. What does it mean to belong somewhere? For many of PragueÕs inhabitants, belonging has been linked to the nation, embodied in the capital city. Grandiose medieval buildings and monuments to national heroes boast of a glorious, shared history. Past governments, democratic and Communist, layered the city with architecture that melded politics and nationhood. Not all inhabitants, however, felt included in these efforts to nurture national belonging. Socialists, dissidents, Jews, Germans, and VietnameseÑall have been subject to hatred and political persecution in the city they called home. Chad Bryant tells the stories of five marginalized individuals who, over the last two centuries, forged their own notions of belonging in one of EuropeÕs great cities. An aspiring guidebook writer, a German-speaking newspaperman, a Bolshevik carpenter, an actress of mixed heritage who came of age during the Communist terror, and a Czech-speaking Vietnamese blogger: none of them is famous, but their lives are revealing. They speak to tensions between exclusionary nationalism and on-the-ground diversity. In their struggles against alienation and dislocation, they forged alternative communities in cafes, workplaces, and online. While strolling park paths, joining political marches, or writing about their lives, these outsiders came to embody a city that, on its surface, was built for others. A powerful and creative meditation on place and nation, the individual and community, Prague envisions how cohesion and difference might coexist as it acknowledges a need common to all.
In 1989, the Berlin Wall fell; shortly afterwards the two Germanies reunited, and East Germany ceased to exist. In a country where the headquarters of the secret police can become a museum literally overnight and in which one in fifty East Germans were informing on their fellow citizens, there are thousands of captivating stories. Anna Funder tells extraordinary tales from the underbelly of the former East Germany. She meets Miriam, who as a sixteen-year-old might have started World War III; she visits the man who painted the line that became the Berlin Wall; and she gets drunk with the legendary “Mik Jegger” of the East, once declared by the authorities to his face to “no longer exist.” Each enthralling story depicts what it’s like to live in Berlin as the city knits itself back together—or fails to. This is a history full of emotion, attitude and complexity.
A dramatic account of life in Czechoslovakia's great capital during the Nazi Protectorate With this successor book to Prague in Black and Gold, his account of more than a thousand years of Central European history, the great scholar Peter Demetz focuses on just six short years—a tormented, tragic, and unforgettable time. He was living in Prague then—a "first-degree half-Jew," according to the Nazis' terrible categories—and here he joins his objective chronicle of the city under German occupation with his personal memories of that period: from the bitter morning of March 15, 1939, when Hitler arrived from Berlin to set his seal on the Nazi takeover of the Czechoslovak government, until the liberation of Bohemia in April 1945, after long seasons of unimaginable suffering and pain. Demetz expertly interweaves a superb account of the German authorities' diplomatic, financial, and military machinations with a brilliant description of Prague's evolving resistance and underground opposition. Along with his private experiences, he offers the heretofore untold history of an effervescent, unstoppable Prague whose urbane heart went on beating despite the deportations, murders, cruelties, and violence: a Prague that kept its German- and Czech-language theaters open, its fabled film studios functioning, its young people in school and at work, and its newspapers on press. This complex, continually surprising book is filled with rare human detail and warmth, the gripping story of a great city meeting the dual challenge of occupation and of war.
This book provides an informative overview of literary developments in Berlin since 1750, with more detailed readings of exemplary key texts.
In this thoroughly innovative work, Hans Ulrich Gumbrecht evokes the year 1926 through explorations of such things as bars, boxing, movie palaces, hunger artists, airplanes, hair gel, bullfighting, film stardom and dance crazes. From the vantage points of Berlin, Buenos Aires, and New York, the reader is allowed multiple itineraries, ultimately becoming immersed in the activities, entertainments, and thought patterns of the citizens of 1926.
Law in West German Democracy relates the history of the Federal Republic of Germany as seen through a series of significant trials conducted between 1947 and 2017, explaining how these trials came to take place, the legal issues which they raised, and their importance to the development of democracy in a country slowly emerging from a murderous and criminal régime. It thus illustrates the central issues of the new republic. If, as a Minister for Justice once remarked, crime can be seen as ‘the reverse image of any political system, the shadow cast by the social and economic structures of the day’, it is natural to use court cases to illuminate the eventful history of the Federal Republic’s first seventy years.
A magisterial history of the artists and writers who left Weimar when the Nazis came to power In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, “the best of Germany,” refusing to remain citizens in this new state that legalized terror and brutality. Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories. The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Döblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.