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This book tells the story of her life in Johannesburg and Durban, her return to acting and writing and her subsequent marriage, another child and a short - lived third marriage. She finally returned to the UK in 1999 and wrote her first Memoirs ("Beyond White Mischief", The Memoirs of a Tea Planter's Wife.)
iGol EGoliya sociopolitical reading of Johannesburg/iGoli drawing on its famous, and not so famed people, places, plants and pronouncements. Featuring the city's well known and lesser known histories, presents, and words, the medium used is poetry: for its unique ability to tap into the emotional, the subconscious, the unsaid, that underlie many of the city's motivations. While not shying from violence and divisions, iGoli is presented as a meeting place: a place of original, transnational subnational, and primordial origins Building on Salimah Valiani's poetry collection, 29 leads to love; 2022 Winner of the International Book Award for Contemporary Poetry fragments of the larger love found in Jozi pepper the collection. These love fragments, and iterations of inimba (empathy, loosely translated from isiXhosa), are dffered aleads to building unity. Via thenes of migration, multiplicity. ecology, and love, and a range of lived experiences of inequality Igoli EGoli offers a pathbreaking means to reconsider and, transform the world city iGoli, and quite possibly, other cities too.
In Media in Postapartheid South Africa, author Sean Jacobs turns to media politics and the consumption of media as a way to understand recent political developments in South Africa and their relations with the African continent and the world. Jacobs looks at how mass media define the physical and human geography of the society and what it means for comprehending changing notions of citizenship in postapartheid South Africa. Jacobs claims that the media have unprecedented control over the distribution of public goods, rights claims, and South Africa's integration into the global political economy in ways that were impossible under the state-controlled media that dominated the apartheid years. Jacobs takes a probing look at television commercials and the representation of South Africans, reality television shows and South African continental expansion, soap operas and postapartheid identity politics, and the internet as a space for reassertions and reconfigurations of identity. As South Africa becomes more integrated into the global economy, Jacobs argues that local media have more weight in shaping how consumers view these products in unexpected and consequential ways.
This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.