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In this definitive study of Pennsylvania impressionism's leading artist, Constance Kimmerle offers both an accessible biographical study of Edward Redfield (1869-1965) as well as a rich discussion of his role in the changes that swept the American art world of the late nineteenth and early twentieth centuries.
This book helps explain how many who pride themselves on being fair can be part of a system which is widely seen as unfair by those who have historically been victims of bias and prejudice. The central focus of the book is on the different approaches that courts can use to lessen the impact of implicit bias by "breaking the bias habit."
Sarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender.
"This magnificent new book . . . has assembled a definitive collection of impressionistic works from the Bucks Country region of eastern Pennsylvania. . . . Excellent!"—Bloomsbury Review