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During the 1880s a massive scientific effort was launched by the Smithsonian Institution to discover who had built the prehistoric burial mounds found throughout the United States. Arkansaw Mounds tells the story of this exploration and of Edward Palmer, one of the nineteenth century’s greatest natural historians and archaeologists, who was recruited to lead the research project. Arkansas was unusually rich in prehistoric remains, especially mounds, and became a major focus of the study. Palmer and his team of researchers discovered that the mounds had been built by the ancestors of the historic North American Indians, shattering the then-popular theory that a lost non-Indian race had built them.
Field notes made by Palmer in Arkansas while locating Indian mounds, excavating, etc.
Much has been written about Edward Palmer's explorations and botanical achievements, the most comprehensive by Rogers McVaugh in his book, Edward Palmer, Plant Explorer of the American West (1956), and Marvin D. Jeter, editor of Edward Palmer's Arkansaw Mounds (1990; 2010). But despite their extensive and far reaching research into Palmer's explorations, Palmer and his family are still somewhat of a mystery. Palmer piqued my interest as I read through some of his journals and correspondence in the National Anthropological Archives at the Smithsonian Institution. I wanted to know more about this seemingly frail, lonely man, not Palmer the botanist, or Palmer the doctor, or Palmer the collector, but what made Palmer the man.
In 17 critical essays, the first book to address the historiography of archaeology evaluates how and why the history of archaeology is written. The emphasis in the first section is on how archaeologists use historical knowledge of their discipline. For example, it can help them to understand the origin of current archaeological ideas, to learn from past errors, and to apply past research to current questions. It can even be integrated into the new liberal arts curricula in an attempt to instruct students in critical thinking. The second section considers the sociopolitical context within which past archaeologists lived and worked and the contexts within which historians of archaeology write. The topics treated include the rise of capitalism and colonialism and the rise of "modern archaeology," the political contexts and changing form of the history of Mesoamerican archaeology, the decline to obscurity of once prominent archaeologists, and the institutional and ideological "fossilization" of American classical archaeology. The final section focuses on researching and presenting the history of archaeology. The authors discuss past archaeologists in light of their institutional affiliations, the use of historic methods to interpret past archaeological notes and collections, and the means of presenting the history of archaeology on videotape. The final paper offers a plan for documenting the many records (diaries, fieldnotes, correspondence, unpublished reports) in public and private hands that contain the history of archaeology.
In 1879 Edwin Curtiss set out for the St. Francis River region of Arkansas. By the time Curtiss completed his 56 days of fieldwork, he had sent nearly 1,000 pottery vessels to the Peabody Museum. House brings us a lively account of the work of the 19th-century fieldworker, the Native culture he explored, and the rich legacies left by both.
Arkansas has long been recognized as a state with a rich archaeological heritage that is unsurpassed in North America. The Toltec Mounds were made famous by the Smithsonian's research at the turn of the century. The Sloan site, dated to 8500 B.C., is the oldest documented burial ground in the New World. The alluvial plain of the central Mississippi River valley supported perhaps the greatest prehistoric urban population. And the Parkin site has yielded important information about the de Soto incursion into the continent. This festschrift recognizes the contributions made in researching this varied heritage by Dan and Phyllis Morse from the inception of the Arkansas Archeological Survey in 1967 to their retirement in 1997. The essays were prepared by thirteen of their colleagues, recognized experts in archaeology and related fields, and represent state-of-the-art knowledge about Arkansas's archaeology. The topics range broadly: from prehistoric environments and regional syntheses to specialized studies of specific culture periods and historical archaeology. Paul and Hazel Delcourt and Roger Saucier provide a chapter that will serve as a standard reference for many years on Holocene environments; Chris Gillam's contribution demonstrates the utility of Geographic Information Systems in broad-scale pattern analysis; Robert Mainfort uses large collections of ceramics to show that traditional methods for grouping Late Mississippian sites are insufficient; Michael Hoffman introduces a new line of evidence from old newspaper accounts; and Frank Schambach, in reinterpreting the spectacular Spiro site in eastern Oklahoma, gives us a powerful, classic example of archaeological and ethnohistoric interpretation. This volume will, of course, be of great interest to professional archaeologists and anthropologists, but the essays are also accessible to students, amateur archaeologists, historians, and enthusiastic general readers. As the new millennium dawns, this book celebrates the legacy of two very distinguished careers in archaeology and heralds the proliferation of innovative new approaches and techniques for the continuing study of Arkansas's prehistoric peoples.
Up and down the Arkansas Delta, food tells a story. Whether the time Bill Clinton nearly died on the way to a coon dinner or the connections made over biscuits and gravy or the more common chicken and dumpling feuds, the area is no stranger to history. One of America's last frontiers, it was settled in the late nineteenth century by a rough-and-tumble collection of timber men, sharecroppers and entrepreneurs from all over the world who embraced the traditional foodways and added their own twists. Today, the Arkansas Delta is the nation's largest producer of rice and adds other crops like catfish and sweet potatoes. Join author Cindy Grisham for this delicious look into Delta cuisine.
Utilizing primary sources that include correspondence and unpublished reports, Lyon demonstrates the great importance of the New Deal projects in the history of southeastern and North American archaeology. New Deal archaeology transformed the practice of archaeology in the Southeast and created the basis for the discipline that exists today.
First published in 1992 and now updated with a new preface by the author and a foreword by Thomas R. Hester, "The Caddo Nation" investigates the early contacts between the Caddoan peoples of the present-day Texas, Louisiana, Oklahoma, and Arkansas region and Europeans, including the Spanish, French, and some Euro-Americans. Perttula's study explores Caddoan cultural change from the perspectives of both archaeological data and historical, ethnographic, and archival records. The work focuses on changes from A.D. 1520 to ca. A.D. 1800 and challenges many long-standing assumptions about the nature of these changes.
In this wonderfully illustrated book, Joshua Brown shows that the wood engravings in the illustrated newspapers of Gilded Age America were more than a quaint predecessor to our own sophisticated media. As he tells the history and traces the influence of Frank Leslie's Illustrated Newspaper, with relevant asides to Harper's Weekly, the New York Daily Graphic, and others, Brown recaptures the complexity and richness of pictorial reporting. He finds these images to be significant barometers for gauging how the general public perceived pivotal events and crises—the Civil War, Reconstruction, important labor battles, and more. This book is the best available source on the pictorial riches of Frank Leslie's newspaper and the only study to situate these images fully within the social context of Gilded Age America. Beyond the Lines illuminates the role of illustration in nineteenth-century America and gives us a new look at how the social milieu shaped the practice of illustrated journalism and was in turn shaped by it.