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The idea that Curr's writings posthumously defeated the Yorta Yorta native title claim has a chilling irony about it, given his earlier appropriation of Yorta Yorta lands for pastoral purposes...During the long Yorta Yorta claim, therefore, Edward M. Curr became something of an historical celebrity, highlighting the need for a detailed appraisal of his life, his biases, his opinions, and his attitudes towards Aboriginal people. This book responds to that need by offering a biography of a man who more than a century after his death became a crucial witness in a major native title case."--Prologue.
This collection represents a serious re-examination of existing work on the Aboriginal history of nineteenth-century Victoria, deploying the insights of postcolonial thought to wrench open the inner workings of territorial expropriation and its historically tenacious variability. Colonial historians have frequently asserted that the management and control of Aboriginal people in colonial Victoria was historically exceptional; by the end of the century, colonies across mainland Australia looked to Victoria as a ‘model’ for how to manage the problem of Aboriginal survival. This collection carefully traces the emergence and enactment of this ‘model’ in the years after colonial separation, the idiosyncrasies of its application and the impact it had on Aboriginal lives. It is no exaggeration to say that the work on colonial Victoria represented here is in the vanguard of what we might see as a ‘new Australian colonial history’. This is a quite distinctive development shaped by the aftermath of the history wars within Australia and through engagement with the ‘new imperial history’ of Britain and its empire. It is characterised by an awareness of colonial Australia’s positioning within broader imperial circuits through which key personnel, ideas and practices flowed, and also by ‘local’ settler society’s impact upon, and entanglements with, Aboriginal Australia. The volume heralds a new, spatially aware, movement within Australian history writing. – Alan Lester This is a timely, astutely assembled and well nuanced collection that combines theoretical sophistication with empirical solidity. Theoretically, it engages knowledgeably but not uncritically with a broad range of influences, including postcolonialism, the new imperial history, settler colonial studies and critical Indigenous studies. Empirically, contributors have trawled an impressive array of archival sources, both standard and relatively unknown, bringing a fresh eye to bear on what we thought we knew but would now benefit from reconsidering. Though the collection wears its politics openly, it does so lightly and without jeopardising fidelity to its sources. – Patrick Wolfe
Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways depending on class, gender, and race, and despite geographical distance, fashion connected populations across the globe. Fashions flowered and were reseeded, through entanglements of empire, forced and voluntary migration, evolving racial systems, burgeoning sea travel and transcontinental systems.
In 1883, the New South Wales Board for the Protection of Aborigines was tasked with assisting and supporting an Aboriginal population that had been devastated by a brutal dispossession. It began its tenure with little government direction – its initial approach was cautious and reactionary. However, by the turn of the century this Board, driven by some forceful individuals, was squarely focused on a legislative agenda that sought policies to control, segregate and expel Aboriginal people. Over time it acquired extraordinary powers to control Aboriginal movement, remove children from their communities and send them into domestic service, collect wages and hold them in trust, withhold rations, expel individuals from stations and reserves, authorise medical inspections, and prevent any Aboriginal person from leaving the state. Power and Dysfunction explores this Board and uncovers who were the major drivers of these policies, who were its most influential people, and how this body came to wield so much power. Paradoxically, despite its considerable influence, through its bravado, structural dysfunction, flawed policies and general indifference, it failed to manage core aspects of Aboriginal policy. In the 1930s, when the Board was finally challenged by Aboriginal and non-Aboriginal groups seeking its abolition, it had become moribund, paranoid and secretive as it railed against all detractors. When it was finally disbanded in 1940, its 57-year legacy had touched every Aboriginal community in New South Wales with lasting consequences that still resonate today.
Keeping Hold of Justice focuses on a select range of encounters between law and colonialism from the early nineteenth century to the present. It emphasizes the nature of colonialism as a distinctively structural injustice, one which becomes entrenched in the social, political, legal, and discursive structures of societies and thereby continues to affect people’s lives in the present. It charts, in particular, the role of law in both enabling and sustaining colonial injustice and in recognizing and redressing it. In so doing, the book seeks to demonstrate the possibilities for structural justice that still exist despite the enduring legacies and harms of colonialism. It puts forward that these possibilities can be found through collaborative methodologies and practices, such as those informing this book, that actively bring together different disciplines, peoples, temporalities, laws and ways of knowing. They reveal law not only as a source of colonial harm but also as a potential means of keeping hold of justice.
Uncovering Islam's little known yet formative impact on U.S. literary culture, this book traces genealogies of Islamic influence that span America's earliest generations, reaching from the Revolution to Reconstruction. Excavating personal appeals to Islam by pioneering national authors-Ezra Stiles, William Bentley, Washington Irving, Lydia Maria Child, Ralph Waldo Emerson-Einboden discovers Muslim discourse woven into the familiar fabric of unpublished letters and sermons, journals and journalism, memoirs and marginalia. The first to unearth multiple manuscripts exhibiting American investment in Middle Eastern languages and literatures, Einboden argues that Islamic precedents helped to prompt and propel creativity in the young Republic, acting as vehicles of artistic reflection, religious contemplation, and political liberation. Intersecting informal engagements and intimate exchanges, Islamic sources are situated in this timely study as catalysts for American authorship and identity, with U.S. writers mirroring the defining struggles of their country's first decades through domestic investment in the Qur'an, Hadith, and Persian Sufi poetry.
This book traces the beginnings of literary (narrative) journalism in Australia. It contributes to evolving international definitions of the form, while providing a glimpse into Australia’s early press history and development as a nation. The book comprises two parts. The first examines the forerunners of literary journalism before and during the establishment of a free press, including the letters, diaries and journals of the early colonists, as well as sketches published in the first magazines and newspapers. The book asks if these were “reporting” when there was no thriving press until well into the 19th century -- many were written by women and convicts whose voices otherwise went unheard. The second part examines the first expressions of literary journalism in forms more recognisable today, covering topics as varied as homelessness in Melbourne, the Queensland trade in Pacific Islander labour, and Australia’s involvement in overseas wars, particularly the Boer War. The resulting cultural history reveals important milestones in the development of Australia’s press and literature, while demonstrating the concerns unveiled in colonial literary journalism still resonate in Australia in the 21st century.
The vast shape-shifting continent of Australia enables us to take a long view of history. We consider ways to cross the great divide between the deep past and the present. Australia’s human past is not a short past, so we need to enlarge the scale and scope of history beyond 1788. In ways not so distant, these deeper times happened in the same places where we walk today. Yet, they were not the same places, having different surfaces, ecologies and peoples. Contributors to this volume show how the earth and its past peoples can wake us up to a sense of place as history – as a site of both change and continuity. This book ignites the possibilities of what the spaces and expanses of history might be. Its authors reflect upon the need for appropriate, feasible timescales for history, pointing out some of the obstacles encountered in earlier efforts to slice human time into thematic categories. Time and history are considered from the perspective of physics, archaeology, literature, western and Indigenous philosophy. Ultimately, this collection argues for imaginative new approaches to collaborative histories of deep time that are better suited to the challenges of the Anthropocene. Contributors to this volume, including many leading figures in their respective disciplines, consider history’s temporality, and ask how history might expand to accommodate a chronology of deep time. Long histories that incorporate humanities, science and Indigenous knowledge may produce deeper meanings of the worlds in which we live.
In 1938, the anthropologist Norman Tindale gave a classroom of young Aboriginal children a set of crayons and asked them to draw. The children, residents of the government-run Aboriginal station Cummeragunja, mostly drew pictures of aspects of white civilization boats, houses and flowers. What now to make of their artwork? Were the children ...