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As a boy, Edward Hopper knew exactly what he wanted to be when he grew up: on the cover of his pencil box, he wrote the words EDWARD HOPPER, WOULD-BE ARTIST. He traveled to New York and to Paris to hone his craft. And even though no one wanted to buy his paintings for a long time, he never stopped believing in his dream to be an artist. He was fascinated with painting light and shadow and his works explore this challenge. Edward Hopper's story is one of courage, resilience, and determination. In this striking picture book biography, Robert Burleigh and Wendell Minor invite young readers into the world of a truly special American painter (most celebrated for his paintings "Nighthawks" and "Gas").
As a boy, Edward Hopper knew exactly what he wanted to be when he grew up: on the cover of his pencil box, he wrote the words EDWARD HOPPER, WOULD-BE ARTIST. He traveled to New York and to Paris to hone his craft. And even though no one wanted to buy his paintings for a long time, he never stopped believing in his dream to be an artist. He was fascinated with painting light and shadow and his works explore this challenge. Edward Hopper's story is one of courage, resilience, and determination. In this striking picture book biography, Robert Burleigh and Wendell Minor invite young readers into the world of a truly special American painter (most celebrated for his paintings "Nighthawks" and "Gas").
A fascinating study of Edward Hopper's iconic Nighthawks painting and its deep significance for understanding American culture. Staying up Much Too Late discusses the painting Nighthawks and the painter Edward Hopper and their central importance to twentieth-century American culture. Topics include individualism, New York City, Arthur "Weegee" Fellig, diners, pornography, capitalism, advertising, cigarettes, American philosophy, World War II, Gravity's Rainbow, Blade Runner, Pulp Fiction, Russ Meyer, R. Crumb, David Lynch, and film noir What links these together is the painting's pessimistic take on American culture, which it also seems to epitomize. Despite its desolate feel, Nighthawks has become a familiar icon, reproduced on posters and postcards, in movies and on television shows. But Nighthawks is more than just a masterful painting. It is a portal into that rarely acknowledged but pervasive dark side of the American psyche.
Illustrated by over 50 of Edward Hopper's most powerful evocations of New York, Avis Berman's essay explores how Hopper and his work illuminate each other by analyzing what his New York is - and is not. Ever the contrarian, he offers an alternative to what other American artists seized on - the new, the gigantic, the technologically exciting. Hopper stayed away from tourist attractions or landmarks of the city's glamorous skyline. His preference for nondescript vernacular buildings is emblematic of the larger Hopper paradox: he makes emptiness full, silence articulate, banality intense, plainness mysterious, and tawdriness noble.
New York Times Notable Book Los Angeles Times Book Prize Finalist Wall Street Journal—one of five best artist biographies Edward Hopper's canvasses are filled with stripped-down spaces and unrelenting light, evocative landscapes, and the lonely aspects of men and women seemingly isolated in their surroundings. What kind of man had this haunting vision, and what kind of life engendered this art? No one is better qualified to answer these questions than art historian Gail Levin, author and curator of the major studies and exhibitions of Hopper's work. In this intimate biography she reveals the true nature and personality of the man himself—and of the woman who shared his life, the artist Josephine Nivison.
There is a particular flavor to the loneliness that comes from living in a city, surrounded by thousands of strangers. This roving cultural history of urban loneliness centers on the ultimate city: Manhattan, that teeming island of gneiss, concrete, and glass. How do we connect with other people, particularly if our sexuality or physical body is considered deviant or damaged? Does technology draw us closer together or trap us behind screens? Laing travels deep into the work and lives of some of the century's most original artists in a celebration of the state of loneliness.
“An inviting and admiring introduction to an important American artist.” —Kirkus Reviews From award-winning author Robert Burleigh comes a striking, intimate picture book biography about an American icon—beloved artist Norman Rockwell. Norman Rockwell is best known for capturing the American spirit as a painter and illustrator in the late twentieth century. This beautifully illustrated, first-person narrative explores Rockwell’s life in episodes based on important moments in American history. Norman Rockwell is not only a great American artist, but he also successfully chronicled two generations of American life, making him one of the most beloved and well-known American artists of all time.
In his works, Hopper poetically expressed the solitude of man confronted to the American way of life as it developed in the 1920s. Inspired by the movies and particularly by the various camera angles and attitudes of characters, his paintings expose the alienation of mass culture. Created using cold colours and inhabited by anonymous characters, Hopper’s paintings also symbolically reflect the Great Depression. Through a series of different reproductions (etchings, watercolours, and oil-on-canvas paintings), as well as thematic and artistic analysis, the author sheds new light on the enigmatic and tortured world of this outstanding figure.
Told through a young boy's eyes, the sober mood of the country after the Lincoln assassination is presented as he and others wait to pay their respects as Lincoln's funeral train travels from Washington, D.C., to Springfield, IL, in 1865.
In his Caldecott acceptance speech for GRANDFATHER'S JOURNEY, Allen Say told of his difficulty in separating his dreams from reality. For him this separation was not as important as finding a meaning behind the contradictions and choices we all must make in life and their consequences. Early one morning a boy comes into town, hungry, and looking for work. He meets a sign painter who takes him on as a helper. The boy yearns to be a painter. The man offers him security. The two are commissioned to paint a series of billboards in the desert. Each billboard has one word, Arrowstar. They do not know its meaning. As they are about to paint the last sign, the boy looks up and sees in the distance a magnificent structure. Is it real? They go to find out. Through a simple text and extraordinary paintings, the reader learns of the temptation of safe choices and the uncertainties of following a personal dream. Here Allen Say tells a haunting and provocative story of dreams and choices for readers of all ages.