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First published in 1995. The essays in this volume demonstrate how Victorian women took up various positions along a continuum that ranged from the desire of Shelley’s creature for the power and acceptance it associated with the house to the rejection of Brontë’s heroine of the immobility and powerlessness she ultimately experienced there. More specifically the essays in this volume explore the nature of the Victorian woman’s domestic relations by centring in one activity that most informed her place in what was often the father’s house: housekeeping. The essays in this edition determine how writers, especially novelists, both male and female, used housekeeping to construct, reconstruct, represent, and inscribe the female self and condition. This title will be of interest to students of history and literature.
The Whigs were one of the two great English political parties in the 150 years after 1700, vastly influential whether in office or in opposition. Yet the Whigs were much more than simply a group of politicians. An exclusive set, composed of the greatest and wealthiest families, the Whig world was a self-contained and small one, impervious to outside criticism. With members such as Charles James Fox, Georgiana, Duchess of Devonshire and Lord Byron, its gambling, loose-living, drinking and wit was notorious. The Whig World is a portrait, of which politics forms only a small part, of an extraordinary group of men and women whose power, taste and intellect dominated the centre of what had become the greatest power in the world. Cosmopolitan, sceptical, urban, sophisticated, and promiscuous, the Whigs numbered many more brilliant conversationalists and controversialists amongst their number than the Bloomsbury Group.
Within the pages of 'The Stately Homes of England', a vivid tapestry of architecture, history, and culture is unfurled, showcasing the grandeur and legacy of England's noble residences. Llewellynn Frederick William Jewitt and S. C. Hall curate a collection that is as rich in literary diversity as it is in its portrayal of architectural magnificence. The anthology traverses a wide array of stylistic approaches, from detailed historical recountings to passionate lyrical odes, capturing the essence and spirit of these storied estates. The works stand as a testament to the significance of England's stately homes, not only as architectural marvels but also as emblematic of the nation's heritage. The contributing authors, Jewitt and Hall, bring forth a blend of expertise in art, culture, and history, making their collaborative efforts resonate with authenticity and scholarly rigor. Their backgrounds provide a solid foundation for an exploration that aligns with both the Victorian fascination with medievalism and the broader cultural movement of romanticism. Through their curated collection, they invite the reader to traverse centuries of architectural evolution and societal change, offering a comprehensive insight into the epochal shifts that shaped these grand residences and, by extension, English society itself. 'Recommendation: 'The Stately Homes of England'' is not merely an invitation to appreciate the visual and architectural beauty of these historic houses but also a profound journey through the passages of time that these edifices have silently witnessed. For enthusiasts of architecture, history, and the intricate narrative of Englands sociopolitical evolution, this anthology presents a unique opportunity to engage with the past through a lens of beauty and scholarship. Readers are encouraged to delve into this rich assemblage of works, where each stately home emerges as a chapter in England's grand narrative, promising an educational venture into the heart of English culture and history.