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The classical guitar is at its best with music of smaller proportions that is personal, evocative, and imbued with opportunities for subtle, expressive nuances in performance. Like the piano it must stitch together discrete and fading notes into continuous melodies supported by a harmonic background. the joining of Grieg's music and the classical guitar seems to be a most obvious and fruitful endeavor. This collection presents transcriptions from Grieg's best known and loved piano works. They are of intermediate to early advanced difficulty, with detailed fingering indications and extensive notes about the transcriptions and performance suggestions for each piece. This wonderful music, so easily and elegantly translated to the guitar, has previously been overlooked by most guitarists. These arrangements show that the results of the combination is better than might be expected. Standard notation only.
The classical guitar is at its best with music of smaller proportions that is personal, evocative, and imbued with opportunities for subtle, expressive nuances in performance. Like the piano it must stitch together discrete and fading notes into continuous melodies supported by a harmonic background. The joining of Grieg's music and the classical guitar seems to be a most obvious and fruitful endeavor. This collection presents transcriptions from Grieg's best known and loved piano works. They are of intermediate to early advanced difficulty, with detailed fingering indications and extensive notes about the transcriptions and performance suggestions for each piece. This wonderful music, so easily and elegantly translated to the guitar, has previously been overlooked by most guitarists. These arrangements show that the results of the combination is better than might be expected. Standard notation only.
The Peer Gynt Suite may be Edvard Grieg's most famous composition. Its melodies have insinuated themselves into our culture so that they are now universally familiar. the movements are: Morning Song, Asa's Death, Anitra's Dance, and In the Hall of the Mountain King. This edition presents, for the first time, the entire suite in a version for solo guitar. This is a substantial work for the guitarist that, while requiring solid technique, is quite rewarding for both the player and the audience. Also included is a transcription of Grieg's beautiful Solveig's Song.
Expertly arranged Piano music by Edvard Grieg from the Kalmus Edition series. These Romantic era pieces include Opuses 12, 38, 43, 47, and 54. This collection is for intermediate to advanced players.
Edvard Hagerup Grieg (1843 – 1907) was a Norwegian pianist and composer. Today, he is generally considered to be one of the leading composers of the Romantic era, his music constituting part of the classical canon worldwide. He famously incorporated and developed Norwegian folk music in his compositions, which brought the music of Norway to the international stage. To this day, he is the most celebrated person in the city of Bergen. This volume contains the complete score for his “Poetic Tone-Pictures Op.3”, a solo piano concerto. Highly recommended for inclusion in collections of classical music and related literature. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.
Excerpt from Concerto for Piano, Opus 16: With the Orchestral Accompaniment Arranged for a Second Piano Edvard Grieg, who was born at Bergen, Norway, in 1843, composed his piano concerto in 1868, at the age of twenty-five, while spending the summer vaca tion in the Danish village of Sollerod, Zealand, one year after his marriage with Nina Hagerup, his cousin. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
'My First Grieg' contains a selection of the easier to moderately difficult Lyric Pieces from Op. 12, 38, 43, 47, 54, 68 and 71 as well as three pieces from the Peer Gynt Suites Op. 46 and 55. Including the famous Morning Mood in the original duet version by the composer. Ideal for music lessons and for playing at home. Great works for little masters!
Edvard Grieg (1843-1907) is known and loved throughout the world as one of the most important composers of the late nineteenth century. His music seems to embody the spectacular beauty of the mountains and fjords of his beloved Norway as well as the undercurrent of melancholy in the soul of its people. Scholars have long been aware that Grieg was a prolific and skillful letter-writer, but only recently have his letters been gathered from libraries and archives all over the world and made available in published form. Over 500 of the most important of these letters are presented in English in the present volume. Make no mistake about it: The author of this book is Edvard Grieg himself. This book constitutes a kind of autobiography. Not least, it provides a fascinating insight into what he was thinking, how he was feeling when he wrote this or that piece of music. The recipients of Grieg's letters included some of the most renowned people of his day -- Johannes Brahms, Henrik Ibsen, Clara Schumann, Peter Tchaikovsky -- as well as many unheralded colleagues and friends whose lives touched his in one way or another. To different correspondents, at different times, in different moods, he revealed various sides of his personality.
A collection of Intermediate / Advanced piano solos composed by Edvard Grieg.