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A Tupac Shakur fan who had similar ideologies. Born to a single parent in Africa, it is interesting to see how Tupac had an impact on this young man and to many young kids in different parts of the world. Edwin Henry Kurias poems and lyrics reveal similar premonitions like Tupac, and it is amazing that these premonitions came true. Edwins messages are clear and have a strong impact. Like Tupac, the poems embrace his spirit, his energy...and his ultimate message of hope. This book will surprise you and it is a mirror image of a how a young Tupac fan in Africa presents and conveys his most honest thoughts and feelings written in his own hand from the age of 13 until his untimely demise at 17. Could this be the blooming of the roses that grew from concrete?
Beyond Animation. In this definitive guide to Walt Disney's live-action features, Dr. John G. West explores an often overlooked but important chapter in Disney history: the live-action films and TV episodes released by the Disney studio during Walt's lifetime.
The Art of Video Production emphasizes the enduring principles and essential skills of the communication process and the new digital technologies that are necessary to create effective video content. Author Leonard C. Shyles uses a unique approach by explaining how things are done and why things are done rather than just that they are done—it is not about concepts versus skills, but about concepts and skills.
This groundbreaking book presents a critical introduction to the cultural and political dimensions of contemporary Chinese cinema. Leading Western and Chinese scholars trace the changing dynamics of Chinese film culture since the early 1990s as it moves away from underground and toward independence in the new century. Yet as the rich case studies illustrate, the sheer variety of alternative film culture itself provides sufficient opportunities for different--at times contradictory--configurations of cinematic products. Drawing on vigorous interdisciplinary scholarship, the book investigates the objects of its study from various methodological perspectives, ranging from historical and literary to sociological and ethnographic. In addition to offering critical readings of specific texts, this book explores alternative film culture through personal interviews, on-site observations, and media interrogations, from traditional print media to the visual media of film, television, and video, including the new digital media of the Internet. The contributors also consider the flourishing independent documentary filmmaking scene, highlighting a crucial part of alternative film that has been previously obscured by an almost exclusive attention on the fifth- and sixth-generation directors of fictional movies. With its fresh and knowledgeable analysis of Chinese underground and independent filmmaking, this book will be essential reading for all those interested in a society caught between socialism and global currents. Contributions by: Chris Berry, Jim Cheng, Valerie Jaffee, Matthew David Johnson, Tonglin Lu, Chen Mo, Seio Nakajima, Paul G. Pickowicz, Zhiwei Xiao, and Yingjin Zhang.
Drawing on previously untapped archival materials including letters, interviews, and more, Bernard F. Dick traces the history of Columbia Pictures, from its beginnings as the CBC Film Sales Company, through the regimes of Harry Cohn and his successors, and ending with a vivid portrait of today's corporate Hollywood. The book offers unique perspectives on the careers of Rita Hayworth and Judy Holliday, a discussion of Columbia's unique brands of screwball comedy and film noir, and analyses of such classics as The Awful Truth, Born Yesterday, and From Here to Eternity. Following the author's highly readable studio chronicle are fourteen original essays by leading film scholars that follow Columbia's emergence from Poverty Row status to world class, and the stars, films, genres, writers, producers, and directors responsible for its transformation. A new essay on Quentin Tarantino's Once Upon a Time...in Hollywood rounds out the collection and brings this seminal studio history into the 21st century. Amply illustrated with film stills and photos of stars and studio heads, Columbia Pictures is the first book to integrate history with criticism of a single studio, and is ideal for film lovers and scholars alike.
This new anthology rounds out Ronald Reagan's rhetorical persona and fills a major gap in the literature about the man by offering an unbiased and a multi-dimensional picture of his public speeches during all phases of his political life. The 52 speech texts are arranged, with short introductions, into six topical chapters covering his Hollywood years, his eight years as governor of California, his presidential campaigns of 1976 and 1980, and his two terms as president. This compact reference will be handy for professionals and students at all levels who are looking for a well-rounded collection of both obscure and well-known speeches which offers Reagan's views on major issues at different times throughout his career. The short volume is suitable for college, university, professional, and public libraries. This representative collection shows Ronald Reagan speaking as an actor, an ideologue, and a pragmatic politician, illustrating his diverse communication styles. The anthology contains both good and bad speeches--some that are famous and others that are little-known--and includes patriotic messages, views on citizenship, politics, and governance and on important issues at different stages in his career. This handy reference is uncompromising in its impartial selection of speeches. A short bibliography points to major sources and important studies, and a full index makes the reference completely accessible.
Ten short stories and one novella by the winner of the World Fantasy and Nebula Awards.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn’t make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon’s colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.