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The Life; The Works; Criticism, Influence, Allusions; Various Topics; Addenda; Index;.
In 'The Faery Queen and Her Knights: Stories Retold from Edmund Spenser,' readers are presented with a vibrant pastiche of literature that bridges the chasm between classic Elizabethan poetry and the sensibilities of a later audience. This anthology, through its ingenious retelling of stories from Edmund Spenser's seminal work, The Faerie Queene, celebrates the enduring themes of virtue, valor, and chivalry, showcasing a variety of narrative styles. The collection not only revisits the allegorical richness of Spenser's universe but also introduces it to those who might find the original archaic language inaccessible, all the while preserving its literary essence and sophistication. The anthology stands out for its ability to make Renaissance literature engaging and relevant to contemporary readers, providing a seamless blend of Spenser's intricate allegories with more accessible prose. The backgrounds of Edmund Spenser and Alfred John Church meld within this collection, embodying a unique dialogue between the 16th and the 19th centuries. Spenser, an iconic figure of the English Renaissance, and Church, a distinguished scholar recognized for his adaptations of classical texts, together facilitate an intertemporal collaboration. Their collective expertise enriches the anthology, offering insights into the evolution of literary expressions and thematic interpretations across ages. This anthology aligns with cultural and literary movements that have celebrated the adaptation and retelling of classical literature, making it a significant medium for understanding historical and ethical paradigms through the lens of narrative art. 'The Faery Queen and Her Knights' invites readers into a literary pilgrimage from the Elizabethan era to the Victorian age, encouraging engagements with the texts that have shaped English literature. This collection is recommended for those who seek to explore the depth of Spensers allegories in a new light, providing an entry point for readers unfamiliar with Elizabethan English, and enriching for scholars interested in the interplay of historical contexts and literary forms. It is a testament to the timeless relevance of classical literature and its capacity to inspire across generations, making it an essential addition to the library of any literature aficionado.
This book examines literary representations of birds from across the world in anage of expanding European colonialism. It offers important new perspectives intothe ways birds populate and generate cultural meaning in a variety of literary andnon-literary genres from 1700–1840 as well as throughout a broad range ofecosystems and bioregions. It considers a wide range of authors, including someof the most celebrated figures in eighteenth-century literature such as John Gay,Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, MaryWollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, andGilbert White. ignwogwog[p
Reading Literary Animals explores the status and representation of animals in literature from the Middle Ages to the present day. Essays by leading scholars in the field examine various figurative, agential, imaginative, ethical, and affective aspects of literary encounters with animality, showing how practices of close reading provoke new ways of thinking about animals and the texts in which they appear. Through investigations of works by Shakespeare, Aphra Behn, William Wordsworth, Charles Dickens, Virginia Woolf, and Ted Hughes, among many others, Reading Literary Animals demonstrates the value of distinctively literary animal studies.
This volume is the first comprehensive guide to current research on animals, animality, and human-animal relations in literature. To reflect the history of literary animal studies to date, its primary focus is literary prose and poetry in English, while also accommodating emergent discussions of the full range of media and contexts with which literary studies engages, especially film and critical theory. User-friendly language, references, even suggestions for further readings are included to help newcomers to the field understand how it has taken shape primarily through recent decades. To further aid teachers, sections are organized by conventions of periodization, and chapters address a range of canonical and popular texts. Bookended by sections devoted to the field’s conceptual foundations and new directions, the volume is designed to set an agenda for literary animal studies for decades to come.
Animals in Irish Literature and Culture spans the early modern period to the present, exploring colonial, post-colonial, and globalized manifestations of Ireland as country and state as well as the human animal and non-human animal migrations that challenge a variety of literal and cultural borders.