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In Edmond, The Moonlit Party, Edmond the squirrel is shy and a bit lonely, but he nevertheless believes that his life is just as it should be. He's happy making his colorful pompoms, stirring his nut jam, and going to sleep early. But one evening, when there's once again a party in his apartment house tree, the fragrance of his jam brings an unexpected visitor to his door. With the entrance of Owl, an aficionado of disguises and fun, into his life, everything begins to change for Edmond. Not only does he agree to attend Owl's party. He goes and has the best evening ever, and the world seems deeper and more wonderful than ever before, and just right, too! Awash with rich color and the funniest, liveliest details ever, Edmond, The Moonlit Party is thoughtful and thought provoking as well as just plain fun! Each page deepens the story while providing a rich serving of visual pleasure! Astrid Desbordes received her degree in philosophy and has written a number of books on philosophy and religion for adults. Currently, she divides her time between writing and editing. Her first book and her first to be published in the United States was Daydreams of A Solitary Hamster. This is her second book to be published by Enchanted Lion Books. Marc Boutavant has created picture books in English, French, and Japanese. He also does editorial illustration and comics. Several of his books, including Around the World With Mouk, Ariol, and Ghosts, have been published in the United States. Marc lives in Paris and is nothing short of a genius. Take a close look at Edmond. You'll see!
"The texts that Edmond Jabes has assembled here span seventeen books and the years between 1943 and 1985. They form a carefully composed jo.
Edmond was settled in 1889 when pioneers claimed the land during the first Oklahoma land run. Located in the heart of America, Edmond is an ever-growing city with more than 80,000 residents. It is found just north of Oklahoma City on historic Route 66. Through the first 125 years, a diverse and interesting batch of people have made Edmond their home. From early leaders such as Milton "Kicking Bird" Reynolds, founding editor of the Edmond Sun, and Anton Classen, a civic leader and businessman, to present-day business leaders, celebrities, and sports stars, Edmond has had a wealth of remarkable characters. Doctors, ministers, beauty queens, lawmen, firefighters, a former governor, and many other everyday citizens have made Edmond the town it is today. Former mayor Saundra Naifeh once said, "Edmond has always been held to a high standard by the people and businesses who call it home." Residents are proud of its heritage and small-town character and values.
Edmond Halley (1656-1742), MA, LLD, FRS, Capt. RN, Savillian Professor of Geometry and Astronomer Royal, stands pre-eminent among Oxford, English, and European scientists. A contemporary of Wren, Pepys, Hooke, Handel, Purcell, and Dryden, he was a schoolboy in London while the Great Fireraged, and was an active participant in the Enlightenment, an age of profound developments in all the arts and sciences. As a younger contemporary of Isaac Newton, he had a crucial part in the Newtonian revolution in the natural sciences. It was Halley who set the question that led Newton to writethe Principia, and who edited, paid for, and reviewed it. In later years he applied the methods of the Principia widely in astronomy and geophysics. Now more widely known for his prediction of the return of "his" comet, Halley discovered the proper motion of stars, made important studies of themoon's motion, and his investigations of the Earth's magnetic field and of tides were unrialled for centuries. His prediction of the transit of Venus led to Cook's voyage to Tahiti. He was far more than an cloistered academic; his exploits as a naval captain led to perilous adventures, and he wasalso a notable servant of the State. Much material about his eventful career has come to light in recent years, making this a timely new account of the life, scientific interests, and continuing influence of this engaging and adventurous scholar. Sir Alan Cook has written a fascinating andilluminating account of Halley's life and science, making this a unique and highly readable biography of one of the key figures of his time.
The death of Edmond Jabès in January 1991 silenced one of the most compelling voices of the postmodern, post-Holocaust era. Jabès's importance as a thinker, philosopher, and Jewish theologian cannot be overestimated, and his enigmatic style—combining aphorism, fictional dialogue, prose meditation, poetry, and other forms—holds special appeal for postmodern sensibilities. In The Book of Margins, his most critical as well as most accessible book, Jabès is again concerned with the questions that inform all of his work: the nature of writing, of silence, of God and the Book. Jabès considers the work of several of his contemporaries, including Georges Bataille, Maurice Blanchot, Roger Caillois, Paul Celan, Jacques Derrida, Michel Leiris, Emmanuel Lévinas, Pier Paolo Pasolini, and his translator, Rosmarie Waldrop. This book will be important reading for students of Jewish literature, French literature, and literature of the modern and postmodern ages. Born in Cairo in 1912, Edmond Jabès lived in France from 1956 until his death in 1991. His extensively translated and widely honored works include The Book of Questions and The Book of Shares. Both of these were translated into English by Rosmarie Waldrop, who is also a poet. Religion and Postmodernism series
One of the most versatile actors of his generation, Edmond O'Brien made a series of iconic noir films. From a man reporting his own murder in D.O.A. (1949) to the conflicted title character in The Bigamist (1953), he portrayed the confusion of the postwar Everyman. His memorable roles spanned genres from Shakespeare to westerns and comedies--he also turned his hand to directing. He won the Academy Award for Best Supporting Actor as the harassed press agent Oscar Muldoon in Joseph Mankiewicz's bitter Cinderella fable The Barefoot Contessa (1954). This first in-depth study of O'Brien charts his life and career from Broadway to Hollywood and to the rise of television, revealing a devoted family man dedicated to his craft.
Introducing The Effective Engineer--the only book designed specifically for today's software engineers, based on extensive interviews with engineering leaders at top tech companies, and packed with hundreds of techniques to accelerate your career.
The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.