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A rich and informative exploration of our age-old obsession with “making life.” Could an eighteenth-century mechanical duck really digest and excrete its food? Was “the Turk,” a celebrated chess-playing and -winning machine fabricated in 1769, a dazzling piece of fakery, or could it actually think? Why was Thomas Edison obsessed with making a mechanical doll—a perfect woman, mass-produced? Can a twenty-first-century robot express human emotions of its own? Taking up themes long familiar from the realms of fairy tales and science fiction, Gaby Wood traces the hidden prehistory of a modern idea—the thinking, hoaxes, and inventions that presaged contemporary robotics and the current experiments with artificial intelligence. Informed by the author’s scientific and historical research, Edison’s Eve is also a brilliant literary, cultural, and philosophical examination of the motives that have driven human beings to pursue the creation of mechanical life, and the effects of that pursuit—both in its successes and in its failures—on our sense of what makes us human.
"Take one inventive genius indebted to the friend who saved his life; add an English aristocrat hopelessly consumed with a selfish and spiritually bankrupt woman; stir together with a Faustian pact to create the perfect woman--and voilà! Tomorrow's Eve is served. Robert Martin Adams's graceful translation is the first to bring to English readers this captivating fable of a Thomas Edison-like inventor and his creation, the radiant and tragic android Hadaly. Adams's introduction sketches the uncompromising idealism of the proud but penurious aristocrat Jean Marie Mathias Philippe Auguste, Count Villiers de l'Isle-Adam, a friend and admired colleague of Charles Baudelaire, Stèphane Mallarmé, and Richard Wagner. Villiers dazzles us with a gallery of electronic wonders while unsettling us with the implications of his (and our) increasingly mechanized and mechanical society. A witty and acerbic tale in which human nature, spiritual values, and scientific possibilities collide, Tomorrow's Eve retains an enduring freshness and edge." --Descripción del editor.
An orphan and thief, Hugo lives in the walls of a busy train station. He desperately believes a broken automaton will make his dreams come true. But when his world collides with an eccentric girl and a bitter old man, Hugo's undercover life are put in jeopardy. Turn the pages, follow the illustrations and enter an unforgettable new world!
From Pulitzer Prize-winning author Morris comes a revelatory new biography ofThomas Alva Edison, the most prolific genius in American history.
Ein Bestseller jetzt neu als Broschurausgabe! Die gebundene Ausgabe erzielte hervorragende Kritiken im Daily Telegraph, New Scientist, The Independent und in der Sunday Times - um nur einige zu nennen. Israel hatte erstmals Zugang zu Werkstatt-Tagebüchern, Briefen und mehr als fünf Millionen Seiten Archivmaterial. Auf der Basis dieser Informationen hat er die erste maßgebende Biographie von Edison verfaßt. Zum ersten Mal wird Edisons Karriere als Erfinder systematisch untersucht und bewertet. Im Detail wird erforscht, wie er u.a. mit der Erfindung des elektrischen Lichts, der Photographie und mehr als tausend anderen Dingen das 20. Jahrhundert prägte. Dies ist auch die erste Biographie, die Edison im Zusammenhang mit dem rapiden industriellen Wandel betrachtet, indem die Auswirkungen dieses Wandels auf seine Erfindungen beschrieben werden. Dieses Buch liefert eine Fülle neuer Informationen über Edison und seine Erfindungen. Eine interessante und spannende Lektüre. (y03/00)
What does it mean to be human? I, Yantra examines ancient Indian narratives about robots and mechanically constructed beings to explore how their Hindu, Jain, and Buddhist authors approached this question. Making translations of many of these texts available in English for the first time, author Signe Cohen argues that they shed considerable light on South Asian religious notions of humanity, self, and agency. She also documents connections between ancient and modern responses to the ethical problems of what precisely constitutes a sentient being and what rights such a being should have. Situated at the intersection of humanities and bioethics, this cross-disciplinary study will be of interest to scholars of South Asian languages and literature as well as specialists in religion and technology.
Thomas Edison passed on many decades ago, but his inventions still echo loudly through time. If you watch TV, listen to your favorite songs, or simply click on the lamp next to your bed, it was Thomas Edison who brought all of these innovations into the world. Inside you will read about... ✓ Edison's Early Life ✓ The Electric Light ✓ The War of the Currents ✓ Other Inventions and Projects ✓ Final Years and Death ✓ Edison's Legacy And much more! Edison is sometimes regarded as someone who loved arguing with other inventors who were going in different directions from him, yet his tenacity and dedication to his own work were what made so many of his inventions workable. No matter which way you look at Edison, from failed businessman, renowned inventor, distant father to his children, or to an argumentative scientist, there is one thing everyone can agree on; Thomas Edison was pure genius. After all, in his world, nothing less would do.
The most prolific inventor in American history, Thomas Edison played a major role in creating industries that have altered life around the globe: electric light and power, recorded sound and motion pictures. He also made significant innovations in telecommunications, battery technology, office machinery, the manufacture of Portland Cement, and processes for working low-grade ores. He was able to contribute to such a wide array of industries because he was not a lone inventor. At his workshops and laboratories in Newark, Menlo Park, and West Orange in New Jersey, Edison brought together teams of skilled research assistants and machinists. These teams allowed him to do more than any one person could do. In the process he transformed invention by making it part of a larger process of research, development, and commercialization that we now call innovation. That transformation—as much as any single invention—has become a crucial feature of the modern world. Includes a detailed chronology of Edison’s life and work. An introduction that provides an overview of Edison’s life and work. The A-to-Z section includes three hundred encyclopedic entries on Edison’s inventions, laboratories, business enterprises, public image and numerous individuals with whom he was associated. An extensive bibliography of Edison’s publications and select interviews; modern, contemporaneous, and juvenile biographies; and thirteen subject areas related to Edison’s work and influence. The index thoroughly cross-references the chronological and encyclopedic entries.
Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.
Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity looks at nineteenth-century literary representation and film theory, arguing that the depth of amalgamation that occurred within literary representation during this era is a key aesthetic tradition that continues to inform movies and contemporary culture today.