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In 1928 a journalist asked George Mallory why he wanted to climb Everest. Mallory said, 'Because it's there.' Joe Simpson's memoir Touching the Void, international bestseller and BAFTA-winning film, charts his struggle for survival on the perilous Siula Grande mountain in the Peruvian Andes aged twenty-five. Adapted for the stage by David Greig, Joe's story explodes into a bold theatrical fantasia. We discover the counter-cultural world of Alpine climbing and the sensual joy of the mountains; we bear witness to the appalling moment when Joe's climbing partner Simon Yates, battered by freezing winds and tethered to the injured Simpson, makes the critical decision to cut the rope. Tense, funny and inquisitive, Touching the Void explores the mind's extraordinarily rich reservoirs of strength and imagination when teetering on the edge of death. David Greig's Touching the Void premiered at Bristol Old Vic, Bristol in September 2018.
Set 'somewhere in the north of England' it centres on the amateur rugby team from the Wheatsheaf Arms who can only muster a side of four whose pride lies in their unbroken record of defeat.-1 woman, 6 men
Jesus didn't die so we could be reborn, lady, the stars did. The writer leads his followers towards the end of this world and the start of a new one. The book he's written predicts it all – the equations, the black hole, all the words we'll speak till then. On this last day, at this last hour, a defector finds her voice and returns.
Winner of the 2010 Whiting Award for best new play.Winner of the 2010 Total Theatre Award for Innovation. Nominated in the Evening Standard Theatre Awards 2010. Settle back into the warmth of the theatre. Relax as the story unfolds. For you. With you. Of you. A story of hope, violence and exploitation. Laugh with the actors, tap your feet to the music, turn to your neighbour. You’re here. The Author tells the story of another play: a violent, shocking and abusive play written by a playwright called Tim Crouch and performed at the Royal Court Theatre. It charts the effect that play had on the two actors who acted in it and an audience member who watched it. The Author explores our responsibilities to what we choose to look at in the world and how we choose to act accordingly. Performed within its audience, it is a brilliantly inventive and theatrical study of what we deem acceptable in the name of Art.
Roger and Harry's bond is so strong they could be brothers. They share the same food, music, computer games and even dreams... Everything other than their race. Roger is black, and Harry is white. But what does that matter, right? When Roger is re-homed, Harry is left behind in the care system, and these “brothers” grow up in opposite ends of Britain's social spectrum. Then on Harry's birthday, Runaku (Roger's reclaimed Zimbabwean birth name) returns for a dream reunion that turns into a nightmare situation. Human Nature is an explosive new play from Ryan Calais Cameron where nothing's off-limits: from innocent primary school humiliations to race, privilege, allyship and male vulnerability.
This fascinating selection of photographs traces the history of two of Edinburgh's best-loved theatres, the changes that have taken place inside and out, and many of the legendary acts that have appeared over the years.
An up-to-date, contextualized assessment of the impact of the 'festivalization' of culture around the world.
You'd be surprised how a simple thing like locking up your husband in the same room as you, makes you aware of something. Of being alive. The Scent of Roses begins with a wife who takes her husband hostage in order to have an honest conversation. This simple, transgressive act, and her demand for a straight answer, sparks a chain of conversations, interrogations, obfuscations and revelations, as they and those around them try to discover what is real and who they can trust in a post-truth world. Zinnie Harris's The Scent of Roses premieres at the Royal Lyceum Theatre, Edinburgh, in February 2022.
Inspired by the 1965 films Three Approaches To Psychotherapy (The Gloria films), The Patient Gloria is a provocative meditation on therapy and female desire. In a political context where misogyny is the winning ticket, Gina Moxley re-examines the canon of psychotherapy with an upfront mash-up of re-enactment, lived experience and feminist punk gig. It's an experimental extravaganza. And it's therapeutic. It's very therapeutic.