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The Selected Works of Andrew Lang: Volume 1Anthropology: Fairy Tale, Folklore, the Origins of Religion, Psychical ResearchEdited by Andrew Teverson, Alexandra Warwick and Leigh WilsonThis is the first critical edition of the works of Andrew Lang (1844-1912), the Scottish writer whose enormous output spanned the whole range of late-nineteenth century intellectual culture. Neglected since his death, partly because of the diversity of his interests and the volume of his writing, his cultural centrality and the interdisciplinary nature of his work make him a vital figure for contemporary scholars.This volume covers Lang's wide and influential engagement with the central areas of late nineteenth-century anthropology. Lang made decisive interventions in debates around the meaning of folk tales and the origins of religion, as well as being an important figure in the investigation of spiritualist claims through psychical research. The work reproduced here includes journalism, essays, extracts from books and previously unpublished letters which together articulate and challenge some of the central ideas and discussions of the period, including evolution, the relation between modern and non-modern cultures, the nature of scientific claims to truth, and the consequences of materialism. The volume will provide new and illuminating ways of understanding and assessing the period for scholars across a range of disciplines, including those interested in the histories of the fairy story, of science, of the occult, of colonialism and of anthropology.Key Features: Unpublished archival materialCritical introductions to the major areas of his workFull explanatory notesAndrew Teverson is Professor of English Literature and Associate Dean for the Faculty of Arts and Social Sciences at Kingston University, London. His research centres on the use and meaning of fairy tales, and he has published both on the employment of them in contemporary writing and on the historical development of the form. He is the author of Fairy Tale (Routledge, 2013).Alexandra Warwick is Professor of English Studies and Head of the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research is on Victorian culture, in particular the fin de sicle. Leigh Wilson is Reader in Modern Literature in the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research focuses on modernism, on the place of supernatural and occult beliefs and practices in the late nineteenth and early twentieth centuries, and on the contemporary British novel. She is the author of Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult (EUP, 2013).
This is the first critical edition of the works of Andrew Lang, the Scottish writer whose enormous output spanned the whole the range of late-nineteenth century intellectual culture: from literary criticism to anthropology, magic to archaeology, folklore to Scottish history. Critically neglected since his death, partly because of the diversity of his interests and the volume of his writing, he was central to some of the most important debates of the period. This, and the interdisciplinary nature of his work, makes him an important figure for contemporary scholars
This is the first critical edition of the works of Andrew Lang, the Scottish writer whose enormous output spanned the whole the range of late-nineteenth century intellectual culture: from literary criticism to anthropology, magic to archaeology, folklore to Scottish history.
The historiographers of religious studies have written the history of this discipline primarily as a rationalization of ideological, most prominently theological and phenomenological ideas: first through the establishment of comparative, philological and sociological methods and secondly through the demand for intentional neutrality. This interpretation caused important roots in occult-esoteric traditions to be repressed. This process of “purification” (Latour) is not to be equated with the origin of the academic studies. De facto, the elimination of idealistic theories took time and only happened later. One example concerning the early entanglement is Tibetology, where many researchers and respected chair holders were influenced by theosophical ideas or were even members of the Theosophical Society. Similarly, the emergence of comparatistics cannot be understood without taking into account perennialist ideas of esoteric provenance, which hold that all religions have a common origin. In this perspective, it is not only the history of religious studies which must be revisited, but also the partial shaping of religious studies by these traditions, insofar as it saw itself as a counter-model to occult ideas.
The Fairy Tale World is a definitive volume on this ever-evolving field. The book draws on recent critical attention, contesting romantic ideas about timeless tales of good and evil, and arguing that fairy tales are culturally astute narratives that reflect the historical and material circumstances of the societies in which they are produced. The Fairy Tale World takes a uniquely global perspective and broadens the international, cultural, and critical scope of fairy-tale studies. Throughout the five parts, the volume challenges the previously Eurocentric focus of fairy-tale studies, with contributors looking at: • the contrast between traditional, canonical fairy tales and more modern reinterpretations; • responses to the fairy tale around the world, including works from every continent; • applications of the fairy tale in diverse media, from oral tradition to the commercialized films of Hollywood and Bollywood; • debates concerning the global and local ownership of fairy tales, and the impact the digital age and an exponentially globalized world have on traditional narratives; • the fairy tale as told through art, dance, theatre, fan fiction, and film. This volume brings together a selection of the most respected voices in the field, offering ground-breaking analysis of the fairy tale in relation to ethnicity, colonialism, feminism, disability, sexuality, the environment, and class. An indispensable resource for students and scholars alike, The Fairy Tale World seeks to discover how such a traditional area of literature has remained so enduringly relevant in the modern world.
The Complete Poems of Andrew Lang is published in two volumes. Andrew Lang was a noted Scottish scholar and writer of the nineteenth century. He wrote prodigiously. Part of Lang's vast output included five books of poetry, two novels, and a twelve-volume collection of fairy tales. He is best remembered as a classical scholar, Scottish historian, anthropologist, biographer, editor, and journalist. Lang was the son of the Sheriff-Clerk of Selkirkshire, and was born in Selkirk on March 31, 1844. He was educated at Edinburgh Academy and the Universities of St Andrews and Glasgow, and won a Snell Exhibition to Balliol College, Oxford. He graduated in 1868 and became a Fellow of Merton College, researching in anthropology there until 1874. At Oxford he was associated with the Rondelier group of poets. He went to London in 1875 and lived there for most of his life, spending his winters in St Andrews in later years. He married Leonore Blanche Alleyne on April 17, 1875. He spent much of his writing life in London,. However, his considerable knowledge of Scotland and deep understanding of the Scottish character remained pervasive in his work. Lang died July 20, 1912. Although Lang’s work may not be as well known as that of his contemporaries, he was a significant literary figure. He became one of the best-known journalists of his day, writing leaders for the Daily News and a column called "At the Sign of the Ship" for Longman's Magazine. His column did much to form literary opinion in the late nineteenth century. His contemporaries included Robert Louis Stevenson, whom he often encouraged and almost collaborated with, and George Douglas Brown whom he brought to public notice. Lang's interests were diverse and his expertise considerable. He quickly became famous for his critical articles in The Daily News and other papers. He displayed talent as a poet in Ballads and Lyrics of Old France, a translation (1872), four subsequent poetry collections, and as a novelist with The Mark of Cain (1886) and The Disentanglers (1902). He earned special praise for his 12-volume collection of fairy tales, the first volume of which was The Blue Fairy Book (1889) and the last The Lilac Fairy Book (1910). His own fairy tales, The Gold of Fairnilee (1888), Prince Prigio (1889), and Prince Ricardo of Pantouflia (1893) became children's classics. Lang created pioneering anthropological work in such volumes as Custom and Myth (1884) and Myth, Ritual and Religion (1887). Later, Lang turned to history and historical mysteries, notably Pickle the Spy (1897), A History of Scotland from the Roman Occupation, 4 vol. (1900-07), Historical Mysteries (1904), and The Maid of France (1908). Lang was also an eminent classical scholar. He had a lifelong devotion to Homer. His prose translations of the ancient Greek epic poems, The Odyssey, in 1879, with S. H. Butcher and The Iliad, in 1882, with E. J. Myers and Walter Leaf, are among the best ever made and are still read today. Lang’s intellect and his wit can perhaps be best appreciated in his poetry. Of his poems “Waitin' for the Glasgow Train” and “The Fairy Minister” are the best known. Lang chose to liken his poetry to the grass of Parnassus- wild flowers at the foot of the mountain. His poetical work is at times wild and natural yet also elegant and timeless. May you delight in discovering the poetry of Andrew Lang.