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This substantial reference work examines political realism in terms of its history, its scientific methodology and its normative role in international affairs. Split into three sections, it covers the 2000-year canon of realism: the different schools of thought, the key thinkers and how it responds to foreign policy challenges.
Political realism is a highly diverse body of international relations theory. This substantial reference work examines political realism in terms of its history, its scientific methodology and its normative role in international affairs. Split into three sections, it covers the 2000-year canon of realism: the different schools of thought, the key thinkers and how it responds to foreign policy challenges faced by individual states and globally. It brings political realism up-to-date by showing where theory has failed to keep up with contemporary problems and suggests how it can be applied and adapted to fit our new, globalised world order.
This is a comprehensive introduction to the study of older and present-day Scots language.
This collection examines the diverse, and often conflicted, political status of health in the USA from World War II to Covid-19. It moves beyond biomedical conceptions by using the lenses of class, poverty, race, gender, sexuality and locality to study the concepts, policies and lived realities of U.S. healthcare and medicine.
In this landmark Companion, expert contributors from around the world map out the field of the critical medical humanities. This is the first volume to introduce comprehensively the ways in which interdisciplinary thinking across the humanities and social sciences might contribute to, critique and develop medical understanding of the human individually and collectively. The thirty-six newly commissioned chapters range widely within and across disciplinary fields, always alert to the intersections between medicine, as broadly defined, and critical thinking. Each chapter offers suggestions for further reading on the issues raised, and each section concludes with an Afterword, written by a leading critic, outlining future possibilities for cutting-edge work in this area. Topics covered in this volume include: the affective body, biomedicine, blindness, breath, disability, early modern medical practice, fatness, the genome, language, madness, narrative, race, systems biology, performance, the postcolonial, public health, touch, twins, voice and wonder. Together the chapters generate a body of new knowledge and make a decisive intervention into how health, medicine and clinical care might address questions of individual, subjective and embodied experience.
In a lively account of Kelsen's life and political thinking, Robert Schuett introduces him as a political realist and brings his thought on human nature, the state and war into productive tension with today's Schmittians and conventional views of foreign policy realism.
Raymond Aron is an exceptional figure among twentieth-century sociological and political thinkers. The book focuses on the sociological work of this author of the century, who analyzed his age both in its grand-scale political and socio-economic traits and in the complex social ramifications of its day-to-day life. Aron experts from a total of seven countries examine Aron’s sociology in detail starting with his road from philosophy to sociology not least under the impression of the Great Depression and its aftermath, especially the rise of National Socialism in Germany. His epistemological studies on the limits of objective knowledge in history and the social sciences in which he moves away from Durkheim's approach and instead adopts Max Weber's sociology of understanding are analysed. This acknowledgment of the limits of knowledge laid the foundations for Aron’s liberalism and humanism. His sociology of industrial society as an economy of economic growth in its market economy and planned economy versions, its social stratification, his criticism of the Marxist concept of social class, the structure of the ruling elites and the pluralistic and one-party, totalitarian political regimes are presented, as is Aron's analysis of the dialectic of modern society between the idea of equality and the authority structures in the state and the economic process. This is accompanied by Aron's lifelong criticism of those intellectuals above all in the pluralist and liberal democracies who hope that a messianic ideology will abolish all social contradictions. Aron’s sociology of international relations in the age of industrial society and globalization, which for Aron brought about the dawn of universal history, complete the overview of Raymond Aron's sociological work.
A Theory of De Facto States offers a new perspective on the phenomenon of de facto states — political communities that manifest forms of statehood in international politics but lack international legal recognition — zooming in on two prominent examples, Somaliland and Kosovo. Employing a thorough understanding of classical realist theories of international relations, this book provides a fresh critique of the common ways in which existing research tends to identify the ostensible state features of these communities. In contrast to the prevalent portrayals of such features in terms of international legal, discursive, and/or everyday logics, this book argues that de facto states can be most fundamentally characterised as exceptional polities in international relations. Showcasing how the statehood and sovereignty of de facto states is based in international political crises, this book concludes that these entities function as recurring disruptions of any supposed international political order. A Theory of De Facto States will therefore be of interest to researchers of secession, de facto statehood, and International Relations theory alike.
This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural.
A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present