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Edgar, a rat who wants nothing more than to be left alone, spies an earthworm following him about the farm and does everything he can think of to get rid of it before learning an important lesson.
Though fourteen-year-old Alison Shandling is a brain, her twin brother, Adam, is autistic. All of her life, Alison's parents have focused on Adam and what he needs, while Alison has always felt she had to be perfect. When the rabbi's son, Harry Roth, begins taunting Alison about her brother, she does her best to stand up for herself. But when Harry is injured in a diving accident, Alison senses that he's hiding something that he wants to share with someone. And she begins to think that she's just the someone he can share it with....
*Winner of the American Book Award* *Winner of the Lambda Literary Award for Gay Memoir/Biography* An Honor Book for the 2023 Stonewall Book Award—Israel Fishman Non-Fiction Book Award This witty memoir traces a touching and often hilarious spiralic path to embracing a gay, Latinx identity against a culture of machismo—from a cockfighting ring in Nicaragua to cities across the U.S.—and the bath houses, night clubs, and drag queens who help redefine pride I’ve always found the definition of machismo to be ironic, considering that pride is a word almost unanimously associated with queer people, the enemy of machistas . . . In a world desperate to erase us, queer Latinx men must find ways to hold on to pride for survival, but excessive male pride is often what we are battling, both in ourselves and in others. A debut memoir about coming of age as a gay, Latinx man, High-Risk Homosexual opens in the ultimate anti-gay space: Edgar Gomez’s uncle’s cockfighting ring in Nicaragua, where he was sent at thirteen years old to become a man. Readers follow Gomez through the queer spaces where he learned to love being gay and Latinx, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual.” With vulnerability, humor, and quick-witted insights into racial, sexual, familial, and professional power dynamics, Gomez shares a hard-won path to taking pride in the parts of himself he was taught to keep hidden. His story is a scintillating, beautiful reminder of the importance of leaving space for joy.
An Oprah's Book Club Pick A #1 New York Times Bestseller A National Bestseller Beautifully written and elegantly paced, The Story of Edgar Sawtelle is a coming-of-age novel about the power of the land and the past to shape our lives. It is a riveting tale of retribution, inhabited by empathic animals, prophetic dreams, second sight, and vengeful ghosts. Born mute, Edgar Sawtelle feels separate from the people around him but is able to establish profound bonds with the animals who share his home and his name: his family raises a fictional breed of exceptionally perceptive and affable dogs. Soon after his father's sudden death, Edgar is stunned to learn that his mother has already moved on as his uncle Claude quickly becomes part of their lives. Reeling from the sudden changes to his quiet existence, Edgar flees into the forests surrounding his Wisconsin home accompanied by three dogs. Soon he is caught in a struggle for survival—the only thing that will prepare him for his return home.
Documentary films have enjoyed a huge resurgence over the last few years, and there's a new generation of filmmakers wanting to get involved. In addition, the digital revolution has made documentaries even more accessible to the general filmmaker. Documentary films can now be shot professionally using cheaper equipment, and smaller cameras enable the documentarian to be less intrusive and therefore more intimate in the subjects' lives. With an increasing number of documentaries making it to the big screen (and enjoying ongoing sales on DVD), the time is right for an information-packed handbook that will guide new filmmakers towards potential artistic and commercial success. The Documentary Film Makers Handbook features incisive and helpful interviews with dozens of industry professionals, on subjects as diverse as interview techniques, the NBC News Archive, music rights, setting up your own company, the Film Arts Foundation, pitching your proposal, the Sundance Documentary Fund, the Documentary Channel, the British Film Council, camera hire, filmmaking ethics, working with kids, editing your documentary, and DVD distribution. The book also includes in-depth case studies of some of the most successful and acclaimed documentary films of recent years, including Mad Hot Ballroom, Born Into Brothels, Touching the Void, Beneath the Veil,and Amandla! The Documentary Film Makers Handbook will be an essential resource for anyone who wants to know more about breaking into this exciting field.
A fierce debut collection from NEA and Stegner fellow Edgar Kunz―spare and intimate narrative poems that sprawl between oxys and Bitcoin, crossing the country restlessly as they struggle to reconcile a troubled young adulthood with the working poor New England of his youth
Every house has a story to tell. Laura Horton doesn’t know if the rumours about Leon Murphy are true, but she keeps her distance anyway. It’s hard enough being the girl from the haunted house. However, Laura soon finds she has more in common with Leon than she first thought. They are both outsiders. They both have secrets. And they are both drawn to the mystery hidden within the walls of the Visconti House. As Laura begins to piece together the fragments of the puzzle, she and Leon take an unexpected journey into the past, one that will change their lives – and open their hearts – forever.
DIV For the sake of his master’s memory, Sand will kill to recover a magnificent sword Though useless in battle, the emperor’s katana is a beautiful weapon. Cast from solid gold, this 1,200-year-old blade was thought to be lost until Master Konuma, teacher of samurais, presents it as a gift to the people of Japan. Soon after, he is savagely murdered, leaving his American student, Robert Sand, to avenge his death. The sensei is gone, but the sword remains as a symbol of his generosity—until the day the katana vanishes. A madman snatches the treasure from the Metropolitan Museum, wanting the katana at his side as he makes a bid for world domination. Now it’s Sand’s turn to steal it back, and destroy the monster who dishonored his sensei’s memory. The katana is too valuable to use in a fight, but for its sake much blood will flow. /div
This book explores the ways in which a range of recent American novelists have handled the genre of the 'coming-of-age' novel, or the Bildungsroman. Novels of this genre characteristically dramatise the vicissitudes of growing up and the trials and tribulations of young adulthood, often presented through depictions of immediate family relationships and other social structures. This book considers a variety of different American cultures (in terms of race, class and gender) and a range of contemporary coming-of-age novels, so that aesthetic judgements about the fiction might be made in the context of the social history that fiction represents. A series of questions are asked:* Does the coming-of-age moment in these novels coincide with an interpretation of the 'fall' of America?* What kind of national commentary does it therefore facilitate?* Is the Bildungsroman a quintessentially American genre?* What can it usefully tell us about contemporary American culture? Although the focus is on the conte