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Often described as a "gothic novel," this is a classic American tale of mystery and murder with exciting and dramatic plot twists. Charles Brockden Brown is the most frequently studied and republished practitioner of the "early American novel," or the US novel between 1789 and roughly 1820. This volume contains a critical edition of Charles Brockden Brown's Edgar Huntly, the third of his novels to be published in 1799 and the first to deal with the American wilderness. The basis of the text is the first edition, printed and published by Hugh Maxwell in Philadelphia late in the year, but the "Fragment" printed independently in Brown's Monthly Magazine earlier in 1799 supplies some readings in Chapters 17-20. The Historical Essay, which follows the text, covers matters of composition, publication, historical background, and literary evaluation, and the Textual Essay discusses the transmission of the text, choice of copy-text, and editorial policy. A general textual statement for the entire edition appears in Volume I of the series.
A new critical companion to the Gothic traditions of American CultureThis new Companion surveys the traditions and conventions of the dark side of American culture its repressed memories, its anxieties and panics, its fears and horrors, its obsessions and paranoias. Featuring new critical essays by established and emerging academics from a range of national backgrounds, this collection offers new discussions and analyses of canonical and lesser-known texts in literature and film, television, photography, and video games. Its scope ranges from the earliest manifestations of American Gothic traditions in frontier narratives and colonial myths, to its recent responses to contemporary global events. Key Features Features original critical writing by established and emerging scholarsSurveys the full range of American Gothic, from its earliest texts to 21st Century worksIncludes critical analyses of American Gothic in new media and technologiesWill establish new benchmarks for the critical understanding of American Gothic traditions
It was only after serving as a chaplain in the American Revolution, playing an important role in the Whiskey Rebellion, and serving (often controversially) on the Pennsylvania Supreme Court, that Hugh Henry Brackenridge composed his great comic epic. Published in installments over the twenty-eight–year period beginning with Washington's presidency ending with that of Madison, this irreverent and ribald novel, relating the misadventures of Captain Farrago and his sidekick, Teague O'Regan, leaves no major ethnic, racial, religious, or political issue of the period unscathed.
Following the structure of other titles in the Continuum Introductions to Literary Genres series, American Gothic Fiction includes: A broad definition of the genre and its essential elements. A timeline of developments within the genre. Critical concerns to bear in mind while reading in the genre. Detailed readings of a range of widely taught texts. In-depth analysis of major themes and issues. Signposts for further study within the genre. A summary of the most important criticism in the field. A glossary of terms. An annotated, critical reading list. This book offers students, writers, and serious fans a window into some of the most popular topics, styles and periods in this subject. Authors studied in American Gothic Fiction include Charles Brockden Brown, William Montgomery Bird, James Fenimore Cooper, Edgar Allan Poe, George Lippard, Herman Melville, Nathaniel Hawthorne, William Gilmore Simms, John Neal, Harriet Beecher Stowe, Charlotte Perkins Gilman, Ambrose Bierce, Emma Dawson, W.D. Howells, Henry James, William Faulkner, Anne Rice and William Gibson
Fantasy is a creation of the Enlightenment, and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who produced The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005).
Edgar Huntly or, Memoirs of a Sleep-Walker. by Charles Brockden Brown Edgar Huntly, Or, Memoirs of a Sleepwalker is a 1799 novel by the American author Charles Brockden Brown. Edgar Huntly, a young man who lives with his uncle and sisters (his only remaining family) on a farm outside Philadelphia, is determined to learn who murdered his friend Waldegrave. Walking near the elm tree under which Waldegrave was killed late one night, Huntly sees Clithero, a servant from a neighboring farm, half-dressed, digging in the ground and weeping loudly. Huntly concludes that Clithero may be the murderer. He also concludes that Clithero is sleepwalking. Huntly decides to follow Clithero when he sleep walks. Clithero leads Huntly through rough countryside, but all this following doesn't lead to Huntly learning much about the murder. Eventually, Huntly confronts Clithero when they are both awake and demands that he confess. Clithero does confess, but not to Waldegrave's murder. Instead he tells a complicated story about his life in Ireland, where he believes he was responsible for the death of a woman who was his patron, after which he fled to Pennsylvania. Clithero claims to know nothing about Waldegrave's murder.
This volume contains a complete edition of American author Charles Brockden Brown's 1799 novel, Edgar Huntly. The novel tells of Edgar Huntly, a young man who lives with his uncle and sisters on a small farm. Edgar is determined to learn who murdered his friend Waldegrave. When walking near the elm tree where Waldegrave was killed, Huntly sees Clithero, a servant from another farm, who is digging in the ground and weeping loudly. Huntly concludes that Clithero may be the murderer of his friend and follows him, soon discovering that he is sleep walking and hiding dark secrets.