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Carefully reproduced from a rare 1923 limited edition, most of these magnificent drawings are unavailable elsewhere in published form. Dancers, nudes, portraits, travel scenes, and more. 100 drawings, including 8 in full color.
This volume presents the sculptures of French artist Edgar Degas (1834-1917). Degas is known for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism, although he rejected the term, and preferred to be called a realist. Although best known as a painter, his most widely known work is a sculpture, "Little Dancer Aged Fourteen". Executed in wax, near life-sized, dressed in a ballerina's tutu, with real ballet slippers and real hair, the sculpture caused a sensation when it was exhibited in 1881. It is the only sculpture Degas ever showed publicly, though more than one hundred -- of dancers, horses, and bathers -- were found in his studio after he died, all dusty, some fallen apart. This work includes essays on Degas' life and work, his sculptural technique and materials, and the story of the sculptures after his death. It features art-historical and technical discussions of every work in the collection as well as concordances and bibliography.
An introduction to the life and work of nineteenth-century French artist Edgar Degas, discussing his cultural and historical importance, and including a chronology and over one hundred color illustrations with explanatory captions.
Through his representation of modern subjects such as ballet dancers and race horses, his constant questioning of traditional artistic practices, and his vital engagement with Parisian society, Edgar Degas (1834-1917) helped to define the beginnings of modernism in visual culture at the end of the nineteenth century. This engaging book yields new scholarship on works by Degas in the collection of the Yale University Art Gallery and provides in-depth discussion of works of art in every medium explored by this innovative artist. Extended entries by distinguished scholars including Richard Kendall and Edgar Munhall provide a complete review of the artist's working methods. The book also introduces several important pieces by Degas that have rarely been available for view by the public, including a notable wax figure and several unique prints and works on paper.
Through Edgar Degas’s beloved paintings, drawings, and sculptures, Susan Goldman Rubin conveys the wonder and excitement of the ballet world. Degas is one of the most celebrated painters of the impressionist movement, and his ballerina paintings are among the most favorite of his fans. In his artwork, Degas captures every moment, from the relentless hours of practice to the glamour of appearing on stage, revealing a dancer’s journey from novice to prima ballerina. Observing young students, Degas drew their poses again and again, determined to achieve perfection. The book includes a brief biography of his entire life, endnotes, bibliography, where to see his paintings, and an index.
Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.
Forty-one full-page, six half-page drawings depict dancers on stage, in the classroom, and at rehearsals. Charming, spirited views of dancers pirouetting, executing grand battements and ports de bras, practicing at the barre, and more.
Edgar Degas (1834-1917) was one of the outstanding draughtsmen of the 19th century: drawing was not only a central tenet of his art, but essential to his existence. Through an examination of the artist's drawings and pastels, Christopher Lloyd reveals the development of Degas's style as well the story of his life, including his complicated relationship with the Impressionists. Following a broadly chronological approach, the author discusses the various subject areas, not only the images of dancers (which form over half of Degas's total oeuvre) but also of nudes and milliners, and the less well-known racehorse and landscape drawings. He covers his whole career, from when Degas was copying the Old Masters to learn his craft to when he ceased work in 1912 because of failing eyesight, setting him within the artistic context of the period. Lloyd's extensive research, which includes consulting the artist's detailed notebooks, has resulted in a comprehensive exposition with, at its heart, some 250 pencil, black-chalk, pen-and-ink, and charcoal drawings and pastels of timeless appeal.
"This book is published on the occasion of the exhibition Picasso Looks at Degas, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 13 June-12 September 2010, Museu Picasso, Barcelona, 14 October 2010-16 January 2011."--T.p. verso.