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"Classical education is an education of the heart and conscience as much as it is an education of the mind. This book explores the classical emphasis on formation of character and links Charlotte Masons ideas to the thinkers of the past. This is not a 'how to' book about education, but a 'why to' book that will bring clarity to many of the ideas you already know about teaching and learning"--Back cover.
Poetry. The poems in NO EDEN merge the landscapes of a rainy girlhood in the American South and the mythic world of Noah and the Flood. In these poems, a backyard stretches between a mother and daughter—the lessons of "distance tender and biblical." The Carolina yard opens to hold the fruits of Eve and Lilith, the flight of Noah's raven and dove, the small terrors of curbs and classrooms. These are poems of "a family awake through a storm," an intimate theology of floods, loss, and betrayal. But NO EDEN suggests a source of possible comfort, of slow quiet mercy and forgiveness. Perhaps there once was an Eden, even if it is no longer there. Its having possibly existed offers us hope that there may still be an Eden within, one we can somehow attain through beauty, luck and hope.
In this thoughtful study, respected Old Testament scholar Patricia K. Tull explores the Scriptures for guidance on today's ecological crisis. Tull looks to the Bible for what it can tell us about our relationships, not just to the earth itself, but also to plant and animal life, to each other, to descendants who will inherit the planet from us, and to our Creator. She offers candid discussions on many current ecological problems that humans contribute to, such as the overuse of energy resources like gas and electricity, consumerism, food production systems--including land use and factory farming--and toxic waste. Each chapter concludes with discussion questions and a practical exercise, making it ideal for both group and individual study. This important book provides a biblical basis for thinking about our world differently and prompts us to consider changing our own actions. Visit inhabitingeden.org for links to additional resources and information.
From comic books to summer blockbusters, all people enjoy art in some form or another. However, few of us can effectively explain why certain books, movies, and songs resonate so profoundly within us. In Echoes of Eden, Jerram Barrs helps us identify the significance of artistic expression as it reflects the extraordinary creativity and unmatched beauty of the Creator God. Additionally, Barrs provides the key elements for evaluating and defining great art: (1) The glory of the original creation; (2) The tragedy of the curse of sin; (3) The hope of final redemption and renewal. These three qualifiers are then put to the test as Barrs investigates five of the world's most influential authors who serve as ideal case studies in the exploration of the foundations and significance of great art.
What is this World? What kind of place is it? "The round kind. The spinning kind. The moist kind. The inhabited kind. The kind with flamingos (real and artificial). The kind where water in the sky turns into beautifully symmetrical crystal flakes sculpted by artists unable to stop themselves (in both design and quantity). The kind of place with tiny, powerfully jawed mites assigned to the carpets to eat my dead skin as it flakes off. The kind with people who kill and people who love and people who do both... "This world is beautiful but badly broken." "I love it as it is, because it is a story, and it isn't stuck in one place. It is full of conflict and darkness like every good story, a world of surprises and questions to explore. And there's someone behind it; there are uncomfortable answers to the how's and whys and what's. In the beginning was the Word, and the Word was with God, and the Word was God. Through Him were all things made... Welcome to His poem. His play. His novel. Let the pages flick your thumbs."
In The Cardinal Turns the Corner, Matthew Huff revels in the richness of life as his poems span an extensive spectrum, ranging from a coffee outing with Beethoven to the quiet turmoil of making the bed. Whether he is observing the pain of loss and grief ("A Quiet Pond in Camden," "Math," "Grief") or simply the sheer delight of living ("My Daughter Speaks with Thunder," "Passion," "Play"), Huff's poetic voice illuminates the imagination, inviting the reader to see the wonder in even the simplest of moments. All proceeds from the sales of this book go directly to Curing Kids Cancer, an Atlanta-based organization committed to funding cutting-edge research and technology in the fight against childhood cancer. "Every time I have heard Matthew speak on poetry, which is quite a bit, I have been so inspired by his words and his attitude. Knowing him so closely and seeing the poetry that comes out of his life, I can really experience his poems. Through his passion my eyes have been opened to the beauty of poetry." - Colton Guffey, Providence Classical School of Rock Hill
Christian theology shaped and is shaping many places in the world, but it was the Greeks who originally gave a philosophic language to Christianity. John Mark Reynolds's book When Athens Met Jerusalem provides students a well-informed introduction to the intellectual underpinnings (Greek, Roman and Christian) of Western civilization and highlights how certain current intellectual trends are now eroding those very foundations. This work makes a powerful contribution to the ongoing faith versus reason debate, showing that these two dimensions of human knowing are not diametrically opposed, but work together under the direction of revelation.
Tanner uses Kierkegaard's thought, in particular his theory of anxiety, to enrich a bold new reading of Milton's Paradise Lost. He argues that for Milton and Kierkegaard, the path to sin and to salvation lies through anxiety, and that both writers include anxiety within the compass of paradise. The first half of the book explores anxiety in Eden before the Fall, original sin, the aetiology of evil, and prelapsarian knowledge. The second half examines anxiety after the Fall, offering original insights into such issues as the demonic personality, remorse, despair, and faith.
The Sword of Eden tells the story of Eve and Mary from their points of view. It connects their lives—Eve as the mother of us all, looking forward to the birth of one who is promised to bruise the head of the serpent in the garden, and Mary as the New Eve whose son will do so. They tell their own stories which are central to the biblical story of salvation as well as their typical lives as women, wives, and mothers. Grindal has used sonnet forms to tell their stories.
Does your knowledge of the Old Testament feel like a grab bag of people, books, events and ideas? Sandra Richter gives an overview of the Old Testament, organizing our disorderly knowledge of the Old Testament people, facts and stories into a memorable and manageable story of redemption that climaxes in the New Testament.