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When Eddy Stone accidentally releases a wizard from a magical lamp, everyone's wishes start coming true... but going wrong. Tumbling into a land of genies, madcap emperors and dancing camels, can Eddy find a way to reverse this curse? ABRACADABRA! This genie will grab ya...
Mastering Philosophy introduces the beginner to all the main areas of this fascinating subject. A wide range of problems are investigated within a generally historical framework from the Ancient Greeks through to the present day. The book provides guided answers and comments to encourage the reader to engage in philosophical 'dialogue', and contains extensive suggestions for further reading. In this second, comprehensively revised edition, attention has been paid to recent developments in continental philosophy. New chapters on critical thinking and oriental philosophy have also been included.
When Eddy Stone meets an alien cat on a mission to destroy Earth, his rainy weekend suddenly takes off. Shooting into outer space with his annoying cousin Millie, can Eddy stop the crazy kitty? 3-2-1: Counting down to an adventure that's out of this world...
A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture
An “insightful cultural history of the mythical, self-immolating bird” from Ancient Egypt to contemporary pop culture by the author of The Book of Gryphons (Library Journal). The phoenix, which rises again and again from its own ashes, has been a symbol of resilience and renewal for thousands of years. But how did this mythical bird come to play a part in cultures around the world and throughout human history? Here, mythologist Joseph Nigg presents a comprehensive biography of this legendary creature. Beginning in ancient Egypt, Nigg’s sweeping narrative discusses the many myths and representations of the phoenix, including legends of the Chinese, where it was considered a sacred creature that presided over China’s destiny; classical Greece and Rome, where it appears in the writings of Herodotus and Ovid; medieval Christianity, in which it came to embody the resurrection; and in Europe during the Renaissance, when it was a popular emblem of royals. Nigg examines the various phoenix traditions, the beliefs and tales associated with them, their symbolic and metaphoric use, and their appearance in religion, bestiaries, and even contemporary popular culture, in which the ageless bird of renewal is employed as a mascot and logo. “An exceptional work of scholarship.”—Publishers Weekly
This book covers all Australian science fiction and fantasy authors, books and stories, as well as important magazines, sub-genres and works published electronically.
The certainty of the Cogito is more an "I feel" (an auto-affection), which on principle eludes the ek-stasis of representation in its modern sense. In such representation, subjectivity is always posed outside the self, whereas affectivity is felt in itself, immanently, without the mediation of any representation. In this sense, affectivity remains profoundly inaccessible to representation - not because it could only ever manifest itself as a representation, but because it manifests itself otherwise, in a manner anterior to the shown/hidden opposition that characterizes representational ek-stasis. The book traces this heritage from Descartes through Malebranche, Leibniz, Kant, and Schopenhauer to Freud. It also discusses Nietzsche, who the author argues stands outside this genealogy.
How does what we know shape the ways we read? Starting from the premise that any productive theory of narrative must take into account the presuppositions the reader brings to the text, Before Reading explores how our prior knowledge of literary conventions influences the processes of interpretation and evaluation. Available again with a new introduction by James Phelan.
This book is an anthology of extracts of literary writing (in prose, verse and drama) about London and its diverse inhabitants, taken from the accession of Queen Elizabeth I in 1558 to the outbreak of the Great War in 1914. The 143 extracts, divided into four periods (1558-1659, 1660-1780, 1781-1870 and 1871-1914), range from about 250 words to 2,500. Each of the four periods has an introduction that deals with relevant social, geographical and historical developments, and each extract is introduced with a contextualizing headnote and furnished with explanatory footnotes. In addition, the general introduction to the anthology addresses some of the literary questions that arise in writing about London, and the book ends with many suggestions for further reading. It should appeal not only to the general reader interested in London and its representation, but also to students of literature in courses about ‘reading the city’.