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This is work of creative art and satire (17 U.S. Code § 107) Ed Gein, also known as The Butcher of Plainfield, was an American murderer and body snatcher. His crimes, committed around his hometown of Plainfield, Wisconsin, gathered widespread notoriety after authorities discovered that Gein had exhumed corpses from local graveyards and fashioned trophies and keepsakes from their bones and skin.
Discover some of the world's most infamous killers in perfectly-illustrated detail. People have an obsession with serial killers, giving them a cult-like following from those with a morbid fascination. With their crimes going down in history, so many people have tried to get into their minds and discover what made them tick. Inside this spine-chilling coloring book, you'll discover 23 of the world's most notorious serial killers, depicted with stunning and detailed illustrations for you to color. You'll find: Ted Bundy Ed Gein Pablo Escobar Charles Manson Genene Jones Terry Nichols Ricard Ramirez Graham Young The Zodiac Killer And More... With single-sided pages to prevent bleed and make tearing out your favorites easy, as well as high-resolution images, this book is perfect for those with a morbid curiosity of the monsters who walk among us. Ideal as a gift - or just for yourself - this book puts on show the world's worst killers in stunning detail, with symbolism to link them to their crimes and weapons of choice.
FOR THOSE WITH TYPO-PHOBIA....THE SPELLING HAS BEEN CORRECTED.: ) The healthy and creative way for those with dark minds to unwind and express themselves. 37 notorious serial killers for you to spend intimate time coloring. Single-sided images that are perfect for framing. Fill an entire wall with these disturbing legends. Moderate to complex in detail. CONTAINS ADULT LANGUAGE. NOT SUITABLE FOR CHILDREN.
Serial Killer Fanatics - A very unique coloring book has arrived.You have never seen Jeffrey Dahmer, Robert Berdella or Ted Bundy like this.Who said coloring books were exclusively for children?There are monsters hiding in the darkness, and yet for some reason, our curiosity and fascination can't help but attract us to them - our minds wishing to discover their philosophies and our interest growing as we learn more of them.For many of these murderers, death became more than just a crime: it became an art. An art which they practiced and enjoyed, like the painting of a portrait, or the coloring of a book just like this one.In The Serial Killer Coloring Book we shall provide you with:- 38 of the most famous serial killers brought to you in a way you've never seen them before.- High-resolution images which will allow you to fill in the smallest details and achieve the most realistic results.- Single-sided pages, with each image given its own page to save you from worrying about the colors bleeding through and damaging your next serial killer's image.- Very accurate symbolism to each killer, providing context to their atrocious crimes and creepy stories.- The possibility of a fantastic gift for your friends, family and loved ones who love the True Crime genre.So, what are you waiting for? Discover this entirely fresh take on coloring books and tackle anxiety and stress in an incredible new way with The Serial Killer Coloring Book.
This is work of creative art and satire (17 U.S. Code § 107) Adolf Hitler was a German politician, demagogue, and Pan-German revolutionary, who was the leader of the Nazi Party (Nationalsozialistische Deutsche Arbeiterpartei; NSDAP), Chancellor of Germany from 1933 to 1945 and Führer ("Leader") of Nazi Germany from 1934 to 1945. As dictator, Hitler initiated World War II in Europe with the invasion of Poland in September 1939, and was central to the Holocaust.
The inspiration for the five-part Amazon Original docuseries Ted Bundy: Falling for a Killer This updated, expanded edition of The Phantom Prince, Elizabeth Kendall’s 1981 memoir detailing her six-year relationship with serial killer Ted Bundy, includes a new introduction and a new afterword by the author, never-before-seen photos, and a startling new chapter from the author’s daughter, Molly, who has not previously shared her story. Bundy is one of the most notorious serial killers in American history and one of the most publicized to this day. However, very rarely do we hear from the women he left behind—the ones forgotten as mere footnotes in this tragedy. The Phantom Prince chronicles Elizabeth Kendall’s intimate relationship with Ted Bundy and its eventual unraveling. As much as has been written about Bundy, it’s remarkable to hear the perspective of people who shared their daily lives with him for years. This gripping account presents a remarkable examination of a charismatic personality that masked unimaginable darkness.
Winner of the 2015 Gordon Burn Prize and the 2015 CWA Non-Fiction Dagger Shortlisted for the Orwell Prize and the James Tait Black Prize 'An astonishing account' Observer Dan Davies has spent more than a decade on a quest to find the real Jimmy Savile, and interviewed him extensively over a period of seven years before his death. In the course of his quest, he spent days and nights at a time quizzing Savile at his homes in Leeds and Scarborough, lunched with him at venues ranging from humble transport cafes to the Athenaeum club in London and, most memorably, joined him for a short cruise aboard the QE2. Dan thought his quest had come to an end in October 2011 when Savile's golden coffin was lowered into a grave dug at a 45-degree angle in a Scarborough cemetery. He was wrong. In the last two and a half years, Dan has been interviewing scores of people, many of them unobtainable while Jimmy was alive. What he has discovered was that his instincts were right all along and behind the mask lay a hideous truth. Jimmy Savile was not only complex, damaged and controlling, but cynical, calculating and predatory. He revelled in his status as a Pied Piper of youth and used his power to abuse the vulnerable and underage, all the while covering his tracks by moving into the innermost circles of the establishment.
Grave Desire is an analysis of the occasions of necrophilia throughout history, literature and the arts. It is an examination of the breaking of taboos and the metastasizing of fetishes in individuals and cultures using the works of Richard von Krafft-Ebing, Sigmund Freud, Georges Bataille, Jacques Lacan, Michel Foucault, Gilles Deleuze, Slavoj Žižek and others to explore the biographies of known necrophiles such as Carl von Cosel, Karen Greenlee and Ed Gein, and to analyze the cultures of Ancient Egypt, Greece, Troy, Victorian England and the first to eighth century CE civilization of the Moche people in northern Peru who used necrophilia as a means of religious time travel. Throughout the book, examples from the works of Herodotus, the Metaphysical poets, the Marquis de Sade, Cormac McCarthy, Poppie Z Brite, Jörg Buttgereit and more are used for illustration.
The second volume of writings by Los Angeles artist Mike Kelley, focusing on his own work. What John C. Welchman calls the "blazing network of focused conflations" from which Mike Kelley's styles are generated is on display in all its diversity in this second volume of the artist's writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in "voices" that grew out of scripts for performance pieces to expository critical and autobiographical writings.Minor Histories organizes Kelley's writings into five sections. "Statements" consists of twenty pieces produced between 1984 and 2002 (most of which were written to accompany exhibitions), including "Ajax," which draws on Homer, Colgate- Palmolive, and Longinus to present its eponymous hero; "Some Aesthetic High Points," an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of "creative writings" that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visual styles that characterize Kelley's artwork. "Video Statements and Proposals" are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. "Image-Texts" offers writings that accompany or are part of artworks and installations. This section includes "A Stopgap Measure," Kelley's zestful millennial essay in social satire, and "Meet John Doe," a collage of appropriated texts. "Architecture" features an discussion of Kelley's Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. Finally, "Ufology" considers the aesthetics and sexuality of space as manifested by UFO sightings and abduction scenarios.
The essays presented in this book focus on Psycho, both the novel by Robert Bloch (1950) and the film by Alfred Hitchcock (1960). Therefore, the different approaches range from film studies to literary criticism. Norman Bates has become an icon of the late twentieth century horror genre, and the movie set the basis for later cinematic developments. Over 50 years after the release of the book and the movie it inspired, new readings, revisions and adaptations of the domestic tragedy of Norman Bates and his mother are still being produced, as recently as Sacha Gervasi’s Hitchock in 2012. Now the curtains (either on the stage or in the bathroom) are about to open and a most peculiar house – with its silhouette and endorsement of doom – is waiting up on the hill. No cameras or pencils are allowed; you’re invited to a ritual that only your eyes will view and your imagination will embody. Leave all hope behind and enter at your own risk. The Bates’ terrifying rollercoaster welcomes you. Nothing is over here … at least not until it overcomes you.