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This book is a collection of essays about the interaction between God, humans, and nature in the context of the environmental challenges and Biblical studies. Chapters include topics on creation care and Sabbath, sacramental approaches to earth care, classical and medieval cosmologies, ecotheodicy, how we understand the problem of nonhuman suffering in a world controlled by a good God, ecojustice, and how humans help to alleviate nonhuman suffering. The book seeks to provide a way to understand Judeo-Christian perspectives on human-to-nonhuman interaction through Biblical, literary, cultural, film, and music studies, and as such, offers an interdisciplinary approach with emphasis on the humanities, which provides a broader platform for ecotheology.
Lisa Sideris proposes a new way of thinking about the natural world, an environmental ethic that incorporates the ideas of natural selection and values the processes rather than the products of nature. Such an approach encourages us to take a minimally interventionist approach to nature. Only when the competitive realities of evolution are faced squarely, Sideris argues, can we generate practical environmental principles to deal with such issues as species extinction and the relationship between suffering and sentience.
1) This is the first monograph systematically to apply modern principles of ecotheology to early medieval literature and religious texts. 2) Whereas Dale (2017) provides ecocritical and ecotheological readings of the Exeter Book riddles alone, this monograph performs ecotheological readings of poems from multiple genres across the manuscript, and of the manuscript itself. 3. This book contributes to the field of pre-modern environmental humanities by considering the impact of medieval theology and environmental apocalypticism on some of the earliest examples of the English literary tradition
Global Perspectives on Eco-Aesthetics and Eco-Ethics: A Green Critique focuses on the interface of the Anthropocene, sustainability, ecological aesthetics, multispecies relationality, and the environment as reflected in literature and culture. This book examines how writers have addressed ecological crises and environmental challenges that transcend national, cultural, political, social, and linguistic borders. It demonstrates how, as the environmental humanities developed and emerged as a critical discipline, it generated a diverse range of interdisciplinary fields of study such as ecographics, ecodesign, ecocinema, ecotheology, ecofeminism, ethnobotany, ecolinguistics, and bioregionalism, and formed valuable, interdisciplinary networks of critique and advocacy—and its contemporary expansion is exceptionally salient to social, political, and public issues today.
Here is comprehensive coverage of the rapidly growing field of eco-theology. Eco-Theology evaluates the merits or otherwise of contemporary eco-theologies and introduces readers to critical debates, while tracing trends from around the globe and key theological responses. The emphasis is on the theological aspects of Christian engagement with environmental issues, rather than primarily ethical or spiritual concerns. Included are further reading sections and discussion questions.
The Routledge Companion to the Environmental Humanities provides a comprehensive, transnational, and interdisciplinary map to the field, offering a broad overview of its founding principles while providing insight into exciting new directions for future scholarship. Articulating the significance of humanistic perspectives for our collective social engagement with ecological crises, the volume explores the potential of the environmental humanities for organizing humanistic research, opening up new forms of interdisciplinarity, and shaping public debate and policies on environmental issues. Sections cover: The Anthropocene and the Domestication of Earth Posthumanism and Multispecies Communities Inequality and Environmental Justice Decline and Resilience: Environmental Narratives, History, and Memory Environmental Arts, Media, and Technologies The State of the Environmental Humanities The first of its kind, this companion covers essential issues and themes, necessarily crossing disciplines within the humanities and with the social and natural sciences. Exploring how the environmental humanities contribute to policy and action concerning some of the key intellectual, social, and environmental challenges of our times, the chapters offer an ideal guide to this rapidly developing field.
This volume brings into dialogue the ancient wisdom of Augustine of Hippo, a bishop of the early Christian Church of the fourth and fifth centuries, with contemporary theologians and ethicists on the topic of the environment and humanity’s place in and responsibility to it. The contributors vary widely in their estimation of how sustained and useful such a dialogue might be, from outright dismissal of the church father to extended speculation with him and in his spirit. Their conclusions impact our views of God and both human and non-human creation. Such engagement should influence any future discussion of how Christianity and environmentalism can interact or influence one another.
American environmental literature has relied heavily on the perspectives of European Americans, often ignoring other groups. In Black on Earth, Kimberly Ruffin expands the reach of ecocriticism by analyzing the ecological experiences, conceptions, and desires seen in African American writing. Ruffin identifies a theory of "ecological burden and beauty" in which African American authors underscore the ecological burdens of living within human hierarchies in the social order just as they explore the ecological beauty of being a part of the natural order. Blacks were ecological agents before the emergence of American nature writing, argues Ruffin, and their perspectives are critical to understanding the full scope of ecological thought. Ruffin examines African American ecological insights from the antebellum era to the twenty-first century, considering WPA slave narratives, neo-slave poetry, novels, essays, and documentary films, by such artists as Octavia Butler, Alice Walker, Henry Dumas, Percival Everett, Spike Lee, and Jayne Cortez. Identifying themes of work, slavery, religion, mythology, music, and citizenship, Black on Earth highlights the ways in which African American writers are visionary ecological artists.
There seems to be a huge disconnect between religion and the environment. In For Goodness' Sake: Principles of an Ecotheology, author Robert Cuttino challenges hyperindividualized, self-absorbed, contemporary theology that insists on our favored status. He proposes an "ecotheology." Cuttino considers, among other things, that individuals are not the greatest good, despite what we might think. He shows we may be, in fact, secondary in importance to the health of all environmental systems that make life possible. And individual humans are likely second in importance to the health of those economic systems that provide decent livelihoods and quality of life to all. Readers will also learn why just "greening" the Bible will not work. For Goodness' Sake: Principles of an Ecotheology isn't only about what will not work. Cuttino shows that especially for restoring the health of the most important system of all-the ethical sphere-there may be an imperative for Christianity.