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From the memories of a childhood marked by extreme poverty, mental illness, and restrictive fundamentalist Christian rules, Janisse Ray crafted a “heartfelt and refreshing” (New York Times) memoir that has inspired thousands to embrace their beginnings, no matter how humble, and to fight for the places they love. This new edition updates and contextualizes the story for a new generation and a wider audience desperately searching for stories of empowerment and hope. Ray grew up in a junkyard along U.S. Highway 1, hidden from Florida-bound travelers by hulks of old cars. In language at once colloquial, elegiac, and informative, Ray redeems her home and her people, while also cataloging the source of her childhood hope: the Edenic longleaf pine forests, where orchids grow amid wiregrass at the feet of widely spaced, lofty trees. Today, the forests exist in fragments, cherished and threatened, and the South of her youth is gradually being overtaken by golf courses and suburban development. A contemporary classic, Ecology of a Cracker Childhood is a clarion call to protect the cultures and ecologies of every childhood.
A memoir of a childhood, spend in an isolated Georgia community of Crackers, that grew into a passion to save the vanishing longleaf pine ecocystem in which she was raised.
A memoir of a childhood, spend in an isolated Georgia community of Crackers, that grew into a passion to save the vanishing longleaf pine ecocystem in which she was raised.
Discusses the loss of fruit and vegetable varieties and the genetically modified industrial monocultures being used today, shares the author's personal experiences growing, saving, and swapping seeds, and deconstructs the politics and genetics of seeds.
Looking for adventure and continuing a process of self-discovery, Janisse Ray has repeatedly set out to immerse herself in wildness, to be wild, and to learn what wildness can teach us. From overwintering with monarch butterflies in Mexico to counting birds in Belize, the stories in Wild Spectacle capture her luckiest moments—ones of heart-pounding amazement, discovery of romance, and moving toward living more wisely. In Ray’s worst moments she crosses boundaries to encounter danger and embrace sadness. Anchored firmly in two places Ray has called home—Montana and southern Georgia—the sixteen essays here span a landscape from Alaska to Central America, connecting common elements in the ecosystems of people and place. One of her abiding griefs is that she has missed the sights of explorers like Bartram, Sacagawea, and Carver: flocks of passenger pigeons, routes of wolves, herds of bison. She craves a wilder world and documents encounters that are rare in a time of disappearing habitat, declining biodiversity, and a world too slowly coming to terms with climate change. In an age of increasingly virtual, urban life, Ray embraces the intentionality of trying to be a better person balanced with seeking out natural spectacle, abundance, and less trammeled environments. She questions what it means to travel into the wild as a woman, speculates on the impacts of ecotourism and travel in general, questions assumptions about eating from the land, and appeals to future generations to make substantive change. Wild Spectacle explores our first home, the wild earth, and invites us to question its known and unknown beauties and curiosities.
Janisse Ray, award-winning author of Ecology of a Cracker Childhood and Wild Card Quilt, writes an evocative paean to wildness and wilderness restoration with an extraordinary journey into southern Georgia's Pinhook Swamp. Pinhook Swamp acts as a vital watershed and wildlife corridor, a link between the great southern wildernesses of Okefenokee Swamp and Osceola National Forest. Together Okefenokee, Osceola, and Pinhook form one of the largest expanse of protected wild land east of the Mississippi River. This is one of America's last truly wild places, and Pinhook takes us into its heart. Ray comes to know Pinhook intimately as she joins the fight to protect it, spending the night in the swamp, tasting honey made from its flowers, tracking wildlife, and talking to others about their relationship with the swamp. Ray sees Pinhook through the eyes of the people who live there--naturalists, beekeepers, homesteaders, hunters, and locals at the country store. In lyrical, down-home prose, she draws together the swamp's need for restoration and the human desire for wholeness and wildness in our own lives and landscapes.
This account of rediscovering her Georgia home and its landscapes is “another must-read book” by the author of Ecology of a Cracker Childhood (Tulsa World). Seventeen years after she’d left “for good,” Janisse Ray pointed her truck away from Montana and back to the small southern town where she was born. Wild Card Quilt is the story, by turns hilarious, heartbreaking, and ambitious, of the adventures of returning home. For Ray, a naturalist and an American Book Award–winning author, it is a story of linking the ecology of people with the ecology of place—of recovering lost traditions as she works to restore the fractured ecosystem of her native South. Her story is filled with syrup boils, quilt making, alligator trapping, and the wonderful characters of a place where generations still succeed each other on the land. But her town is also in need of repair, physical and otherwise. This memoir recounts Ray’s journey as she works to save her local school, sets up a writing group at the local hardware store—and struggles with whether she can be an adult in a childhood place. “Alive with good imagery and colorful characters.” —The Atlanta Journal-Constitution “This is nature writing at its best . . . Her book will make you long for home.” —St. Petersburg Times
The book explores both the need and the possibilities for conservation of the river and the surrounding forests and wetlands.
Offers both a personal and a research-based testimonial of the problem of global warming, as an ecologist, her daughters, and their neighbors observe the changing weather and landscape of their small, New England town.
Formed by the confluence of the Ocmulgee and Oconee Rivers, the Altamaha is the largest free-flowing river on the East Coast and drains its third-largest watershed. It has been designated as one of the Nature Conservancy's seventy-five Last Great Places because of its unique character and rich natural diversity. In evocative photography and elegant prose, Altamaha captures the distinctive beauty of this river and offers a portrait of the man who has become its improbable guardian. Few people know the Altamaha better than James Holland. Raised in Cochran, Georgia, Holland spent years on the river fishing, hunting, and working its coastal reaches as a commercial crabber. Witnessing a steady decline in blue crab stocks, Holland doggedly began to educate himself on the area's environmental and political issues, reaching a deep conviction that the only way to preserve the way of life he loved was to protect the river and its watershed. In 1999, he began serving as the first Altamaha Riverkeeper, finding new purpose in protecting the river and raising awareness about its plight with people in his community and beyond. At first Holland used photography to document pollution and abuse, but as he came to appreciate and understand the Altamaha in new ways, his photographs evolved, focusing more on the natural beauty he fought to save. More than 230 color photographs capture the area's majestic landscapes and stunning natural diversity, including a generous selection of some the 234 species of rare plants and animals in the region. In their essays, Janisse Ray offers a profile of Holland's transformation from orphan and troubled high school dropout to river advocate, and Dorinda G. Dallmeyer celebrates the biological richness and cultural heritage that the Altamaha offers to all Georgians.