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Shows how to combine the forces of ecological science and participatory democracy to design urban landscapes that enable us to act as communities, are resilient rather than imperiled, and touch our hearts. Over the last fifty years, the process of community building has been lost in the process of city building. City and suburban design divides us from others in our communities, destroys natural habitats, and fails to provide a joyful context for our lives. In Design for Ecological Democracy, Randolph Hester proposes a remedy for our urban anomie. He outlines new principles for urban design that will allow us to forge connections with our fellow citizens and our natural environment. He demonstrates these principles with abundantly illustrated examples—drawn from forty years of design and planning practice—showing how we can design cities that are ecologically resilient, that enhance community, and that give us pleasure. Hester argues that it is only by combining the powerful forces of ecology and democracy that the needed revolution in design will take place. Democracy bestows freedom; ecology creates responsible freedom by explaining our interconnectedness with all creatures. Hester's new design principles are founded on three fundamental issues that integrate democracy and ecology: enabling form, resilient form, and impelling form. Urban design must enable us to be communities rather than zoning-segregated enclaves and to function as informed democracies. A simple bench at a centrally located post office, for example, provides an opportunity for connection and shared experience. Cities must be ecologically resilient rather than ecologically imperiled, adaptable to the surrounding ecology rather than dependent on technological fixes. Resilient form turns increased urban density, for example, into an advantage. And cities should impel us by joy rather than compel us by fear; good cities enrich us rather than limit us. Design for Ecological Democracy is essential reading for designers, planners, environmentalists, community activists, and anyone else who wants to improve a local community.
The modernist history of landscape architecture is deeply marbled with veins of regional and phenomenological sensibility. Master designer Terence G. Harkness reflects this sensibility in every region he inhabits - whether the foothills of northern California, the high plains of North Dakota, or the lost prairies of east central Illinois. The long arc of his work and teaching is essentially and critically eco-revelatory. Yet because Harkness is not principally a scholar, his work has not been widely studied. That omission is redressed by this presentation of Harkness' most significant and recognizable works, including drawings, plans, models, and photographs. Contributors to the book chronicle Terry's development and values and position him in the currents of contemporary landscape discourse.
This hugely important and timely work asks how politics and economics transform the landscapes we inhabit. It explores the connections between political economy and landscape change through a series of conceptual essays and case studies. In so doing, it speaks to a broad readership of landscape architects, geographers, and related fields of social and environmental research.
By including ecological concerns in the design process from the outset, architecture can enhance life. Author Brook Muller understands how a designer’s predispositions and poetic judgement in dealing with complex and dynamic ecological systems impact the "greenness" of built outcomes. Ecology and the Architectural Imagination offers a series of speculations on architectural possibility when ecology is embedded from conceptual phases onward, how notions of function and structure of ecosystems can inspire ideas of architectural space making and order, and how the architect’s role and contribution can shift through this engagement. As an ecological architect working in increasingly dense urban environments, you can create diverse spaces of inhabitation and connect project scale living systems with those at the neighborhood and region scales. Equipped with ecological literacy, critical thinking and collaboration skills, you are empowered to play important roles in the remaking of our cities.
1994 WINNER —PRESIDENT'S AWARD OF EXCELLENCE American Society of Landscape Architects Gray World, Green Heart "This book is about our common landscape surroundings —national, regional, community, and personal —our technological dependence, and our essential bond with the Earth, and with the changing meanings and values we are assigning these realms. It is also about hope and action —hope that we can develop a new vocabulary to make our immediate landscapes not only symbolic of a solution, but part of the actual solution itself." —Robert L. Thayer, Jr. "I was knocked out by this book. It's the first book about the twenty-first century landscape of the United States. It's certainly the first book by a landscape architect that people from many other disciplines are going to read and be moved by, cultural geographers and urbanists and others." —Tony Hiss, author The Experience of Place ". . . in a different league than what most landscape architects write. This is the kind of book that will filter down—it will take a long time, but it will eventually have an impact. It articulates issues in a way that we can take action on them." —Randy Hester, ASLA Professor of Landscape Architecture University of California, Berkeley
Basic theoretical texts for landscape architects.