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This book explores the spatial, material, and affective dimensions of solitude in the late medieval and early modern periods, a hitherto largely neglected topic. Its focus is on the dynamic qualities of “space” and “place”, which are here understood as being shaped, structured, and imbued with meaning through both social and discursive solitary practices such as reading, writing, studying, meditating, and praying. Individual chapters investigate the imageries and imaginaries of outdoor and indoor spaces and places associated with solitude and its practices and examine the ways in which the space of solitude was conceived of, imagined, and represented in the arts and in literature, from about 1300 to about 1800. Contributors include Oskar Bätschmann, Carla Benzan, Mette Birkedal Bruun, Dominic E. Delarue, Karl A.E. Enenkel, Christine Göttler, Agnès Guiderdoni, Christiane J. Hessler, Walter S. Melion, Raphaèle Preisinger, Bernd Roling, Paul Smith, Marie Theres Stauffer, Arnold A. Witte, and Steffen Zierholz.
Both during his lifetime and afterwards Armand Jean le Bouthiellier, the abbe de Rance, was a controversial figure. Alive, he was extravagantly admired by many, yet had, as one recent biographer observed, 'an unhappy genius for incurring hostility unnecessarily'. Dead, he continued to evoke extreme reactions-he was either loved or loathed. One biographer nicknamed him 'the thundering abbot'; others depicted him in hagiographical panegyrics. The present volume sets Rance against the colorful and extravagant world of seventeenth-century France and corrects both masterly and entertaining caricatures by exploring the world which surrounded and formed this ever fascinating monk: the privileged circles of the ancient regime in which Rance moved from his birth in 1626; and the austere monastic environment he created at la Trappe. 'This is not so much a book about Rance as around Rance, Dr Bell writes. 'I do not expect that it will persuade people who do not like Rance to like him; it may, however, serve to explain why he said and did what he said and did in the way that he said and did.'