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For many years, Woodland Park was a best-kept secret for the residence and vacation property owners. Her lake was and still is according to a recent conservation report pristine. As with most secrets, they are not kept for long, and the word got out. People have moved in or bought the propertysome very inexpensively that went back for taxes. These new people probably wonder why there are so many black property owners in Woodland Park. The majority of the newcomers are not aware that Woodland Park was once a black resort that was created during segregation. They never stop to read the historical marker in front of the old one-room schoolhouse that tells about Woodland Parks history. They are unaware that there were once hotels and rental cottages that couldnt keep up with the summer demand or that the now-deserted beach used to be packed with many black vacationers and locals. They dont know that there was once a grand clubhouse that dominated Mayo Point. Many of these new people swim in the shallow waters of that very point where the clubhouse boardwalk once led. They havent heard of the beautiful Hallie Q. Brown, a black elocutionist, who once gave a speech for Queen Victoria. Hallie owned a humble cottage near the public beach. The new people dont know that the famous boxer Joe Louis spent lots of time in Woodland Park because his wifes family owned a cottage across the street from the old Kelsonia Hotel. Or that W. E. B. Du Bois once stood on a dock in Woodland Park with its founder, Marian Auther. They would be interested to know that during Prohibition, Dutch Anderson would be killed in a shoot-out with the police in Muskegon. Only a few days earlier, he had been to what is now the Shangri-La in Woodland Park to pick up his bootleg whisky and beer. They only know that Woodland Park has one of the most beautiful lakes in the area and that it is a wonderful place to bring the family. They know they can count on the old-timers waving to them with a smile as they pass them by. But there is so much more for them to learn about this enchanted place and so much more about Woodland Park, its settlers, and the people in the surrounding communities.
SHORTLISTED FOR THE AUTHOR'S CLUB FIRST NOVEL AWARD, THE RSL CHRISTOPHER BLAND PRIZE and THE HWA DEBUT CROWN AWARD 'A new classic' SARA COLLINS, author of THE CONFESSIONS OF FRANNIE LANGTON 'Impassioned. Lyrical and affecting' GUARDIAN _____________ Brixton 1981. Sixteen-year-old Michael is already on the wrong side of the law. In in his community, where job opportunities are low and drug-running is high, this is nothing new. But when Michael falls for Ngozi, a vibrant young immigrant from the Nigerian village of Obowi, their startling connection runs far deeper than they realise. Narrated by the spirit of an African woman who lost her life on a slave ship two centuries earlier, her powerful story reveals how Michael and Ngozi's struggle for happiness began many lifetimes ago. Through haunting, lyrical words, one unforgettable message resonates: love, hope and unity will heal us all. _____________ 'A searing, rhapsodic novel. Filled with beauty, devastation and the power of ancestral connections that ripple through the ages' IRENOSEN OKOJIE, author of NUDIBRANCH 'A gorgeous book' ALEX WHEATLE, author of BRIXTON ROCK _____________ Readers love THE BOOK OF ECHOES: 'A powerful and honest debut which is going to stay with me for a long time' ***** 'You can feel Amaka's passion rising off the page' ***** 'BRILLIANT, thoughtful and masterfully crafted' ***** 'Oh my goodness, the book itself is even more beautiful and haunting than the cover' *****
NEW BLACK AND AFRICAN WRITING Vol. 2 is our concluding edition of a series that has featured many critical entries and reviews on canonical African fiction, poetry, drama and non-fiction. This second edition explores intricacies of relationships and associations, the recurrent tropes for the interpretation and understanding of historical connections, and the shaping of thought brought into fictional and cultural renditions that are evolving and continually reassessed although around the periphery of older canons. The quest for a meaningful heuristic for approaching contemporary arts is almost totally redefined by the contributions of eminent scholars of our time whose balancing and correspondence create room for complementarity of values and toward cultural understanding and value appreciation in contemporary society.
An illustrated, decade-by-decade collection of biological profiles of significant African-Americans, from W.E.B. DuBois to Tiger Woods.
Born In The Wrong Country is about what the United States of America has neglected to do, things that this government have ignored when it comes to its own people. It deals with the White and the Black situation in America, the poor and other minorities, and of the hunger that faces the people of the United States. Mental hunger and physical hunger of what people want, and what people need are discussed. It doesn't just talk about today, but talks about the African American People of Color in this country, and what this country has done to them. It points out how this government has taken away the spirit of a people, and possibly thrown away gifts, many gifts that could have possibly been given for the whole world to see and benefit from. Born exposes the reality of slavery and the kind of terrorism that went on throughout that slavery, a terrorism which was done so well that it did exactly what terrorism was supposed to do, by sticking with the AAPC through even to today.
Decolonising Design in Africa offers a groundbreaking exploration of design education in Africa through a decolonial lens. By examining the colonial legacies that have shaped design education in Africa, it foregrounds the problematic ways that current pedagogical approaches primarily reflect western values and priorities. This book advocates for integrating Indigenous knowledge, cultural practices, and philosophies into contemporary African design education. It spans a wide geographical and temporal range, from historical analyses of colonial influences to envisioning decolonised African design futures. It delves into diverse aspects including spirituality in design, cultural symbolism, sustainable practices, and the ethical dimensions of decolonising design. Pioneering in its interdisciplinary approach, the book weaves together theoretical discussions, methodological innovations like storytelling, and practical strategies for curriculum reform. It presents inspiring case studies of designers and educators who are actively decolonising their practices. Decolonising Design in Africa is a vital resource for design educators, students, practitioners, and policymakers, not just in Africa but worldwide. It makes a compelling case for reimagining design education in a more inclusive, contextually relevant and socially conscious way. The book's ultimate aim is to cultivate a new generation of designers equipped to address the complex challenges of a decolonising world.
There is a popular phrase used in reference to yoga: One of the reasons for practicing yoga asana, or posture, is that a flexible body leads to a flexible mind. This health and fitness book My African Twist offers a new healing look at how yoga can reshape and influence a rigid way of thinking into a supple, flexible way of thinking and being, even as it promotes pain management. The reality is that you can meet the most toned, honed, and flexible practitioner of yoga asana, who also happens to be very superficially focused on the body and the ego, while being very stuck in repeating unhealthy patterns of behaviour. Or you know a dear, loving friend who can't touch her toes but devotes her life to helping others. Stiffness does not denote a rigid mind! Our bodies are porous vessels that carry an emotional, subtle body, as well as the physical form that we see. The goal of practicing yoga asana is not to do what perfect, seemingly fabulous people can do. The point is to work with your very specific body structure and shape in order to learn all about your own body and self.The goal is to be able to look in the mirror and say, ?I love you, you are trying, and you are perfect. You are one with the universe and our beautiful planet.?
Like a lot of women, blogger Osheta Moore loved the idea of shalom: God’s dream for a world that is whole, vibrant, and flourishing. But honestly: who's got the time? So one night she whispered a dangerous prayer: God, show me the things that make for peace… In Shalom Sistas, Moore shares what she learned when she challenged herself to study peace in the Bible for forty days. Taking readers through the twelve points of the Shalom Sistas’ Manifesto, Moore experiments with practices of everyday peacemaking and invites readers to do the same. From dropping “love bombs” on a family vacation, to talking to the coach who called her son the n-word, to spreading shalom with a Swiffer, Moore offers bold steps for crossing lines between black and white, suburban and urban, rich and poor. What if a bunch of Jesus-following women catch a vision of a vibrant, whole, flourishing world? What happens when Shalom Sistas unite? Free downloadable study guide available here.
A startling novel by the leading writer of the new South Africa In The Heart of Redness -- shortlisted for the prestigious Commonwealth Writers Prize -- Zakes Mda sets a story of South African village life against a notorious episode from the country's past. The result is a novel of great scope and deep human feeling, of passion and reconciliation. As the novel opens Camugu, who left for America during apartheid, has returned to Johannesburg. Disillusioned by the problems of the new democracy, he follows his "famous lust" to Qolorha on the remote Eastern Cape. There in the nineteenth century a teenage prophetess named Nonqawuse commanded the Xhosa people to kill their cattle and burn their crops, promising that once they did so the spirits of their ancestors would rise and drive the occupying English into the ocean. The failed prophecy split the Xhosa into Believers and Unbelievers, dividing brother from brother, wife from husband, with devastating consequences. One hundred fifty years later, the two groups' decendants are at odds over plans to build a vast casino and tourist resort in the village, and Camugu is soon drawn into their heritage and their future -- and into a bizarre love triangle as well. The Heart of Redness is a seamless weave of history, myth, and realist fiction. It is, arguably, the first great novel of the new South Africa -- a triumph of imaginative and historical writing.
Gladyy Casely-Hayford, poet, musician, dramatist, painter and story-teller, was born in the Gold Coast (now Ghana) in 1904 and died there in 1950, though she spent most of her life in Freetown, Sierra Leone and became the cultural luminary of her day. Her place in the cultural history of Sierra Leone and even of Ghana seems to have been lost. This book which is an attempt to remedy that situation and tell her life story.