Download Free Echoes Of History Shadowed Identities Book in PDF and EPUB Free Download. You can read online Echoes Of History Shadowed Identities and write the review.

This book addresses the recovery of submerged memories, loss and trauma in self-avowed intertextual fiction, while simultaneously exposing the tensions and untenability of any stable figuration of alterity. Otherness thus posits a liminal and largely transversal site of resistance to monological representations of Western identity, history and canon, which are now displayed inherently crossbred and built on the occulting and alienating of difference. With this in view, the author carries out a close reading of the works and scholarly statements of J. M. Coetzee and Marina Warner by taking as the point of departure the intertextualist approaches that most attend to the phenomenon of alterity against the critical discourses of modern representation. Fully installed in the revision of canon policies, Foe and Indigo re-read Eurocentric institutionalised forms of othering at the same time they posit new and suggestive rehearsals of identity languages via literature. Intertextual fiction thus turns out to be a powerful instrument to render alterity visible and agential in the discourses of reality. Ultimately, alterity is enabled to speak and invite social change and ethical awareness without denying the history of its alienation.
This volume provides a thorough study of how psychological messages are portrayed and interpreted via the written word. It explores the interactions between text and reader, as well as affiliations within the text, with particular emphasis on emotion and affect. Featuring relevant coverage on topics such as literary production, psychology in literature, identity/self and the other, and trauma studies, the book offers an in-depth analysis that is suitable for academicians, students, professionals, and researchers interested in discovering more about the relationship between psychology and literature.
Although the term magic(al) realism appeared in 1925 in pictorial art in Germany, it became well-known with the boom of magical realist fiction in Latin America in the 1960s. Since the 1980s, it has become one of the popular modes of writing worldwide. Due to its oxymoronic and hybrid nature, it has caught the attention of critics. Some have called it a postcolonial form of writing because of its prominence in postcolonial countries, while others have called it a postmodern mode because of the time of its emergence and the techniques applied in these kinds of novels. This book discusses how magical realism was used in the works of three contemporary female writers, Indigo or, Mapping the Waters (1992) by the British Marina Warner, The House of the Spirits (1982) by the Latin American writer Isabel Allende, and Fatma: a novel of Arabia (2002) by the Saudi Arabian Raja Alem. It shows how, by applying magical realism, these writers empowered women. Using revisionary nostalgia, these works changed the process of history writing by the powerful, showed the presence of women, and gave voice to their unheard stories. Even the techniques applied in these novels presented the clash with patriarchy and power.
Efforts to fight back against silencing are central to social justice movements and scholarly fields such as feminist and postcolonial studies. But claiming to give voice to people who have been silenced always risks appropriating those people's stories. Lisa Propst argues that the British novelist and public intellectual Marina Warner offers some of the most provocative contemporary interventions into this dilemma. Tracing her writing from her early journalism to her novels, short stories, and studies of myths and fairy tales, Propst shows that in Warner's work, features such as stylized voices and narrative silences - tales that Warner's books hint at but never tell - question the authority of the writer to tell other people's stories. At the same time they demonstrate the power of literature to make new ethical connections between people, inviting readers to reflect on whom they are responsible to and how they are implicated in social systems that perpetuate silencing. By exploring how to combat silencing through narrative without reproducing it, Marina Warner and the Ethics of Telling Silenced Stories takes up an issue crucial not just to literature and art but to journalists, policy makers, human rights activists, and all people striving to formulate their own responses to injustice.
This unique book explores criminalized identities and the idea of 'viscous culture' to provide new understandings of crime, punishment and justice. It shows that viscous culture encourages some of us to become outlaws, monsters or shapeshifters who challenge systems of domination and forces of control. Crime, Prisons and Viscous Culture interweaves analyses of popular culture with extensive empirical research to explore both the glamorous and grotesque nature of crime, control and containment. Through encounters with numerous popular and mythological archetypes the book explores the boundaries of the criminological discipline. Criminology itself is presented as fragmented, distorted and fascinating, and the important transdisciplinary potential of criminology is highlighted. In doing so, this book will be of great interest to scholars of criminology, cultural studies, popular culture and sociological theory.
This book is a major source for scholars of the latest American poetry. These exciting essays comprise energy and documented discussions on experimentalism, multiculturalism, hyperspace, and gender. Anthologies and little magazines form the matrix for this exploration on conceptual issues surrounding language. The author widens the perspective in which a great deal of writing forced the limits of poetry in this kind of publications. At the same time, he analyzes new contexts and enters into conversation with other sources for inspiration found through other disciplines such as social theory, philosophy, linguistics, and art generated at both sides of the Atlantic Ocean. Reflective, taut with alertness, and exploding the postmodern concept of word/object as a liberating experience, this book becomes a driving force to address poetry and challenging political issues with admirable depth.
For too long, I hovered in the past. Shadows and Echoes became that opportunity, by pushing my hippocampal button, to re-live past experiences and re-capture the people who influenced me the most. It was time for new insights; for finding answers to the over-arching question: Why I am what I am. Looking at ones life when in his mid-fifties I believe, is not unusual, especially when there exists a moderate degree of dissatisfaction. Though for most, the past is probably only a segment of ones life, an interval with fairly well-defined parameters. It is what was and then left there. This was not the case with me, until I began to write. At the age of fifty-five and in the grasp of the realization of more years behind than in front of me, I felt a need to stop and look at not just where I was but where I had been, where I came from. Encapsulating aspects of my life and personal influences, Shadows and Echoes originated as a strict narrative, a composite journaling if you will, for the benefit of my daughters. A change in the setting-fictionalized between psychiatrist and patient- added interaction and subtle nuances associated with the psychotherapeutic arena. That change gives the reader a focused relatable appeal. Personally, I found this freeing and to a great extent, stabilizing. The readers, I believe, will share similar ends, whether their look-back is joyful, sad, and/or wistful, or some combination. With religion as the fulcrum, earlier foundations and broader issues are stressed, i.e. childhood and family dynamics and the post-World War II confluence of identity, assimilation, and anti-Semitism. In my late adolescence, for a variety of reasons our family had to leave that safe, monolithic, supportive cocoon I had known and loved. It was this breach that seemed to change everything: my academic dismissal from college that eventually propelled me into a marriage prematurely; chronic career identity diffusion; a second failed marriage, and a series of relationships. Given his centrality in my life, much content was devoted to my father. He was my best friend and mentor, a role model in dealing with others; a non-religious man who could combine the religious and secular more effectively than anyone I have yet to meet; the person who men respected and women found charming; and the one who taught me how to grow old gracefully. In completing Shadows and Echoes, answers begot further questions with the cycle repeating itself a number of times. Some personal influences lost their veneer and became stick figures; many events were seen for what they were-fictionalized and ethereal. The composite gave me at once, a sorely lacking reconnection with my people and religion, along with a firm understanding of its teachings, history, as well as its own struggles.
In almost a century since the First World War ended, Scotland has been transformed in many rich ways. Its literature has been an essential part of that transformation. The third volume of the History, explores the vibrancy of modern Scottish literature in all its forms and languages. Giving full credit to writing in Gaelic and by the Scottish diaspora, it brings together the best contemporary critical insights from three continents. It provides an accessible and refreshing picture of both the varieties of Scottish literatures and the kaleidoscopic versions of Scotland that mark literary developments since 1918.
Dark Shadows is a compelling portrait of Kazakhstan, a country that is little known in the West. Strategically located in the heart of Central Asia, sandwiched between Vladimir Putin's Russia, its former colonial ruler, and Xi Jinping's China, this vast oil-rich state is carving out its place in the world as it contends with its own complex past and present. Journalist Joanna Lillis paints a vibrant picture of this emerging nation through vivid reportage based on 13 years of on-the-ground coverage, and travels across the length and breadth of this enigmatic country that lies along the ancient Silk Road and at the geopolitical and cultural crossroads where East meets West. Featuring tales of murder and abduction, intrigue and betrayal, extortion and corruption, this book explores how a president, Nursultan Nazarbayev, transformed himself into a potentate and the economically-struggling state he inherited at the fall of the USSR into a swaggering 21st-century monocracy. A colourful cast of characters brings the politics to life: from strutting oligarch to sleeping villagers, from principled politicians to striking oilmen, from crusading journalists to courageous campaigners. Traversing dust-blown deserts and majestic mountains, taking in glitzy cities and dystopian landscapes, Dark Shadows conjures up Kazakhstan as a living, breathing place, full of extraordinary people living extraordinary lives.
In the mysterious town of Ravenwood, where shadows dance and secrets linger, an extraordinary tale unfolds—a tale of horror, vampires, and the enduring power of unity. Within the pages of this story, we delve into the heart of darkness, where the legacy of unity is tested by ancient forces that threaten to unravel the very fabric of the town's existence. As we step into Ravenwood, we are greeted by a cast of captivating characters, each bearing their own burdens and hidden pasts. Amelia, the seer of ages, possesses a gift that transcends time, allowing her to peer into the depths of the unknown. Count Drexel, the eternal guardian, stands as a stalwart protector, his sword ready to defend against the encroaching darkness. Professor Vanthorn, the eternal scholar, seeks wisdom and knowledge to unravel the mysteries that lie within Ravenwood's ancient lore. And Seraphina, forever a symbol of redemption, offers a beacon of hope and compassion, illuminating the path towards healing and forgiveness. As the story unfolds, we witness the rise of a powerful threat—the Dance of Shadows—an ancient force that harnesses the darkness to unleash a reign of terror upon Ravenwood. The town's inhabitants are thrust into a battle against the insidious influence of these creatures of the night, as the legacy of unity becomes their greatest weapon against the vampire horde. Chapter after chapter, we navigate the twists and turns of the plot, experiencing the triumphs and trials of the characters. We witness their unyielding resilience as they confront their deepest fears and forge unbreakable bonds. Together, they face the horrors of the night, unmasking the true nature of the vampire threat and uncovering the secrets that lie hidden within Ravenwood's dark history. But the story does not end there. Beyond the battles and sacrifices, a new dawn awaits—a dawn of eternal harmony and peace. As the legacy of unity guides Ravenwood through the darkest depths of horror, the town emerges stronger, transformed by the lessons learned and the unity forged in the face of adversity. Within these pages, prepare to embark on a thrilling journey, where horror intertwines with bravery, darkness battles against the light, and the power of unity triumphs over the forces that seek to tear it apart. It is a tale that will captivate your imagination, send shivers down your spine, and remind you of the enduring power of unity, even in the face of the most formidable of foes. Welcome to Ravenwood, where the legacy of unity and the horror of vampires converge in a tale that will leave you breathless and longing for more. Are you ready to immerse yourself in the depths of this captivating and chilling story? Let us embark on this journey together, where shadows loom and heroes rise.