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The period following the civil war after Independence in 1923 until a Republic of Ireland was formed.
Jimmy McClean is a Lakota boy—though you wouldn’t guess it by his name: his father is part white and part Lakota, and his mother is Lakota. When he embarks on a journey with his grandfather, Nyles High Eagle, he learns more and more about his Lakota heritage—in particular, the story of Crazy Horse, one of the most important figures in Lakota and American history. Drawing references and inspiration from the oral stories of the Lakota tradition, celebrated author Joseph Marshall III juxtaposes the contemporary story of Jimmy with an insider’s perspective on the life of Tasunke Witko, better known as Crazy Horse (c. 1840–1877). The book follows the heroic deeds of the Lakota leader who took up arms against the US federal government to fight against encroachments on the territories and way of life of the Lakota people, including leading a war party to victory at the Battle of the Little Bighorn. Along with Sitting Bull, Crazy Horse was the last of the Lakota to surrender his people to the US army. Through his grandfather’s tales about the famous warrior, Jimmy learns more about his Lakota heritage and, ultimately, himself. American Indian Youth Literature Award
In the spellbinding and suspenseful Let Me Die in His Footsteps, Edgar Award winner for Best Novel, author Lori Roy wrests from a Southern town the secrets of two families touched by an evil that has passed between generations. On a dark Kentucky night in 1952, exactly halfway between her fifteenth and sixteenth birthdays, Annie Holleran crosses into forbidden territory. Everyone knows Hollerans don't go near Baines, not since Joseph Carl was buried two decades before, but Annie runs through her family's lavender fields toward the well on the Baines’ place, hoping to see her future in the water. Instead, she finds a body, and Annie's future becomes inextricably tied with her family's dark past. In 1936, the year Annie's aunt, Juna Crowley, came of age, there were seven Baine boys. Before Juna, Joseph Carl had been the best of all the Baine brothers. But then he looked into Juna's black eyes and they made him do things that cost innocent people their lives. With the pall of a young child’s death and the dark appetites of men working the sleepy town into a frenzy, Sheriff Irlene Fulkerson saw justice served—or did she? As the investigation continues and she comes of age as Aunt Juna did in her own time, Annie's dread mounts. Juna will come home now, to finish what she started. If Annie is to save herself, her family, and this small Kentucky town, she must prepare for Juna's return, and the revelation of what really happened all those years ago.
Placing the works of Charles Dickens and Walter Benjamin in conversation with one another, Gillian Piggott argues that the two writers display a shared vision of modernity. Her analysis of their works shows that both writers demonstrate a decreased confidence in the capacity to experience truth or religious meaning in an increasingly materialist world and that both occupy similar positions towards urban modernity and its effect upon experience. Piggott juxtaposes her exploration of Benjamin's ideas on allegory and messianism with an examination of Dickens's The Old Curiosity Shop, arguing that both writers proffer a melancholy vision of a world devoid of space and time for religious experience, a state of affairs they associate with the onset of industrial capitalism. In Benjamin's The Arcades Project and Dickens's Sketches by Boz and Tale of Two Cities, among other works, the authors converge in their hugely influential treatments of the city as a site of perambulation, creativity, memory, and autobiography. At the same time, both authors relate to the vertiginous, mutable, fast-paced nature of city life as involving a concomitant change in the structure of experience, an alteration that can be understood as a reduction in the capacity to experience fully. Piggott's persuasive analyses enable a reading of Dickens as part of a European, particularly a German, tradition of thinkers and writers of industrialization and modernity. For both Dickens and Benjamin, truth appears only in moments of revelation, in fragments of modernity.
'It was the best of times, it was the worst of times...' Lucie Manette has been separated from her father for eighteen years while he languished in Paris's most feared prison, the Bastille. Finally reunited, the Manettes' fortunes become inextricably intertwined with those of two men, the heroic aristocrat Darnay and the dissolute lawyer Carton. Their story, which encompasses violence, revenge, love and redemption, is grippingly played out against the backdrop of the terrifying brutality of the French Revolution. ‘Dickens's magnificent account of the revolution and one of his best (and shortest) novels’ Observer