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" ... only the poets of the First World War have captured so compellingly the many moods of the young soldiers" --Prof Marcia Leveson (President English Academy of Southern Africa) The soldier poet of southern Africa matches his haunting poetry with authentic photos, paintings and sketches to tell the story of the Rhodesian bush war. Echoes of an African War follows the story of the teenaged army recruit who exchanged his home and his family for the world of barrack life. It sketches the years, until 1973, when a low-intensity war allowed a young man to explore the African bush. The story then bursts into the late 1970s when the conflict escalated into a vicious civil war. It covers the war's end, in 1980, and the subsequent readjustment to civilian life before finishing, in 1999, when, as a mature man, he looks back and remembers events that are now history. Most important of all, this work imparts to his children what it looked like to have been been a soldier in Rhodesia's war. Chas Lotter has perfected the magic art of combining pathos and eeriness. His observations are canny and surgically precise as he gradually unfolds his story. Chas Lotter, the soldier poet of the Rhodesian war, had an unusual apprenticeship in the craft of poetry. Life began for him in Germiston, South Africa in 1949. His family moved to Rhodesia in 1953 and it was there that he grew up on farms in the Bindura and Gatooma (Kadoma) areas. He moved to Salisbury (Harare) in 1974 where he met his wife, Avril. As a field medic, Sergeant Lotter served for nine years with frontline units of the Rhodesian Army. It was these years of action, emotion and savage experience that fuelled the poet's fire in him. He started writing poetry "on the backs of cigarette boxes" in an attempt to deal with the realities of the war. From such humble beginnings emerged a series of vivid pictures of an African nation at war. Lotter's work was first published in Peter Badcock's volume, Shadows of War. Subsequently, he collaborated with Badcock on another successful work, Faces of War. In 1984, he published his highly acclaimed Rhodesian Soldier that blends photographs and verse to form a wide-ranging monograph of the Rhodesian war. His work has earned him membership of the English Academy of Southern Africa and his poetry has been published around the world. He lives in Pretoria, South Africa.
Echoes of Slavery: Voices from our Past is a collection of true stories, each chosen to illuminate a particular facet of Cape slavery in its mature form. The book concentrates on the final 30 years of slavery in order to place the least distance between Cape slaves and their modern descendants.
Traces the African basis for the origin and evolution of humanity, culture, myths, and religion.
This volume presents a broad overview of the work of seven of Africa's leading poets. Five of them have received international recognition: Niyi Osundare and Chinua Achebe, the Commonwealth Poetry Prize; Osundare and Antonio Jacinto, the Noma Prize; and Jose Craveirinha, the Camoes Prize. The poems concern political, personal, and social themes and are written with aesthetic simplicity and lyricism. The contributors believe that poets, rather than being exiles from their communities, are prophets, seers, and singers and have a place in everyday life. Most of the poems have been published previously. Several, however, are new, and their appearance in this volume along with an introductory essay written by each poet, makes this anthology important, original, and fresh.
Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin. Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, movies, records, and live stage and dance band performances. She was especially moved by the voice of Billie Holiday. In 1962 she and Dollar Brand (Abdullah Ibrahim) left South Africa together for Europe, where they met and recorded with Duke Ellington. Benjamin and Ibrahim spent their lives on the move between Europe, the United States, and South Africa until 1977, when they left Africa for New York City and declared their support for the African National Congress. In New York, Benjamin established her own record company and recorded her music independently from Ibrahim. Musical Echoes reflects twenty years of archival research and conversation between this extraordinary jazz singer and the South African musicologist Carol Ann Muller. The narrative of Benjamin’s life and times is interspersed with Muller’s reflections on the vocalist’s story and its implications for jazz history.
SHORTLISTED FOR THE AUTHOR'S CLUB FIRST NOVEL AWARD, THE RSL CHRISTOPHER BLAND PRIZE and THE HWA DEBUT CROWN AWARD 'A new classic' SARA COLLINS, author of THE CONFESSIONS OF FRANNIE LANGTON 'Impassioned. Lyrical and affecting' GUARDIAN _____________ Brixton 1981. Sixteen-year-old Michael is already on the wrong side of the law. In in his community, where job opportunities are low and drug-running is high, this is nothing new. But when Michael falls for Ngozi, a vibrant young immigrant from the Nigerian village of Obowi, their startling connection runs far deeper than they realise. Narrated by the spirit of an African woman who lost her life on a slave ship two centuries earlier, her powerful story reveals how Michael and Ngozi's struggle for happiness began many lifetimes ago. Through haunting, lyrical words, one unforgettable message resonates: love, hope and unity will heal us all. _____________ 'A searing, rhapsodic novel. Filled with beauty, devastation and the power of ancestral connections that ripple through the ages' IRENOSEN OKOJIE, author of NUDIBRANCH 'A gorgeous book' ALEX WHEATLE, author of BRIXTON ROCK _____________ Readers love THE BOOK OF ECHOES: 'A powerful and honest debut which is going to stay with me for a long time' ***** 'You can feel Amaka's passion rising off the page' ***** 'BRILLIANT, thoughtful and masterfully crafted' ***** 'Oh my goodness, the book itself is even more beautiful and haunting than the cover' *****
Architectural relics of nineteenth- and twentieth-century European and Japanese colonialism -- actively exploited and experienced neocolonialist sites of memory -- dot cityscapes throughout our globalizing world, just as built traces of colonialism remain embedded within the urban fabric of many European capitals. Neocolonialism and Built Heritage addresses the sustained presence and influence of historic built environments and processes inherited from colonialism within the contemporary lives of cities in Africa, Asia, and Europe. Novel in their focused consideration of ways in which these built environments reinforce neocolonialist connections among former colonies and colonizers, states and international organizations, the volume's case studies engage highly relevant issues such as historic preservation, heritage management, tourism, toponymy, and cultural imperialism. Interrogating the life of the past in the present, authors thus challenge readers to consider the roles played by a diversity of historic built environments in the ongoing asymmetrical balance of power and unequal distribution capital around the globe. They present buildings' maintenance, management, reuse, and (re)interpretation, and in so doing they raise important questions, the ramifications of which transcend the specifics of the individual sites and architectural histories they present.
Forest Echoes is a literary quilt revealing a mature poet bestriding generations as he patches together a people's culture, their philosophy, history, along with their attendant woes into a subtle, sometimes disillusioning even, yet purposeful and poignant whole. Nol Alembong is not afraid to be himself in this work: a scholar, teacher, parent, traditionalist and, above all, an Anglophone-Cameroonian. Whatever the case, these are magisterial and equally influential individual traits that have merged into a united whole in forging this poet's identity and concerns as evident from the thematic panorama of the poems. In "Forest Echoes", the title poem, for example, one encounters a poet who, though steeped in his people's struggles, has been able to stand back, watch and evaluate the effects of the interactions of time, events, and society. It is this ability of his, as an involved yet detached observer, along with the trend of events that have scarred his people's lives, which have yielded the powerful emotions that he has assembled in this thematically lush, historically nostalgic, and overwhelmingly evocative collection." - Dr. Emmanuel Fru Doh
How does our colonial past echo through today's global politics? How have former empire-builders sought vindication or atonement, and formerly colonized states reversal or retribution? This groundbreaking book presents a panoramic view of attitudes to empires past and present, seen not only through the hard politics of international power structures but also through the nuances of memory, historiography and national and minority cultural identities. Bringing together leading historians, poitical scientists and international relations scholars from across the globe, Echoes of Empire emphasizes Europe's colonial legacy whilst also highlighting the importance of non-European power centres- Ottoman, Russian, Chinese, Japanese- in shaping world politics, then and now. Echoes of Empire bridges the divide between disciplines to trace the global routes travelled by objects, ideas and people and forms a radically different notion of the term 'empire' itself. This will be an essential companion to courses on international relations and imperial history as well as a fascinating read for anyone interested in Western hegemony, North-South relations, global power shifts and the longue duree.
Lugano Mwangwegho's Echoes of a Whisper is an imaginative array of poetic verse steeped in Africa and tackling the fraught space of being betwixt and between, within and without, memory and the present. Love runs avidly as a theme throughout and imagery thereof is at once beautiful and absurd, adding further to a sense of suspension, a sense of unease. Mwangwegho's poetry is edgy: its colour is that of tension. Yet, in such a way it speaks to both mind and soul - in places it provokes both physical and emotional reaction from the reader and the empowerment it transfers is uncanny. As his second collection of poetry, Malawian poet and short story writer Lughano Mwangwegho once again offers here writing rich in anguish and loveliness.