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'Echoes from the Orient' is a series of papers that offers a fascinating exploration into the teachings of Theosophy. Theosophy, which was established in the late 19th century by Helena Blavatsky, is considered both a new religious movement and part of the occultist stream of Western esotericism. It is a must-read for anyone interested in delving into the secrets of Theosophy and gaining a deeper understanding of this intriguing and complex movement. Scholars and truth-seekers alike will find 'Echoes from the Orient' to be a valuable resource.
Cumulative Index to Volumes I-III of "Echoes of the Orient: The Writings of William Quan Judge".
"Echoes from the Orient" by William Judge is a captivating literary exploration that transcends cultural boundaries, inviting readers into a rich tapestry of Eastern wisdom and mysticism. Authored by William Judge, an adept observer and interpreter of Eastern philosophies, this book provides a profound and insightful journey into the heart of ancient traditions. In "Echoes from the Orient," William Judge skillfully weaves together a tapestry of anecdotes, parables, and profound teachings drawn from the vast and diverse landscapes of the Orient. Through eloquent prose and thoughtful analysis, readers are guided on a quest to uncover the timeless truths embedded in the philosophies of the East. The narrative unfolds as a mosaic of spiritual reflections, shedding light on topics such as mindfulness, enlightenment, and the interconnectedness of all things. Each chapter, penned by William Judge, serves as a portal, transporting readers to the enchanting realms of Eastern thought, where the mysteries of existence are contemplated and illuminated. Whether one is a seasoned scholar of Eastern philosophy or a curious seeker embarking on a journey of self-discovery, "Echoes from the Orient" by William Judge resonates as a source of inspiration and contemplation. The book, authored by William Judge, offers a bridge between East and West, inviting readers to ponder the profound insights and universal truths that echo across time and culture. With its lyrical prose and deep insights, "Echoes from the Orient" by William Judge stands as a timeless tribute to the enduring wisdom of Eastern traditions, providing readers with a key to unlock the secrets of a heritage that continues to shape and enrich the spiritual landscape of the world.
A son's search for his father and the legacy of America's first fighter pilots.
This is the first systematic critique of Edward Said's influential work, Orientalism, a book that for almost three decades has received wide acclaim, voluminous commentary, and translation into more than fifteen languages. Said's main thesis was that the Western image of the East was heavily biased by colonialist attitudes, racism, and more than two centuries of political exploitation. Although Said's critique was controversial, the impact of his ideas has been a pervasive rethinking of Western perceptions of Eastern cultures, plus a tendency to view all scholarship in Oriental Studies as tainted by considerations of power and prejudice. In this thorough reconsideration of Said's famous work, Ibn Warraq argues that Said's case against the West is seriously flawed. Warraq accuses Said of not only willfully misinterpreting the work of many scholars, but also of systematically misrepresenting Western civilization as a whole. With example after example, he shows that ever since the Greeks Western civilization has always had a strand in its very makeup that has accepted non-Westerners with open arms and has ever been open to foreign ideas. The author also criticizes Said for inadequate methodology, incoherent arguments, and a faulty historical understanding. He points out, not only Said's tendentious interpretations, but historical howlers that would make a sophomore blush. Warraq further looks at the destructive influence of Said's study on the history of Western painting, especially of the 19th century, and shows how, once again, the epigones of Said have succeeded in relegating thousands of first-class paintings to the lofts and storage rooms of major museums. An extended appendix reconsiders the value of 18th- and 19th-century Orientalist scholars and artists, whose work fell into disrepute as a result of Said's work.
Tracing the conception of a child through to her birth, Quiet Orient Riot addresses birth regimes and the politics of reproduction, unspooling the many ways that liturgical commands and an intense demographic anxiety affect a journey towards motherhood. Through these poems, Nathalie Khankan considers what it means to bear a Palestinian child in the occupied Palestinian territory, particularly with a pregnancy enabled through contingent access to Israel's sophisticated fertility treatment infrastructure. The poems confront questions of how to be a national vessel and to bear a body whose very creation is enabled by the pronatalist state, yet not recognized by it While Quiet Orient Riot chronicles a journey that is specific and localized, the larger questions that emerge from these poems reach beyond this particular story. The book asks questions of itself, wondering what kind of language may hold precarious life and what kind of poem may see an unborn body through emergency, diminishment, and into blossoming. Through the trials of pregnancy and birth, demographic and religious imperatives, these poems are concerned with many kinds of worship. They bow to a "chirpy printed sound," "what grows in the rubble," and "the capacity for happiness despite visual evidence." Wherever you look, there are water holes for the thirsty and a grove of "little justices."