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The exodus—the story of God leading his chosen people out of slavery in Egypt—stands as a pivotal event in the Old Testament. But if you listen closely, you will hear echoes of this story of redemption all throughout God's Word. Using music as a metaphor, the authors point us to the recurring theme of the exodus throughout the entire symphony of Scripture, shedding light on the Bible's unified message of salvation and restoration that is at the heart of God's plan for the world.
Israel’s exodus from Egypt is the Bible’s enduring emblem of deliverance. But more than just an epic moment, the exodus shapes the telling of Israel’s and the church’s gospel. In this guide for biblical theologians, preachers, and teachers, Bryan Estelle traces the exodus motif as it weaves through the canon of Scripture, wedding literary readings with biblical-theological insights.
The claim that the events of Jesus' life, death, and resurrection took place "according to the Scriptures" stands at the heart of the New Testament's message. All four canonical Gospels declare that the Torah and the Prophets and the Psalms mysteriously prefigure Jesus. The author of the Fourth Gospel states this claim succinctly: in his narrative, Jesus declares, "If you believed Moses, you would believe me, for he wrote about me" (John 5:46). Yet modern historical criticism characteristically judges that the New Testament's christological readings of Israel's Scripture misrepresent the original sense of the texts; this judgment forces fundamental questions to be asked: Why do the Gospel writers read the Scriptures in such surprising ways? Are their readings intelligible as coherent or persuasive interpretations of the Scriptures? Does Christian faith require the illegitimate theft of someone else's sacred texts? Echoes of Scripture in the Gospels answers these questions. Richard B. Hays chronicles the dramatically different ways the four Gospel writers interpreted Israel's Scripture and reveals that their readings were as complementary as they were faithful. In this long-awaited sequel to his Echoes of Scripture in the Letters of Paul, Hays highlights the theological consequences of the Gospel writers' distinctive hermeneutical approaches and asks what it might mean for contemporary readers to attempt to read Scripture through the eyes of the Evangelists. In particular, Hays carefully describes the Evangelists' practice of figural reading--an imaginative and retrospective move that creates narrative continuity and wholeness. He shows how each Gospel artfully uses scriptural echoes to re-narrate Israel's story, to assert that Jesus is the embodiment of Israel's God, and to prod the church in its vocation to engage the pagan world. Hays shows how the Evangelists summon readers to a conversion of their imagination. The Evangelists' use of scriptural echo beckons readers to believe the extraordinary: that Jesus was Israel's Messiah, that Jesus is Israel's God, and that contemporary believers are still on mission. The Evangelists, according to Hays, are training our scriptural senses, calling readers to be better scriptural people by being better scriptural poets.
From comic books to summer blockbusters, all people enjoy art in some form or another. However, few of us can effectively explain why certain books, movies, and songs resonate so profoundly within us. In Echoes of Eden, Jerram Barrs helps us identify the significance of artistic expression as it reflects the extraordinary creativity and unmatched beauty of the Creator God. Additionally, Barrs provides the key elements for evaluating and defining great art: (1) The glory of the original creation; (2) The tragedy of the curse of sin; (3) The hope of final redemption and renewal. These three qualifiers are then put to the test as Barrs investigates five of the world's most influential authors who serve as ideal case studies in the exploration of the foundations and significance of great art.
"Paul's letters, the earliest writings in the New Testament, are filled with allusions, images and quotations from the Old Testament. This book investigates Paul's appropriation of Scripture from a perspective based on recent literary-critical studies of intertextuality."--Amazon.com.
Can we engage in prayer that is more effective, less harmful, and doesn't make God look bad? Theologian, therapist, and ordained pastor Mark Karris offers a first-of-a-kind book that explores petitionary prayer alongside theodicy, social justice, and personal moral responsibility. Is petitionary prayer an archaic and superstitious practice better left for old-time religious folk? Is there a more effective method of praying that doesn't put all the responsibility on God? Mark Karris tackles these questions and much, much more! Rich with theological wisdom, provocative insights, and enormously practical, Divine Echoes journeys through the investigation, deconstruction, and reconstruction of petitionary prayer. Karris also reveals a revolutionary model of petitionary prayer that he refers to as "conspiring prayer." Filled with real-life examples and case studies, this book will inform and equip both individuals and churches to pray transformative and subversive prayers that will increase God's love, healing, and beauty in the world.--Back cover.
Litwak challenges previous studies of the use of the Old Testament in Luke-Acts as inadequate. In contrast to previous studies that consider only quotations or obvious allusions, he examines intertextual echoes of the Old Testament at strategic points in Luke-Acts, as well as quotations and allusions and echoed traditions. Thus, this study's database is larger. Previous studies generally argue that Luke's use of the Scriptures is in the service of christology. This leads to the exclusion of scriptural citations, such as those of the temptation (Luke 4.1-13) which have different emphases. Litwak views ecclesiology as the overall purpose behind Luke's use of the Old Testament, but he does not skip or avoid intertextual references that may lie outside an ecclesiological function. Whilst other studies contend that Luke uses the Old Testament according to a promise-fulfillment/proof-form-prophecy hermeneutic, Litwak argues that this fails to account for many of the intertextual references. Other studies often subsume all of Luke's use of the Scriptures of Israel under one theme, such as the 'New Exodus', but this study does not require that every intertextual echo maps to a specific theme. Rather, the many intertextual references in strategic texts at the beginning, middle and end of Luke-Acts, and Luke's use of the texts, are allowed to dictate the 'themes' to which they relate. JSNTS 282
How did the words of Jesus influence the writing of 1 Peter? That is the question that is at the heart of this study. Of course, the answer is complicated by the fact that 1 Peter nowhere directly references the words of Jesus. Nevertheless, the impact of his words are evident throughout the letter. The first third of the book lays the foundation for answering the question by giving clear and concise criteria for identifying places where 1 Peter uses the words of Jesus. The rest of the book walks through the text of 1 Peter section by section, submitting each potential echo of Jesus's words to the criteria previously developed. The book concludes by considering how the words of Jesus influenced the themes and content of the letter.
God is already at work in your life, whether or not you recognize it. Participants in this twelve-week small group Bible study will experience the whole Bible as the story of God. Plus, they will become aware of God's story continued in everyday life as they practice listening to the stories of others and to life. In Echoing the story, Brady Bryce provides a simple way for people to tell the scattered stories of their lives and re-imagine them in a bigger story. His innovative, narrative approach invites curious skeptics, casual followers of God, and committed disciples of Jesus into community through listening to shared stories.