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Echoes from the Past: Hebrew and Cognate Inscriptions from the Biblical Period by Shmuel Ahituv is a collection of inscriptions dating to the First Temple period. Translated from the Hebrew into English by the renowned scholar Anson F. Rainey, this book has been revised and expanded to include over 220 inscriptions. They originate from kingdoms on both sides of the River Jordan: Judah and Israel, Philistia, Edom, Ammon, and Moab. The inscriptions from Judah and Israel are in Hebrew, while the others are written in languages close enough to make them accessible to any reader of Hebrew. This book contains a photograph and/or facsimile of each inscription, with transcriptions in both pointed and unpointed Hebrew, as well as English translation and commentary. Every item, or group of items, is preceded by introductory remarks and followed by translations, interpretations and references. A new appendix on the Aramaic Tel Dan inscription is included in Echoes from the Past, along with a glossary of proper names and indices.
This volume continues the tradition of New Seals and Inscriptions, Hebrew, Idumean and Cuneiform (Sheffield Phoenix, 2007) by featuring analyses by eminent scholars of some of the archaeological treasures from Dr. Shlomo Moussaieff’s outstanding collection. These contributions signal fresh approaches to the study of ancient artifacts and underscore the role of archaeological evidence in reconstructing the legacy of antiquity, especially that of the biblical period. The contributors are Kathleen Abraham, Chaim Cohen, Robert Deutsch, Claire Gottlieb, Martin Heide, Richard S. Hess, W. G. Lambert†, André Lemaire, Meir Lubetski, Matthew Morgenstern, Alan Millard, Lawrence J. Mykytiuk, and Peter van der Veen.
A critique of cultural studies that invokes Bakhtin, Benjamin, and de Man.
Introduces a wide variety of Greek inscriptions on stone slabs, pottery, bronzes, and other small objects, from simple names to more complicated texts, some in local dialects with distinctive alphabets.
Virgil's "Eclogues" represent the introduction of a new genre, pastoral, to Latin literature. Generic markers of pastoral in the "Eclogues" include not only the representation of the singing and speaking of shepherd characters, but also the learned density of the text itself. Here, Brian W. Breed examines the tension between representations of orality in Virgil's pastoral world and the intense textuality of his pastoral poetry. The book argues that separation between speakers and their language in the "Eclogues" is not merely pastoral preciosity. Rather, it shows how Virgil uses representations of orality as the point of comparison for measuring both the capacity and the limitations of the "Eclogues" as a written text that will be encountered by reading audiences. The importance of genre is considered both in terms of how pastoral might be defined for the particular literary-historical moment in which Virgil was writing and in light of the subsequent European pastoral tradition.
Inscriptions on buildings are a distinctive feature of Islamic architecture, and this book studies the 79 surviving monumental inscriptions in the Iranian world from the first five centuries of the Muslim era (A.D. 622-1106), the period in which all the major trends of monumental epigraphy in the area were set. These foundation, commemorative, and funerary texts come from the region between Iraq and Soviet Central Asia. Written primarily in Arabic, they embellished architectural monuments and furnishings whose nature implies the construction of major buildings. An extended introduction discusses such general topics as titulature, patronage, and stylistic development. Each text is then presented individually with photographs, drawings, transcriptions, translations and an extensive commentary, which presents the inscription in its larger palaeographic and historical contexts.
From the archaic period onwards, ancient literary authors working within a range of genres discussed and quoted a variety of inscriptions. This volume offers a wide-ranging set of perspectives on the diversity of epigraphic material present in ancient literary texts, and the variety of responses, both ancient and modern, which they can provoke.
The aggression of the biblical God named Yhwh is notorious. Students of theology, the Bible, and the Ancient Near East know that the Hebrew Bible describes Yhwh acting destructively against his client country, Israel, and against its kings. But is Yhwh uniquely vengeful, or was he just one among other, similarly ferocious patron gods? To answer this question, Collin Cornell compares royal biblical psalms with memorial inscriptions. He finds that the Bible shares deep theological and literary commonalities with comparable texts from Israel's ancient neighbours. The centrepiece of both traditions is the intense mutual loyalty of gods and kings. In the event that the king's monument and legacy comes to harm, gods avenge their individual royal protégé. In the face of political inexpedience, kings honour their individual divine benefactor.
Jeremy Smoak presents a synthesis of recent discoveries bearing upon the early history and function of the biblical priestly blessing of Numbers 6:24-26. The book gives special focus to the importance of the discovery of the blessing on two silver amulets from Jerusalem dating to the late Iron Age and several other Iron Age inscriptions containing parallels to the blessing. The analysis of the inscriptions provides a new way to approach the meaning and significance of the instructions for the blessing in the biblical book of Numbers.