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When magic and superpowers emerge in the masses, Wendy Deere is contracted by the government to bag and snag supervillains in Hugo Award-winning author Charles Stross' Dead Lies Dreaming: A Laundry Files Novel. As Wendy hunts down Imp—the cyberpunk head of a band calling themselves “The Lost Boys”— she is dragged into the schemes of louche billionaire Rupert de Montfort Bigge. Rupert has discovered that the sole surviving copy of the long-lost concordance to the one true Necronomicon is up for underground auction in London. He hires Imp’s sister, Eve, to procure it by any means necessary, and in the process, he encounters Wendy Deere. In a tale of corruption, assassination, thievery, and magic, Wendy Deere must navigate rotting mansions that lead to distant pasts, evil tycoons, corrupt government officials, lethal curses, and her own moral qualms in order to make it out of this chase alive. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The essential collection of beloved ghost stories, compiled by the editor who helped define the genre—including stories from award-winning, bestselling authors such as Joyce Carol Oates, Alice Hoffman, Seanan McGuire, and Paul Tremblay. Everyone loves a good ghost story, especially Ellen Datlow—the most lauded editor in short works of supernatural suspense and dark fantasy. The Saga Anthology of Ghost Stories is her definitive collection of ghost stories. These twenty-nine stories, including all new works from New York Times bestselling authors Joyce Carol Oates, Alice Hoffman, Seanan McGuire, and Paul Tremblay, span from the traditional to the eclectic, from the mainstream to the literary, from pure fantasy to the bizarrely supernatural. Whether you’re reading alone under the covers with a flashlight, or around a campfire with a circle of friends, there’s something here to please—and spook—everyone. Contributors include: Joyce Carol Oates, Alice Hoffman, Vincent J. Masterson, A.C. Wise, M. Rickert, Seanan McGuire, Lee Thomas, Alison Littlewood, M.L. Siemienowicz, Richard Kadrey, Indrapramit Das, Richard Bowes, Nick Mamatas, Terry Dowling, Aliette de Bodard, Carole Johnstone, Dale Bailey, Stephen Graham Jones, Bracken MacLeod, Garth Nix, Brian Evenson, Jeffrey Ford, Gemma Files, Paul Tremblay, Nathan Ballingrud, Pat Cadigan, John Langan.
A BEST BOOK OF THE YEAR: THE NEW YORK TIMES, NPR • WINNER OF THREE NATIONAL JEWISH BOOK AWARDS • Finalist for the Baillie Gifford Prize for Non-Fiction • A stirring account of how music bears witness to history and carries forward the memory of the wartime past • SUNDAY TIMES OF LONDON HISTORY BOOK OF THE YEAR In 1785, when the great German poet Friedrich Schiller penned his immortal “Ode to Joy,” he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as equals. Beethoven’s Ninth Symphony then gave wing to Schiller’s words, but barely a century later these same words were claimed by Nazi propagandists and twisted by a barbarism so complete that it ruptured, as one philosopher put it, “the deep layer of solidarity among all who wear a human face.” When it comes to how societies remember these increasingly distant dreams and catastrophes, we often think of history books, archives, documentaries, or memorials carved from stone. But in Time’s Echo, the award-winning critic and cultural historian Jeremy Eichler makes a passionate and revelatory case for the power of music as culture’s memory, an art form uniquely capable of carrying forward meaning from the past. With a critic’s ear, a scholar’s erudition, and a novelist’s eye for detail, Eichler shows how four towering composers—Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich, and Benjamin Britten—lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving, transcendent works of music, scores that echo lost time. Summoning the supporting testimony of writers, poets, philosophers, musicians, and everyday citizens, Eichler reveals how the essence of an entire epoch has been inscribed in these sounds and stories. Along the way, he visits key locations central to the music’s creation, from the ruins of Coventry Cathedral to the site of the Babi Yar ravine in Kyiv. As the living memory of the Second World War fades, Time’s Echo proposes new ways of listening to history, and learning to hear between its notes the resonances of what another era has written, heard, dreamed, hoped, and mourned. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the renewed promise of art for our lives today.
Considering Sappho as a creature of translation and interpretation, a figment whose features have changed with social mores and aesthetics, Joan DeJean constructs a fascinating history of the sexual politics of literary reception. The association of Sappho with female homosexuality has made her a particularly compelling and yet problematic subject of literary speculation; and in the responses of different cultures to the challenge the poet presents, DeJean finds evidence of the standards imposed on female sexuality through the ages. She focuses largely though not exclusively on the French tradition, where the Sapphic presence is especially pervasive. Tracing re-creations of Sappho through translation and fiction from the mid-sixteenth century to the period just prior to World War II, DeJean shows how these renderings reflect the fantasies and anxieties of each writer as well as the mentalité of his or her day.
Desperate to escape living with her miserly uncle, Marjorie Easton eagerly accepts a job offer from the strange Michael Crispin despite knowing nothing of the employment except that it is well-paid and includes some kind of research. Much to her surprise, the "research" involves sEances and requires Marjorie to develop her own psychic gifts to assist in communing with the dead. Soon she begins to suffer from terrible nightmares and seems on the verge of a nervous breakdown, but the real terror begins when Crispin dies under mysterious circumstances during one of the sEances. Who is responsible? And what is the significance of the "six queer things" the police discover among his belongings after his death? A Golden Age mystery with echoes of the occult, The Six Queer Things (1937) was Christopher St. John Sprigg's seventh and final novel, published after his death in the Spanish Civil War. This first-ever reprint of his scarcest novel features a reproduction of the original jacket art. "A rip-roaring tale of mediums, psychic research and the powers of darkness." - Pittsburgh Post-Gazette "[A] hair-raising excursion into the occult, with trimmings of insanity, racketeering in souls, palpitating action, and efficient British-type sleuthing." - Saturday Review "Mystery and horror, laid on with a trowel." - New York Times
The deeply researched biography of the man who was probably the most important individual in the history of the British motorcycle industry.In the words of Triumph's famous sales slogan, Edward Turner designed "The Best Motorcycle in the World". Records details of all the world famous motorcycles designed by Edward Turner.
DigiCat Publishing presents to you this special edition of "The Jews" by Hilaire Belloc. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
From her dying grandfather, Anna Becker mistakenly takes the tickets for a trip aboard the ill-fated Hindenburg believing it offers her an escape to America.