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This book contains highlights Winslow Homer's artistic portayal of the Civil War.
This pictorial history of the war as seen by Homer includes almost all of his works done in oils, watercolors, drawings, lithographs, and wood engravings.
The single most important volume for anyone interested in the Civil War to own and consult. (From the foreword by James M. McPherson) The first guide to Civil War literature to appear in nearly 30 years, this book provides the most comprehensive, up-to-date, and informative survey and analysis of the vast body of Civil War literature. More than 40 essays, each by a specialist in a particular subfield of Civil War history, offer unmatched thoroughness and discerning assessments of each work's value. The essays cover every aspect of the war from strategy, tactics, and battles to logistics, intelligence, supply, and prisoner-of-war camps, from generals and admirals to the men in the ranks, from the Atlantic to the Far West, from fighting fronts to the home front. Some sections cover civilian leaders, the economy, and foreign policy, while others deal with the causes of war and aspects of Reconstruction, including the African-American experience during and after the war. Breadth of topics is matched by breadth of genres covered. Essays discuss surveys of the war, general reference works, published and unpublished papers, diaries and letters, as well as the vast body of monographic literature, including books, dissertations, and articles. Genealogical sources, historical fiction, and video and audio recordings also receive attention. Students of the American Civil War will find this work an indispensable gateway and guide to the enormous body of information on America's pivotal experience.
Winslow Homer (1836-1910), arguably the best-known American artist of the nineteenth century, created three distinctly different bodies of work in the course of his long career: paintings, book illustrations, and illustrations for the pictorial press, the magazine-like illustrated journals of his day. A number of books and exhibition catalogues have dealt with his career as a painter, and historian David Tatham treated all of Homer's work as an illustrator of literature in his Winslow Homer and the Illustrated Book. Now, ten years later, Tatham has completed a full, scholarly account of Homer's work for pictorial magazines such as Harper's Weekly, Appleton's Monthly, and Every Saturday. Homer's work for pictorial magazines is substantial, to say the least. It amounts to some 250 wood-engraved images published between 1857 and 1875. These wood engravings are collected assiduously and are exhibited frequently in museums. They differ from Homer's book illustrations in that they are independent from the texts; Homer chose and treated the great majority of his magazine subjects much as he did his paintings. They are, in essence, original works of graphic art. The illustrations reproduced here cover a remarkable range. They constitute the first substantial body of American art about the life of the city streets, the Thanksgiving and Christmas holidays, abolition, and the New Woman. They include compelling treatments of the Civil War, rural childhood, and wilderness. They also comprise an essential contribution to the study of one of the masters of American art.
Covering everything from the arts to food and drink, religion, social customs, and technology, this two-volume set provides an in-depth, accessible look at the social, cultural, economic, and political aspects of the American Civil War. The American Civil War caused dramatic changes in every aspect of life and society, affecting combatants and noncombatants at all levels of the socioeconomic scale. The World of the Civil War: A Daily Life Encyclopedia offers an accessible and reliable reference for the major topics that defined American life during the nation's most tumultuous era. Taking a blended approach to history, this book covers the military and political history of the era and examines the social and human experiences of the war, thereby offering a comprehensive look at the Civil War era's most significant events, people, places, and experiences. The thematic organization of this encyclopedia helps readers to more readily explore related topics. The subject matter explored in some 250 entries includes religious beliefs and practices; rites of passage; soldiers' lives and experiences; rural and urban life; social structure of the Civil War era—aristocrats, landowners, and slaves; men's and women's roles and responsibilities; holidays, festivals, and other celebrations; tools, machinery, and inventions; and justice and punishment. Readers will come away with an understanding of many aspects of daily life during the Civil War era and gain appreciation for the vast differences between life today and 150 years ago.
Originally untrained in military science, Francis Channing Barlow ended the Civil War as one of the North's premier combat generals. He played decisive roles in historic campaigns throughout the War and his letters are classic accounts of courage combat, and the burdens of command as experienced by one of the Union's fiercest officers. Born in Brooklyn, New York, Barlow enlisted in April 1861 at the age of twenty six, commanded the 61st New York Infantry regiment by April 1862, and found himself a general in command of a division by 1863. He played a key role at Fair Oaks, Antietam, the Wilderness, Spotsylvania, and Petersburg, suffered two serious wounds in combat, and was left for dead at Gettysburg, where part of the battlefield is named after him. Barlow's war correspondence not only provides a rich description of his experiences in these actions but also offers insight into a civilian learning the realities of war. As a young intellectual, Barlow was also well connected with many eminent figures of his time. He spent part of his youth at Brook Farm, graduated first in his Harvard College class, and became a successful New York City lawyer by the time he enlisted. Among his friends he counted Ralph Waldo Emerson, Charles Russell Lowell, Jr., and Winslow Homer's family. Transformed by his experiences in the War, Barlow entered politics and served as New York's Secretary of State and Attorney General. Superbly edited by Christian G. Samito, Barlow's letters not only illuminate the life of a talented battlefield commander; they also fill a gap in Civil War scholarship by providing a valuable window into Northern intellectual responses to the War.
The art of Julian Scott (1846ndash;1901) is admired by historians and critics alike for its authenticity and for his attention to detail. His paintings and drawings came directly from his own experiences; he was a Civil War hero whose earliest recorded actions include the saving of nine soldiers and the capture of a Confederate officer, for which he was awarded the Congressional Medal of Honor. He also took part in the Indian census of 1890 and witnessed firsthand the demise of the old, Native American, West. This first-ever biography of Scott focuses on how his experiences were reflected in his art, from the oil paintings of Civil War soldiers in the field to pencil sketches of Native Americans. There are almost 100 reproductions, some in color.
This work examines Homer's artistic accomplishments. It focuses not only on his use of various media, but also on the suites of works on the same subject that reflect the artist's modern practice of thinking and working serially and thematically.
Features the art collection of William B Ruger, the famed arms-maker, who passed away in June 2002. Christie's conducted a multi-million dollar auction in December 2002 of the paintings that appear in the book. The book includes approximately 20 paintings sold by Christies, NY and includes 83 colour photos of William B Ruger's private collection. The pieces depict the American West, hunting, wildlife, historical and classic art, and seascapes by artists such as Frederic S Remington, Maxfield Parrish, Albert Bierstadt, Arthur Fitzwilliam Tait and many others. Seth Eastman's 'Winnebago Encampment', Alexander Phimister Proctor's 'The Indian Warrior', and Frank Tenney Johnson's 'Cowboy on Horseback' are examples.