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Columbia Theatre, absolutely fireproof, Luckett & Dwyer, lessees and managers, Ned Stein, treasurer. Charles Frohman presents the laughing play of the season, E.E. Rose's dramatization of Irving Bacheller's famous novel, "Eben Holden". Produced under the stage direction of E.E. Rose, scenery by Ernest Gros, incidental music by Wm. Furst, A.L. Levering, acting manager.
Immerse yourself in Irving Bacheller’s Eben Holden: A Tale of the North Country, a heartwarming novel that captures the spirit of rural life in the North Country. This endearing story provides a glimpse into the lives and traditions of a small community through the eyes of its memorable characters. As Bacheller’s narrative unfolds, you’ll follow the journey of Eben Holden, whose experiences and interactions reflect the charm and challenges of country life. The novel paints a vivid picture of the landscape, culture, and people of the North Country, bringing to life a bygone era with warmth and authenticity. But here’s a question to consider: How do the personal stories of individuals reflect the broader cultural and social dynamics of their time? Can the experiences of one man offer insights into the larger fabric of a community and its values? Explore the rich and engaging world of Eben Holden, where each chapter reveals the joys and struggles of life in the North Country. This is more than just a regional tale; it’s a celebration of human resilience and the beauty of simple living. Are you ready to experience the charm and depth of Eben Holden? Discover a novel that offers a heartfelt look at life in the North Country through the eyes of a remarkable character. Don’t miss the chance to delve into this captivating story. Purchase Eben Holden today and enjoy a narrative that brings to life the essence of rural America with warmth and insight.
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
Eben Holden: A Tale of the North Country is a novel written by Irving Bacheller. It was a popular book at the time of its release, among the top 10 bestselling books in the United States in both 1900 and 1901. The book is set in the North Country region of New York.
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From the late Thomas Bernhard, arguably Austria's most influential novelist of the postwar period, and one of the greatest artists in all twentieth-century literature in the German language, his magnum opus. Extinction, Bernhard's last work of fiction, takes the form of the autobiographical testimony of Franz-Josef Murau, the intellectual black sheep of a powerful Austrian land-owning family. Murau lives in Rome in self-imposed exile from his family, surrounded by a coterie of artistic and intellectual friends. On returning from his sister's wedding to the "wine-cork manufacturer" on the family estate of Wolfsegg, having resolved never to go home again, Murau receives a telegram informing him of the death of his parents and brother in a car crash. Not only must he now go back, he must do so as the master of Wolfsegg. And he must decide its fate. Divided into two halves, Extinction explores Murau's rush of memories of Wolfsegg as he stands at his Roman window considering the fateful telegram, in counterpoint to his return to Wolfsegg and the preparations for the funeral itself. Written in the seamless style for which Bernhard became famous, Extinction is the ultimate proof of his extraordinary literary genius. It is his summing-up against Austria's treacherous past and -- in unprecedented fashion -- a revelation of his own incredibly complex personality, of his relationship with the world in which he lived, and the one he left behind. A literary event of the first magnitude.