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"Danse Macabre" by Camille Saint-Saëns - Arrangement for Saxophone Quartet (SATB) - Intermediate/Advanced Level - Eb Baritone Saxophone - part. Explore the dark and mysterious side of classical music with Camille Saint-Saëns' "Danse Macabre," now available in an exhilarating arrangement for saxophone quartet (SATB). This thrilling composition, with a duration of approximately 6 minutes, captures the eerie and spectral atmosphere of Death making the dead dance from their graves to the sound of a violin. Additionally, "Danse Macabre" has a rich cinematic history, having been featured in iconic films, including: "Fantasia" (1940, Walt Disney Productions, USA) "La Nuit Fantastique" (1942, Les Films Marceau, France) "Hush... Hush, Sweet Charlotte" (1964, USA) "The Curse of the Yellow Canary" (1948, USA) "The Abominable Dr. Phibes" (1971, United Kingdom, USA) Key Features: Intermediate/Advanced Level: This arrangement is suitable for musicians with intermediate to advanced skill levels. It offers stimulating musical challenges to enhance your performance abilities. Score and Parts available in series Audio Demo: Scan the QR code on the cover or visit www.glissato.it to listen to an audio demo of your potential performance. You'll be inspired by the beauty and intensity of the music, as well as its presence in some of cinema's most iconic films. Product Code: EG0041 - Audio sample: https://www.glissato.it/en/eg0041-danza-macabra.html - Saxophone Quartet, Saxophone Ensemble, Saxophone Sheet Music, Saxophone Arrangement, Saxophone Performance, Saxophone Quartet Score, Saxophone Repertoire, Advanced Saxophone, Saxophone Audition, Saxophone Technique, Saxophone Practice, Saxophone Mastery, Saxophone Performance Pieces, Saxophone Ensemble Music.
Rodgers and Hammerstein's beloved song from The Soundof Music has captured hearts for generations. Now acclaimed illustrator Renée Graef's heartwarming illustrations give it new meaning. Complete with its score, My Favorite Things is perfect for reading and sharing.
Southern Music
This volume explores the significations and developments of the Salsa consciente movement, a Latino musico-poetic and political discourse that exploded in the 1970s but then dwindled in momentum into the early 1990s. This movement is largely linked to the development of Nuyolatino popular music brought about in part by the mass Latino migration to New York City beginning in the 1950s and the subsequent social movements that were tied to the shifting political landscapes. Defined by its lyrical content alongside specific sonic markers and political and social issues facing U.S. Latinos and Latin Americans, Salsa consciente evokes the overarching cultural-nationalist idea of Latinidad (Latin-ness). Through the analysis of over 120 different Salsa songs from lyrical and musical perspectives that span a period of over sixty years, the author makes the argument that the urban Latino identity expressed in Salsa consciente was constructed largely from diasporic, deterritorialized, and at times imagined cultural memory, and furthermore proposes that the Latino/Latin American identity is in part based on African and Indigenous experience, especially as it relates to Spanish colonialism. A unique study on the intersection of Salsa and Latino and Latin American identity, this volume will be especially interesting to scholars of ethnic studies and musicology alike.
Some thirty-two experts from fifteen countries join three of the world's leading authorities on the design, manufacture, performance and history of brass musical instruments in this first major encyclopedia on the subject. It includes over one hundred illustrations, and gives attention to every brass instrument which has been regularly used, with information about the way they are played, the uses to which they have been put, and the importance they have had in classical music, sacred rituals, popular music, jazz, brass bands and the bands of the military. There are specialist entries covering every inhabited region of the globe and essays on the methods that experts have used to study and understand brass instruments. The encyclopedia spans the entire period from antiquity to modern times, with new and unfamiliar material that takes advantage of the latest research. From Abblasen to Zorsi Trombetta da Modon, this is the definitive guide for students, academics, musicians and music lovers.
(Instructional). This 24-page instrumental method/supplement for tenor and alto sax players was written by jazz player and composer Ted Nash and edited by Jeannette Delisa.
As in the earlier editions, the emphasis is on the practical fundamentals of orchestration. The Sixth Edition has been expanded and revised to reflect new developments in instruments and orchestral practice, and a new listening compact disc has been added that contains selected examples of orchestration.
The second edition features a new discussion of the bugle, information on percussion instruments of American and African origin, an extensively rewritten section on the organ, and the addition of Spanish terms to the existing English, French, German, and Italian. Appendixes on MIDI, guitar fingering, and guitar chords are new to the second edition, and the material on electronic instruments and electronic sound modification has been revised and expanded. The revision also includes nearly 100 new musical examples.