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We all know the basics of punctuation. Or do we? A look at most neighborhood signage tells a different story. Through sloppy usage and low standards on the internet, in email, and now text messages, we have made proper punctuation an endangered species. In Eats, Shoots & Leaves, former editor Lynne Truss dares to say, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. This is a book for people who love punctuation and get upset when it is mishandled. From the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked about with.
Laugh your way to punctuation perfection with this pocket-sized paperback compendium of the hilariously illustrated #1 New York Times bestselling series. Clever side-by-side illustrations show how punctuation placement makes a huge difference in the meaning of a sentence. Imagine this without the middle period and the comma: “The king walked and talked. A half hour after, his head was cut off.” Oh no—a beheaded king that can still walk and talk! You might want to eat a huge hot dog, but a huge, hot dog would run away pretty quickly if you tried to take a bite out of him. Scenes from all three of Lynne Truss and Bonnie Timmons’s best-selling punctuation picture books (Eats, Shoots & Leaves, The Girl's Like Spaghetti, and Twenty-Odd Ducks) highlight the important jobs of commas, apostrophes, hyphens, quotation marks, and more in this humorous punctuation primer. “Wordplay or ‘grammarplay’ at its finest.” —School Library Journal
A comanion to the New York Times #1 best-seller Eats, Shoots & Leaves, this is punctuation play at its finest! Just as the use of commas was hilariously demystified in Eats, Shoots & Leaves: Why, Commas Really Do Make a Difference!, now Lynne Truss and Bonnie Timmons put their talents together to do the same for apostrophes. Everyone needs to know where to put an apostrophe to make a word plural or possessive (Are those sticky things your brother's or your brothers?) and leaving one out of a contraction can give someone the completely wrong impression (Were here to help you). Full of silly scenes that show how apostrophes make a difference, too, this is another picture book that will elicit bales of laughter and better punctuation from all who read it. A New York Times Bestseller Parents’ Choice Silver Honor Winner
A wittily informative insight into how the English language can be used and abused in the twenty-first century.
For anyone who wants to make fewer (not less) grammar mistakes, a lively, effective, and witty guide to all the ins and outs of the English language, reminiscent of the New York Times bestseller Eats, Shoots & Leaves. Our language is changing, literary levels are declining, and our grasp of grammar is at a crisis point. From commas to colons, apostrophes to adverbs, there are countless ways we can make mistakes when writing or speaking. But do not despair! Great Britain’s most popular grammar guru has created the ultimate modern manual for English speakers on both sides of the Atlantic. In this brilliantly funny and accessible guide to proper punctuation and so much more, Gyles Brandreth explores the linguistic horrors of our times, tells us what we’ve been doing wrong and shows us how, in the future, we can get it right every time. Covering everything from dangling participles to transitive verbs, from age-old conundrums like “lay” vs. “lie,” to the confounding influences of social media on our everyday language, Have You Eaten Grandma? is an endlessly useful and entertaining resource for all.
Chin, who writes the "Wild Edibles" column for the New York Times, goes looking for love, blackberries, and wild garlic in this wildly uneven, yet warmly exhilarating memoir. Trekking through Central Park and other urban beaten paths and backyards, Chin leads us on a journey of discovery as she searches for the tender shoots poking through cement cracks and hardy wild plants resisting winter's bite.--
Language play iincludes many punctuation marks in this companion to the New York Times #1 bestseller Eats, Shoots & Leaves! Commas and apostrophes aren't the only punctuation marks that can cause big trouble if they're put in the wrong place. “Twenty-odd ducks” is an estimate of how many are waddling by, but “twenty odd ducks” would not only be a big group, but they’d look very strange! Imagine this without the middle period and the comma: “The king walked and talked. A half hour after, his head was cut off.” Oh no—a beheaded king that can still walk and talk! Truss and Timmons put hyphens, parentheses, quotation marks, periods, and more in the spotlight, with silly scenes showing how which marks you choose and where you put them can cause hilarious mix-ups.
"Talk to the hand, ’cause the face ain’t listening," the saying goes. When did the world stop wanting to hear? When did society become so thoughtless? It’s a topic that has been simmering for years, and Lynne Truss says it’s now reached the boiling point. Taking on the boorish behavior that for some has become a point of pride, Talk to the Hand is a rallying cry for courtesy. Like Eats, Shoots & Leaves, Talk to the Hand is not a stuffy guidebook, and is sure to inspire spirited conversation. Why hasn’t your nephew ever thanked you for your carefully selected gift? What makes your contractor think it’s fine to snub you in the midst of a major renovation? Why do crowds spawn selfishness? What accounts for the appalling treatment you receive in stores (if you’re lucky enough to get a clerk’s attention at all)? Most important, what will it take to roll back a culture that applauds those who are disrespectful? In a recent U.S. survey, 79 percent of adults said that lack of courtesy was a serious problem. For anyone who’s fed up with the brutality inflicted by modern manners (or lack thereof), Talk to the Hand is a colorful call to arms—from the wittiest defender of the civilized world.
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.