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Sixteen favorite Christmas hymns and songs for viola. These arrangements are easily accessible, with no page turns or double stops. Suggested bowings are included. This book contains both melody and harmony parts with piano accompaniment which can be used with the violin and cello books in the same series. the pieces can be enjoyed in a number of instrumental settings, either as solos, duets, or in ensembles with other string instruments. Suggested uses are: solo viola with piano accompaniment, viola duets with cello, violin, and/or piano, and trios with cello and violin. Pull-out viola part.
Teacher and recording artist Craig Duncan has penned yet another excellent solo collection for the violin student. These solos are well within the capabilities of the beginning violin student playing in first position. the compositions feature works by Bartok, Purcell, Haydn, von Gluck, Handel, Telemann, Corelli, Kabalevsky, Beethoven, Mozart, C.P.E. Bach, J.S. Bach, and Dandrieu. Keyboard accompaniment is included. These pieces are excellent for recitals or contests, and can be used to teach important techniques.
A great first violin book for the very young student featuring extra large notation, letters inside the note heads, fingerings, plus coloring and activity pages. For multiple school orders, please contact us for a discount code good for up to 40% off the cover price at www.violinfunbook.com
Beginning level. Book 3 in the Beginner Cello Theory for Children series is an engaging resource that allows students to develop a deeper understanding of important theory concepts. Key signatures, enharmonic, diatonic and chromatic semitones, whole tones, major scales, musical terms and symbols and how to write music are all covered in this workbook. Unique to this book are detailed, fill-in-the-blank diagrams of each major scale played on the cello. These diagrams allow students to visualize their scale and its theoretical structure in an easy-to-understand format. with this book, there will be no complaints about theory homework.
Fiddling Classics contains 14 arrangements of classic fiddle tunes from Texas, cowboy and Western Swing music traditions, written in an exciting twin/triple fiddle style. The series includes three books for different instrumentation: MB30560 Fiddling Classics for Solo and Ensemble: Violins 1 and 2 (Includes 2 violin parts). MB30561 Fiddling Classics for Solo and Ensemble: Viola, Violin 3 and Score (Includes parts for viola melody, harmony, third violin and a full score). MB30562 Fiddling Classics for Solo and Ensemble: Cello/Bass (Includes cello/bass melody and harmony parts). All three work together, providing readers with material for all possible combination of instruments; solo instrument with piano or guitar, duets, trios, string quartets and much more
This book is a great addition or follow-up to The Violin Fun Book for Young Students Series by Larry E. Newman. Extra-large musical notation and a deliberate absence of markings makes for a clean, easy-to-see music book for the young reader. The teacher can supplement the music with additional markings such as bowings, dynamics, etc.
Solos for Young Violists is a five-volume series of music books featuring 34 works for viola and piano. Many of the pieces in this collection have long been recognized as stepping stones to the major viola repertoire, while others are newly discovered, arranged, and published for this series. Compiled, edited and recorded by violist Barbara Barber, Solos for Young Violists is a graded series of works ranging from elementary to advanced levels and represents an exciting variety of styles and techniques for violists. The collection has become a valuable resource for teachers and students of all ages.
For use in group string classes
More than thirty-five famous and traditional old Bluegrass favorites. Includes stylistic bowings and chord changes.
This book presents the most widely played fiddle tunes in easy-to-read arrangements for viola. The viola edition features the same tunes in the same keys as the author’s original The Fiddlin’ Workshop and The Fiddlin' Workshop for Cello, so all three instruments could conceivably jam together. Designed for beginning through intermediate players, the arrangements progress in difficulty with each tune. A few tunes are presented in both easier and more challenging versions. In addition to helpful hints on fingerings and bowing, this collection contains suggested guitar accompaniment chords and a bit of fiddlin’ history and related folklore. Includes access to an excellent online audio recording of the book’s tunes and variations.