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This book and accompanying audio present Irish, Celtic and British Isles folk melodies for the 5-string banjo. The book demonstrates contemporary Celtic fingerstyle banjo in G tuning using modern techniques. 32 airs and song melodiesare presented, with chords written in standard notation and tablature. Play-along and up-to-speed tracks are included in the audio online. The tunes are suited for beginner and intermediate players, and include practice tempo suggestions. Advanced players will also benefit by learning subtle arrangements of traditional pieces. This is the companion work to Mel Bay's Easy Irish and Celtic Tunes for 5 -String Banjo: Best-Loved Jigs and Reels (2012), with 68 tunes, combining for a total of 100 Celtic melodies. The pieces can be played individually or combined for session playing. Audio available for download online
An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. the appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. the first-ever CD collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is out front and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. the recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the CD.
This rich collection of 68 jigs and reels features some of the most cherished tunes played by session players from 21st-century Ireland, Scotland, Wales and the Celtic Diaspora. Tom Hanway demonstrates contemporary Celtic fingerstyle banjo through modern techniques and traditional Irish and Celtic melodies using standard G tuning. Additionally, this book explains the Four Celtic Modes that are found throughout the tunes in this collection. Through these lessons, you can learn the essentials needed to play stock Irish and Celtic tunes, which can later be combined in medleys to play at sessions.
This rich collection of 68 jigs and reels features some of the most cherished tunes played by session players from 21st-century Ireland, Scotland, Wales and the Celtic Diaspora. Tom Hanway demonstrates contemporary "Celtic fingerstyle banjo" through modern techniques and traditional Irish and Celtic melodies using standard G tuning. Additionally, this book explains the Four Celtic Modes that are found throughout the tunes in this collection. Through these lessons, you can learn the essentials needed to play stock Irish and Celtic tunes, which can later be combined in medleys to play at sessions.
O'Carolan's best-loved harp tunes are notated in a contemporary style that makesthem accessible to all instrumentalists. This ideal collection with accompanyingaudio lays bare 20 classic Irish compositions for melody and backing players using standard notation and chords. For all 5-string banjo players, fretting and picking- hand fingerings are included in the transcriptions which match the play-along tracks. This is Hanway's fourth collection demonstrating Celtic fingerstyle banjo in G tuning. It is part of a Celtic 5-string series that includes Mel Bay's Easy Irish and Celtic Tunes for 5-String Banjo: Best-Loved Jigs and Reels (2012) and Mel Bay's Easy Irish and Celtic Melodies for 5-String Banjo: Best-Loved Airs and Session Tunes (2013). Tom Hanway's pioneering work, Mel Bay's Complete Book of Irish & Celtic 5-String Banjo (1998), was acclaimed by Bluegrass Unlimited magazine (1999) as 'the bible' for any 5-string player with an interest in this joyous music. The current collection breathes life into the Gaelic classical melodies of Ireland. Access to online audio download
A comprehensive repertoire book of fiddle tunes adapted for banjo, in easy to read tablature, by the renowned player and teacher of the 5-String Banjo, Tony Trischka. for the early picker to the advanced player, this book and its companion recordings on 2 CDs will enable the player to learn by example and broaden their technical range.Fiddle tunes have been adapted for Banjo since the early 1850's. the explorations contained here include a large collection of popular American fiddle tunes and a section of Celtic tunes played in the three major Bluegrass Banjo styles. These Bluegrass, Old Time and Celtic banjo traditions will expand the players' knowledge of the instrument, and deepen their understanding of bluegrass and traditional music.The techniques employed will build the players technical prowess and broaden their enjoyment of playing. and the tunes, both popular and lesser known, will add new variety to the next jam session! Tablature only.Repertoire of fiddle tunes for the early to the advanced banjo player. In easy to read tablature with 2 companion CDs. Expands the players' knowledge of Bluegrass banjo styles and banjo music. Builds playing skills and adds variety to their playing.
This handy book shows all of the basic banjo chords in photo and diagram form. the front of the book contains a section of bluegrass G-tuning chords, and the remainder contains C-tuning.
An extremely well-written method for 20-key, German-style concertina. One of the best books of its kind available. Written in the key of C.
Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx
(Waltons Irish Music Books). Everything you need to know about the Irish fiddle, from playing your first notes and tunes to advanced solos and ornamentation. This book includes special chapters for beginners, "key points" highlighting essential aspects of fiddle technique, a comprehensive guide to traditional ornamentation and over 80 carefully chosen tunes. One of Ireland's most exciting fiddle players, Paul McNevin has had an equally influential career as a teacher. During his long association with Comhaltas Ceoltoiri Eireann, he won the All Ireland Slogadh and Plearacha competitions and received his Comhaltas teaching diplomas in 1991. Paul has toured throughout Europe with the Donal Lunny Band, Damien Quinn and Speranza, among others and has been a regular guest with Stockton's Wing and the Riverdance dancers.