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This collaborative masterpiece of hilarious city comedy was performed by the Children of the Revels at the Blackfriars playhouse in 1605. The story is of an allegorical simplicity that lends itself to satire of civic mores and traditions as well as to parody of the sentimental, idealising London comedy presented at the amphitheatres in the suburbs: Goldsmith Touchstone, an upright London citizen, has one modest and one ambitious daughter, one righteous and one disreputable apprentice; virtue is rewarded, ruthlessness comes to grief - and receives a drenching in the muddy Thames. The introduction to this edition discusses various methods of establishing authorship and highlights the irony of the collaborators' comic vision of contemporary London life.
A fast-paced whirlwind of fantasy and mockery confined to a single room, The Alchemist offers a witty culmination of Jonson's experiments with city comedy. The play has been widely recognized as one of the most impressive achievements of the period's theatre; Coleridge famously described it as one of the three most perfect plots in literature. Yet it is a notoriously difficult play: its alchemical language has aged into obscurity, and its insiderly humour can seem impenetrable to students approaching it for the first time. This comprehensively annotated edition translates and illuminates the play's many pleasures and shows how Jonson's cynical, street-wise wit resonates with our contemporary sensibilities. Pollard highlights the play's witty ingenuity, while offering the information and guidance to enable students to understand and enjoy The Alchemist fully.
This famous work was the result of the wartime collaboration of two Scottish scholars. Their tracing of the course of English poetry has been described by The Times Literary Supplement as a 'volume of masterly compression'. They deliberately spend most time on the greatest poets, believing that, significant as traditions and influences are, the great poet himself affects the spirit of his age and moulds the tradition he has inherited. At the same time, enough attention is paid to minor poets to make the book historically complete, and to fill in the most important links in the chain of poetic development. Thus Gower is here, as well as Chaucer; Patmore, as well as Browning. Both in scope and in detail A Critical History of English Poetry is a distinguished and valuable work.
A comprehensive collection of the life and works of a literary great — William Shakespeare! The beautifully illustrated guide unravels the life and works of Shakespeare and his plays, from language, history, and themes to plays, poems, and sonnets. Explore the art of this famous playwright and his enduring legacy through the stunning gift format. Celebrate one of the theaters most influential contributors through his legendary works of comedy, tragedy, romance, and poetry. Inside this playbook, you’ll find: • A clear and accessible format. • Plot summaries of all 39 plays with lists of characters. • Guidance on how to read and interpret his great sonnets and narrative poems. • Plays ordered by time and genre, helping readers trace the development of Shakespeare’s topics, themes, and artistry. • Sidebars that clarify the mythological, geographical and historical context of each play and decode its language, dramatic action, and themes. • Illuminated guidance on how to approach reading the play and seeing it perform. Shakespeare fans will revel in the marvelous depiction of the Stratford-upon-Avon born Bard himself! His drama book allows you to dive into famous works like Hamlet, Romeo and Juliet, and A Midsummer Night’s Dream, and explore Shakespeare’s sources and inspirations for each! Themes, plots, characters, and language are brought to life with act-by-act plot summaries, resumes of main characters, and in-depth analysis of Shakespeare’s use of the English language. Shakespeare: His Life and Works is a wonderful exploration of plays, poems, and sonnets in the context of his life and the Elizabethan and Jacobean theatre, further enriching your on the page (or stage, or screen!) experience.
Early seventeenth-century London playwrights used actual locations in their comedies while simultaneously exploring London as an imagined, ephemeral, urban space. Producing Early Modern London examines this tension between representing place and producing urban space. In analyzing the theater’s use of city spaces and places, Kelly J. Stage shows how the satirical comedies of the early seventeenth century came to embody the city as the city embodied the plays. Stage focuses on city plays by George Chapman, Thomas Dekker, William Haughton, Ben Jonson, John Marston, Thomas Middleton, and John Webster. While the conventional labels of “city comedy” or “citizen comedy” have often been applied to these plays, she argues that London comedies defy these genre categorizations because the ruptures, expansions, conflicts, and imperfections of the expanding city became a part of their form. Rather than defining the “city comedy,” comedy in this period proved to be the genre of London. As the expansion of London’s social space exceeded the strict confines of the “square mile,” the city burgeoned into a new metropolis. The satiric comedies of this period became, in effect, playgrounds for urban experimentation. Early seventeenth-century playwrights seized the opportunity to explore the myriad ways in which London worked, taking the expected—a romance plot, a typical father-son conflict, a cross-dressing intrigue—and turning it into a multifaceted, complex story of interaction and proximity.
This edition of Ben Jonson's four middle comedies places the works in the popular history and culture of the times, 1605-1614, and surveys the influences, both classical and contemporary, on Jonson as a playwright. On-the-page annotations recreate the audiences perception of the plays as performances by commenting on the stage-directions, the self-conscious theatricality of characters and scenes, and the vivid colloquialisms of early modern London that give the dialogue a heightened dimension of realism. Brief introductions to each play discuss the local settings, sources, theatre history and further readings. The general introduction includes a biography of Jonson, a chronology of the plays and masques, and separate essays on each play, dealing particularly with Jonson's satirical treatments of trends and shams of the day, whether political, social, commercial, or spiritual.