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"Eastern Orthodoxy illuminated by the Gospel is one of the greatest books ever written about the Orthodoxy. Reading the book Eastern Orthodoxy illuminated by the Gospel is like climbing a high mountain, where your visual field gets expanded with each step, discovering new and exciting details, and finally gives an exceptional panoramic view that evokes the strongest feelings! Each new line is like a new stair leading to a highest top, from where you can observe the whole Orthodoxy. Orthodoxy from God's perspective. Light of the glorious Gospel and Christ's teachings shines like the sun throughout this book, illuminating a complete profession of faith of the Eastern Orthodox Church." Sladjan Djuric Author of the book Only Scripture, Serbia "I have never understood why Eastern Orthodox people practice or believe certain things. When I would ask, I would either get silence or a very confusing and superficial answer. Ivica's book made those mysterious things clear for the first time and helped me understand the essence and the roots of the Orthodox religion. Without exaggeration I think this is a first-class apologetic manual ever written. Everyone who is called to work with Orthodox believers should have this book because it can help them understand the people who practice Eastern Orthodoxy, and give them directions how to pray and preach the Gospel more efficiently (2. Corinthians 4:3-4, Ephesians 6:12).'' Jan Vareca Editor of a Christian e-magazine 'The trumpet of Zion', Serbia "Eastern Orthodoxy has been largely unknown in the West, but in the recent years there has been a surge of interest, particularly among Christians of Protestant/Evangelical orientation, many of whom wish to find out more about this mystical expression of faith that captivates by its ancient charm and connection to the early church fathers. The book Eastern Orthodoxy Illuminated by the Gospel by Ivica Stamenkovic will unlock the mysteries of Eastern Orthodoxy for the Western readers. A native of Serbia, a country with a strong Eastern Orthodox majority, Ivica had the advantage of studying Eastern Orthodoxy at its source. The product of his studies is a volume that deserves to be called nothing less than a textbook on Eastern Orthodoxy and probably the first of its kind available in the English language. His clear, scholarly approach leaves no stones unturned. Needless to say, a study such as this one has been long overdue in the West. Even though scholarly, the book is by no means "dry" and is an enjoyable read, cover to cover." Alex Jovanovic Pastor of Mooretown Brethren in Christ Church Sandusky, Michigan, USA
"Eastern Orthodoxy illuminated by the Gospel is one of the greatest books ever written about the Orthodoxy. Reading the book Eastern Orthodoxy illuminated by the Gospel is like climbing a high mountain, where your visual field gets expanded with each step, discovering new and exciting details, and finally gives an exceptional panoramic view that evokes the strongest feelings! Each new line is like a new stair leading to a highest top, from where you can observe the whole Orthodoxy. Orthodoxy from God's perspective. Light of the glorious Gospel and Christ's teachings shines like the sun throughout this book, illuminating a complete profession of faith of the Eastern Orthodox Church." Sladjan Djuric Author of the book Only Scripture, Serbia "I have never understood why Eastern Orthodox people practice or believe certain things. When I would ask, I would either get silence or a very confusing and superficial answer. Ivica's book made those mysterious things clear for the first time and helped me understand the essence and the roots of the Orthodox religion. Without exaggeration I think this is a first-class apologetic manual ever written. Everyone who is called to work with Orthodox believers should have this book because it can help them understand the people who practice Eastern Orthodoxy, and give them directions how to pray and preach the Gospel more efficiently (2. Corinthians 4:3-4, Ephesians 6:12).'' Jan Vareca Editor of a Christian e-magazine 'The trumpet of Zion', Serbia "Eastern Orthodoxy has been largely unknown in the West, but in the recent years there has been a surge of interest, particularly among Christians of Protestant/Evangelical orientation, many of whom wish to find out more about this mystical expression of faith that captivates by its ancient charm and connection to the early church fathers. The book Eastern Orthodoxy Illuminated by the Gospel by Ivica Stamenkovic will unlock the mysteries of Eastern Orthodoxy for the Western readers. A native of Serbia, a country with a strong Eastern Orthodox majority, Ivica had the advantage of studying Eastern Orthodoxy at its source. The product of his studies is a volume that deserves to be called nothing less than a textbook on Eastern Orthodoxy and probably the first of its kind available in the English language. His clear, scholarly approach leaves no stones unturned. Needless to say, a study such as this one has been long overdue in the West. Even though scholarly, the book is by no means "dry" and is an enjoyable read, cover to cover." Alex Jovanovic Pastor of Mooretown Brethren in Christ Church Sandusky, Michigan, USA
The text's elaborate illumination also brings to life a vibrant artistic center, the Monastery of Gladzor, which long ago disappeared." "The Armenian Gospels of Gladzor includes sixty color reproductions of the manuscript's illuminated pages, ten black-and-white illustrations, and two maps along with an essay that explores the book's artistic richness and theological complexity."--BOOK JACKET.
This is a translation (8th edition-2013) of The Aramaic New Testament (Aramaic was the language of Jesus and his countrymen of 1st century Israel) in a literal English prose translation of The Peshitta New Testament. A translation of the Psalms & Proverbs from the ancient Peshitta OT Version is included at the end. This translation is derived from the author's Aramaic-English Interlinear New Testament and The Psalms & Proverbs interlinear. Aramaic was used in Mel Gibson's film "The Passion of the Christ" to make the film as realistic and accurate as possible. This New Testament will surprise and thrill the reader with its power and inspiration coming from the words of "Yeshua" ("Jesus" in ancient Aramaic) as He originally spoke them, in a literal and readable English rendering. 389 pages paperback without notes
Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithstanding often devastating circumstances—from the earthquake of 1033 to the fierce battles of the Crusades. So strong a magnet was Jerusalem that it drew out the creative imagination of even those separated from it by great distance, from as far north as Scandinavia to as far east as present-day China. This publication is the first to define these four centuries as a singularly creative moment in a singularly complex city. Through absorbing essays and incisive discussions of nearly 200 works of art, Jerusalem, 1000–1400: Every People Under Heaven explores not only the meaning of the city to its many faiths and its importance as a destination for tourists and pilgrims but also the aesthetic strands that enhanced and enlivened the medieval city that served as the crossroads of the known world.
First published in 1979.
Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.
An acclaimed expert in Christian mysticism travels to a monastery high in the Trodos Mountains of Cyprus and offers a fascinating look at the Greek Orthodox approach to spirituality that will appeal to readers of Carlos Castaneda. In an engaging combination of dialogues, reflections, conversations, history, and travel information, Kyriacos C. Markides continues the exploration of a spiritual tradition and practice little known in the West he began in Riding with the Lion. His earlier book took readers to the isolated peninsula of Mount Athos in northern Greece and into the group of ancient monasteries. There, in what might be called a “Christian Tibet,” two thousand monks and hermits practice the spiritual arts to attain a oneness with God. In his new book, Markides follows Father Maximos, one of Mount Athos’s monks, to the troubled island of Cyprus. As Father Maximos establishes churches, convents, and monasteries in this deeply divided land, Markides is awakened anew to the magnificent spirituality of the Greek Orthodox Church. Images of the land and the people of Cyprus and details of its tragic history enrich the Mountain of Silence. Like the writings of Castaneda, the book brilliantly evokes the confluence of an inner and outer journey. The depth and richness of its spiritual message echo the thoughts and writings of Saint Francis of Assisi and other great saints of the Church as well. The result is a remarkable work–a moving, profoundly human examination of the role and the power of spirituality in a complex and confusing world.
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries of the "Empire of the Romans" and its enduring heritage. Conceived as the third of a trio of exhibitions dedicated to a fuller understanding of the art of the Byzantine Empire, whose influence spanned more than a millennium, "Byzantium: Faith and Power (1261–1557)" follows the 1997 landmark presentation of "The Glory of Byzantium," which focused on the art and culture of the Middle Byzantine era—the Second Golden Age of the Byzantine Empire (843–1261). In the late 1970s, "The Age of Spirituality" explored the early centuries of Byzantium's history. The present concluding segment explores the exceptional artistic accomplishments of an era too often considered in terms of political decline. Magnificent works—from splendid frescoes, textiles, gilded metalwork, and mosaics to elaborately decorated manuscripts and liturgical objects—testify to the artistic and intellectual vigor of the Late and Post-Byzantine era. In addition, forty magnificent icons from the Holy Monastery of Saint Catherine, Sinai, Egypt, join others from leading international institutions in a splendid gathering of these powerful religious images. While the political strength of the empire weakened, the creativity and learning of Byzantium spread father than ever before. The exceptional works of secular and religious art produced by Late Byzantine artists were emulated and transformed by other Eastern Christian centers of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. The Islamic world adapted motifs drawn from Byzantium's imperial past, as Christian minorities in the Muslin East continued Byzantine customs. From Italy to the Lowlands, Byzantium's artistic and intellectual practices deeply influenced the development of the Renaissance, while, in turn, Byzantium's own traditions reflected the empire's connections with the Latin West. Fine examples of these interrelationships are illustrated by important panel paintings, ceramics, and illuminated manuscripts, among other objects. In 1557 the "Empire of the Romans," as its citizens knew it, which had fallen to the Ottoman Turks in 1453, was renamed Byzantium by the German scholar Hieronymus Wolf. The cultural and historical interaction and mutual influence of these major cultures—the Latin West and the Christian and Islamic East—during this fascinating period are investigated in this publication by a renowned group of international scholars in seventeen major essays and catalogue discussions of more than 350 exhibited objects.